2 20 26 https://artistsathome.emorydomains.org/files/original/b35eeeb8eeb7079ce78821e4444704cf.jpg ce5be1b0f235c616bd52bedd971024e8 https://artistsathome.emorydomains.org/files/original/d5b1d79e08ed05ab861c01d70fa9578b.jpg 45aa2d5000677003855e88446ddd56e1 https://artistsathome.emorydomains.org/files/original/b538b6221eef774867c2da58a701d1ab.jpg 4ab5d247d7d4c9829e0d1065ba58b3b9 https://artistsathome.emorydomains.org/files/original/abd437a375085f90bc4eed2d1ae4d5b1.png 526c3b50e4276a6c06fed7f5e8693d47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | G. A. LAWSON Image size 16.5 cm x 22 cm Sheet size 30.5 cm x 37 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource G. A. LAWSON Studio portrait of G. A. Lawson Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Lawson, George Anderson (1832-1904), Scottish sculptor Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Description An account of the resource Lawson sits to the right of the composition, looking directly at the viewer. One leg is on the floor, while the other rests awkwardly on the rung of the tall stool in front of him. On the stool is a clay bust of a middle-aged gentleman. The floor around Lawson is relatively bare, but arranged along the edges of the room are sculptures placed on stools and pedestals, their pale forms contrasting eerily with the dark walls. On the left-hand side of the image is a model's stand with an empty chair, a cloth draped over it. On the floor leading to this stand is a single rug, the only object in the portrait that is purely decorative. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. G. A. Lawson, Jeannie Deans, 1862, plaster cast G. A. Lawson, The Girl and Tortoise, 1883 G. A. Lawson, Cleopatra, 1881 G. A. Lawson, Lord Beaconsfield, portrait bust G. A. Lawson, Mr. Dorman, clay G. A. Lawson, Come unto These Yellow Sands G. A. Lawson, Nymph at the Pool G. A. Lawson, Hubert and Arthur, terracotta G. A. Lawson, The Maiden’s Secret G. A. Lawson, model for Retiarius Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_013.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Karuna Srikureja Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. G. A. Lawson, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Date Copyrighted Date of copyright. No copyright recorded. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 206, fig. 394. Benezit Dictionary of Artists, s.v. "Lawson, George Anderson," repr., Oxford Art Online. “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." https://artistsathome.emorydomains.org/files/original/55c0b4056dad0b962732d4b34e7384b8.png cdae6b321df32abd728f38a4bcd67e91 https://artistsathome.emorydomains.org/files/original/617ed543a9c1da20d0c5d39cefac41a3.jpg 97f4c60c51ffa4dfb64f2730ba7ae5aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 11.5 cm x 16.5 cm Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | Samuel Cousins, R. A. Sheet size 16.5 cm x 22 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource S. COUSINS, R.A. Studio portrait of Samuel Cousins Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Cousins, Samuel (1801-1887), English engraver Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Description An account of the resource In this spacious sitting room, Samuel Cousins occupies a central position. Seated in a comfortable armchair, the engraver looks past the viewer. His legs crossed, his hands joined together in front of him, his pose is stable if slightly stiff. Above him hang four examples of his work and next to him is an engraving. Behind him we can see a shelf with books, further to his right is a mantelpiece overhung by a mirror. On the mantelpiece stand Asian vases and a small statuette, to its left hangs a fan. The old fashioned wallpaper and large Persian rug complete this image of a well-appointed Victorian sitting room. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 215, fig. 409. “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Samuel Cousins, print after James Sant, Speak Lord For Thy Servant Hears also known as The Calling of Samuel (1854) Samuel Cousins, print after Edgar Melville Ward, Marie Antoinette and Louis XVI in the Prison of the Temple, (1862) Samuel Cousins, print after Charles Leslie, A Mother and Child (date unknown) Samuel Cousins, print after Sir John Everett Millais, Yes (ca. 1877) Jacobus Harrewijn, engraving after Jacques van Croes, drawing of Peter Paul Rubens’s house. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_010.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Ekaterina Koposova Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 30, 2016 Date Modified Date on which the resource was changed. October 1, 2016 October 2, 2016 November 21, 2016, by LM January 17, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. S. Cousins, RA, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Date Copyrighted Date of copyright. No copyright recorded. https://artistsathome.emorydomains.org/files/original/f51b328a4ad9cd449463f5a950a45b76.png d21faa1533af61164b6ed00da89193fd https://artistsathome.emorydomains.org/files/original/7d85582d6e6540f8c423786524876905.jpg 7dd7bcfc6b64c679fb6020e13fccbc4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 6.5 in x 8.6 in (16.5 cm x 21.8 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | JENIFER: Please complete inscription Sheet size 10.75 in x 12.5 in (27.3 cm x 31.75 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. E. MILLAIS, R.A. Studio portrait of John Everett Millais Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Millais, John Everett (1829-1896), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Date Copyrighted Date of copyright. Photograph copyrighted February 29, 1896. Copyright owner and author of work, Joe Parkin Mayall, 67 Gascony Avenue, West Hampstead, London. Late of 548 Oxford Street, London (Public Records, National Archives, Kew, COPY 1/423/591). Copyright description: "Photograph of J E Millais [Royal Academy], seated in his studio and holding newspaper." Description An account of the resource The artist reclines comfortably in an armchair holding a newspaper. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Jenifer Norwalk Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 28, 2016 Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_018.tif Date Modified Date on which the resource was changed. November 19, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <div class="element"> <div class="element-text five columns offset-by-two"> Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), fig. 9, p. 22. </div> </div> <div class="element"> </div> “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." “Reviews.” The Art Journal 46 (1884): 256. "The portraits of Mr. Millais and Mr. Marcus Stone are excellent likenesses, but those of Mr. Alma-Tadema and Mr. Pettie somehow miss the distinguishing characteristics of the two men." Maas, Jeremy. The Victorian Art World in Photographs. London: Barrie & Jenkins, 1984. Fig. 203, p. 107. Mancoff, Debra N., ed. John Everett Millais: Beyond the Pre-Raphaelite Brotherhood. Studies in British Art 7. New Haven: Yale University Press, 2001. Fig. 3, p. 6. Valentine, Helen, ed. Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection. New Haven and London: Royal Academy of Arts, London, in association with Yale University Press, 1999. Reproduced p. 154. Maas, Jeremy. The Victorian Art World in Photographs. London: Barrie & Jenkins, 1984. pp. 106–7, fig. 203. Cole, Emily, ed. Lived in London: Blue Plaques and the Stories behind Them. New Haven and London: Yale University Press, 2009. pp. 229–30. Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. J. E. Millais, RA, albumen print, approx. 6½ x 8½ in., by Joseph Parkin Mayall (1839-1922), ca. 1883 https://artistsathome.emorydomains.org/files/original/c2d495cac6cdff5c174cc32869702783.png 6f6c32a87314d19d16a394bc010d0d1d https://artistsathome.emorydomains.org/files/original/4c3371ae7b2170b615c15a9edefea034.jpg 55f2586348948381121d86ce2724c0a6 https://artistsathome.emorydomains.org/files/original/b890d12a99e6544284ab1061d1980697.jpg 1d5930c6aaef19f684228dbff1a2200f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 8.6 in x 6.5 in (21.84 cm x 16.5 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | JENIFER: Please complete inscription Sheet size 14.5 in. x 11.25 in. (36.83 cm x 28.58 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource V. C. PRINSEP, A.R.A. Studio portrait of Val Prinsep Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Prinsep, Valentine Cameron (1838-1904), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. March 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/285). Copyright description: "Photograph of Mr V Prinsep A R A and interior of his studio at 1 Holland Park Road, Kensington. Seated, palette in hand." Description An account of the resource The artist seated in a wooden chair holding a palette and paintbrushes with his head tilted towards his left shoulder. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Val C. Prinsep, Portrait of a Woman with Dark Hair, 1884, oil on canvas Val C. Prinsep, The Little Bookworm, 1884, oil on canvas Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Jenifer Norwalk Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 28, 2016 Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_002.tif Date Modified Date on which the resource was changed. November 19, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. V. C. Prinsep, ARA, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Reviews: ‘Artists at Home.’” The Derby Mercury (Derby, England), issue 8828, March 26, 1884. "The four plates in the part (No. 1) now before us represent Sir Frederic Leighton, Mr. W. C. Marshall, Mr. T. Webster, and Mr. V. C. Prinsep, in their workrooms, and in their habits as they live there. The portraits of the artists are admirable as likenesses, and the details of the studios themselves are admirably brought out. . . . The biographies are from the highly competent pen of Mr. F.G. Stephens, who supplies a variety of interesting particulars, especially in regard to the works and studies of the artists treated. Thus, of Mr. Prinsep’s house and work-room Mr. Stephens says . . . ." “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague; Mr. Boehm, sitting desultorily among busts and statues, seems to have been caught in the act of reading the paper; while Mr. Alma Tadema, as unlike himself as possible, leans boldly and airily on the chimney-piece, and Mr. Frank Dicksee, austere yet frightened, does even as Mr. Alma Tadema, and Mr. Val Prinsep turns from his picture with a frown, as if he felt inclined to wring the photographer’s neck." Valentine, Helen, ed. Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection. London: Royal Academy of Arts, in association with Yale University Press, New Haven and London, 1999. Repr. p. 156 MacLeod, Dianne Sachko. Art and the Victorian Middle Class: Money and the Making of Cultural Identity. Cambridge, England: Cambridge University Press, 1996. p. 297, repr. plate 57. Oxford Art Online, s.v. "Prinsep, Valentine Cameron," Benezit Dictionary of Artists, repr. Gere, Charlotte. Artistic Circles: Design & Decoration in the Aesthetic Movement. London: V&A Publishing, 2010. Repr. fig. 126, p. 144, erroneously attributed to J. J. Mayall. Walkley, Giles. Artists’ Houses in London 1764–1914. Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994. Repr. p. 53. https://artistsathome.emorydomains.org/files/original/e1251f8a3346a07ca56cf9689f66589e.png 6e6ec65026b55d882e085eaf9815d222 https://artistsathome.emorydomains.org/files/original/da811da01395b9d8b5e4b329150ec9ed.jpg 9bc82e4baac85a5d51843d5c4493ece5 https://artistsathome.emorydomains.org/files/original/3f67d9c5aba3a17f1fdce2ca23466e9d.jpg ef5ccac78daa6ff0b1785a7ac60c1f49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper. Image size 16.5 cm h x 21.5 cm w 6.5 in h x 8.5i n w Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson and Low Marston Searl & Rivington 188 Fleet St. | Park Lane Studio London | T.WEBSTER R.A. | Copyright Sheet size 27.5 cm h x 37 cm w 11 in h x 14.5 in w Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource T. WEBSTER, R.A. Studio portrait of Thomas Webster Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J.P. Mayall and reproduced in facsimile by phototengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Webster, Thomas (1800-1886), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. March 1884 Date Copyrighted Date of copyright. Photograph copyrighted February 21, 1884. Copyright owner and author of photograph, Joe Parkin Mayall, 548 Oxford Street, London (Public Records, The National Archives, Kew, COPY 1/367/83). Copyright description: "'Photograph of Mr J.[sic] Webster R.A. & portion of exterior of his house at Cranbrook, Kent.' Subject sits on chair in doorway of porch surrounded by climbing plants." Description An account of the resource Webster is seated in a wooden chair in the center of the photogravure outside his home in Cranbrook, Kent. He is surrounded by the various plants in his garden, flanked by the tall, white-framed windows of the entryway. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the National Gallery of Art. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_019.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Hilleary Gramling. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 26, 2016 Date Modified Date on which the resource was changed. November 15, 2016 November 21, 2016, by LM November 28, 2016, by HG January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. T. Webster, RA, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), 56. “Reviews: ‘Artists at Home.’” The Derby Mercury (Derby, England), issue 8828, March 26, 1884. "The four plates in the part (No. 1) now before us represent Sir Frederic Leighton, Mr. W. C. Marshall, Mr. T. Webster, and Mr. V. C. Prinsep, in their workrooms, and in their habits as they live there. The portraits of the artists are admirable as likenesses, and the details of the studios themselves are admirably brought out." https://artistsathome.emorydomains.org/files/original/cf80b78da92d1da4720050ec13c91098.jpg 58e1ce6f7ce7c882a0cfe5e721fdd27f https://artistsathome.emorydomains.org/files/original/700db8dbe306f064fd4ce450715d48e8.jpg 1b700b74366e2c46b2fe104103636f6c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Copyright description Photograph of Sir F. Leighton in his Studio, seated. Subject sits in chair with hand on small table in huge studio with paintings in gilt frames on far wall (COPY 1/367/82). Image size 6 1/2 in. x 8 5/8 in. (16.4 cm x 22 cm) Sheet size 10 7/8 in. x 14 1/2 in. (27.7 cm x 36.8 cm) Copyright date February 21, 1884, by Joe Parkin Mayall, 548 Oxford Street, London Notes TIFF image, 76.5 MB Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | SIR F. LEIGHTON, P.R.A. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SIR F. LEIGHTON, P.R.A. Studio portrait of Frederic Leighton Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates / edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Date Issued Date of formal issuance (e.g., publication) of the resource. March 1884 Subject The topic of the resource Leighton, Frederic, 1st Baron Leighton of Stretton (1830-1896), English painter Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), fig. 240, p. 126. Caroline Dakers, The Holland Park Circle: Artists and Victorian Society (New Haven, CT: Yale University Press, 1999), fig. 90, p. 189. Andrew Stephenson, “Leighton and the Shifting Repertoires of ‘Masculine’ Artistic Identity in the Late Victorian Period," in Frederic Leighton: Antiquity, Renaissance, Modernity, edited by Tim Barringer and Elizabeth Prettejohn, Studies in British Art 5 (New Haven: Yale University Press, 1999), fig. 82, p. 240. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (New Haven: Royal Academy of Arts, London, in association with Yale University Press, 1999), p. 152. (Photo from RA Archives) Jason Edwards and Imogen Hart, editors, Rethinking the Interior, c. 1867–1896: Aestheticism and Arts and Crafts (Aldershot: Ashgate, 2010), fig. 10.1, p. 214. Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), fig. 58, p. 85. Lynn Federle Orr and Stephen Calloway, editors, The Cult of Beauty: The Victorian Avant-Garde 1860-1900 (London: V&A Publishing, 2011), fig. 227, p. 244. “Reviews: ‘Artists at Home.’” The Derby Mercury (Derby, England), issue 8828, March 26, 1884. "The four plates in the part (No. 1) now before us represent Sir Frederic Leighton, Mr. W. C. Marshall, Mr. T. Webster, and Mr. V. C. Prinsep, in their workrooms, and in their habits as they live there. The portraits of the artists are admirable as likenesses, and the details of the studios themselves are admirably brought out." “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Of 'Artists at Home'—photographs by Mr. Mayall and text by Mr. F. G. Stephens—we have received the first five numbers. To us, we confess it, the publication, if in some sort useful, is absolutely devoid of interest. Mr. Stephens’s text is not much more than catalogue; and Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague; Mr. Boehm, sitting desultorily among busts and statues, seems to have been caught in the act of reading the paper; while Mr. Alma Tadema, as unlike himself as possible, leans boldly and airily on the chimney-piece, and Mr. Frank Dicksee, austere yet frightened, does even as Mr. Alma Tadema, and Mr. Val Prinsep turns from his picture with a frown, as if he felt inclined to wring the photographer’s neck. Other artists presented to the public are Mr. Webster, the President (a sufferer, but resigned), Mr. Redgrave, Mr. Cousins, Mr. Millais, Mr. Pettie, Mr. Marshall, and Mr. Marcus Stone." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Date Copyrighted Date of copyright. Photograph copyrighted February 21, 1884. Copyright owner and author of photograph, Joe Parkin Mayall, 548 Oxford Street, London (Public Records, National Archives, Kew, COPY 1/367/82).. Description: "'Photograph of Sir F. Leighton in his Studio, seated.' Subject sits in chair with hand on small table in huge studio with paintings in gilt frames on far wall." References A related resource that is referenced, cited, or otherwise pointed to by the described resource. F. Leighton, model of An Athlete Wrestling with a Python, 1877, bronze (larger version in Tate, London). F. Leighton, model of The Sluggard, c. 1884, bronze (larger version in Tate, London). F. Leighton, Decoration for the Dome, St. Paul's. The Lower Circular Panel: "The Reesurrection" ("The Sea gave up the dead which were in it.") Designed by Sir F. Leighton, P.R.A., 1884. Reproduced in The Builder 47 (July 5, 1884), n.p. F. Leighton, Letty (c. 1882) (exhib. Royal Academy 1884), <a href="http://www.leicestergalleries.com/19th-20th-century-paintings/d/neo-classical/frederic-lord-leighton/13294">http://www.leicestergalleries.com/19th-20th-century-paintings/d/neo-classical/frederic-lord-leighton/13294</a> F. Leighton, Phyrene at Eleusis (c. 1882) F. Leighton, Margaret "Eustacia" Dalrymple Smith, oil on canvas, location unknown. Sotheby's phot reproduced in Dianne Sachko MacLeod, Art and the Victorian Middle Class: Money and the Making of Cultural Identity (Cambridge: Cambridge University Press, 1996), p. 294, plate 55. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_014.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 5, 2016 Description An account of the resource The artist slouches slightly in a chair positioned in the center of the composition, set between two small round tables; a small figural sculpture, which he appears to touch, stands on the table to his right. Lining the wall behind him is a full bookcase and several framed paintings, many of them portraits of ladies; a drawing for a roundel painting rests on an easel set before a heavily draped window. Date Modified Date on which the resource was changed. November 16, 2016 January 20, 2017 Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Sir F. Leighton, PRA, albumen print, approx. 6½ x 8½ in., by Joseph Parkin Mayall (1839-1922), 1883