1 20 26 https://artistsathome.emorydomains.org/files/original/3bdf7777ca676e9ac3565c5e4b6dabea.png 9e90974a9ff740907dab9524e3895de1 https://artistsathome.emorydomains.org/files/original/f762da3fa1d4c63a65438fe939589bd4.jpg 544b366be46967d05bc57e8e1d00c491 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 21 cm h x 16.5 cm w 8.3 in h x 6. 5in w Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | GABRIELLA: finish the inscription, please Sheet size 36.5 cm h x 27.9 cm w 14.4 cm h x 11 in w Notes A different version of the photograph was copyrighted on September 14, 1883: Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr A C Marshall R A, & interior of his studio at 115 Ebury St. Pimlico S.W.: at work modelling a figure" (Public Records, National Archives, Kew, COPY 1/365/256 ). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource W. C. MARSHALL, R.A. Studio portrait of W. C. Marshall Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London Appleton & Co., New York Publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Marshall, William Calder (1813-1894), Scottish sculptor Date Issued Date of formal issuance (e.g., publication) of the resource. March 1884 Date Copyrighted Date of copyright. Photograph copyrighted on September 24, 1883, Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archives, Kew, COPY 1/365/255). Copyright description: "Photograph of Mr Marshall R A, & interior of his studio at 115 Ebury St. Eaton Sq. London. Seated in chair." Description An account of the resource The artist comfortably seated with his elbow on the table featured amid his sculptures. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Mass, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984) p. 208. “Reviews: ‘Artists at Home.’” The Derby Mercury (Derby, England), issue 8828, March 26, 1884. "The four plates in the part (No. 1) now before us represent Sir Frederic Leighton, Mr. W. C. Marshall, Mr. T. Webster, and Mr. V. C. Prinsep, in their workrooms, and in their habits as they live there. The portraits of the artists are admirable as likenesses, and the details of the studios themselves are admirably brought out." Benezit Dictionary of Artists, s.v. "Marshall, William Calder," in Oxford Art Online, reproduced. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. W. C. Marshall, Tali Players W. C. Marshall, Psyche W. C. Marshall, Venerable Bede translating the Gospel of St John W. C. Marshall, cast of the statue of Crompton W. C. Marshall, The Infant Satyr W. C. Marshall, Mother of Moses, Marshall's Diploma Work (e Royal Academy, London), exhibited at the Royal Academy in 1848 as The Last Drop - a young Satyr drinking. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_022.tif Contributor An entity responsible for making contributions to the resource Department of Image Collections, National Gallery of Art, Washington, DC Omeka record contributed by Gabriella Meier Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 29, 2016 Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. W. C. Marshall, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 https://artistsathome.emorydomains.org/files/original/e1251f8a3346a07ca56cf9689f66589e.png 6e6ec65026b55d882e085eaf9815d222 https://artistsathome.emorydomains.org/files/original/da811da01395b9d8b5e4b329150ec9ed.jpg 9bc82e4baac85a5d51843d5c4493ece5 https://artistsathome.emorydomains.org/files/original/3f67d9c5aba3a17f1fdce2ca23466e9d.jpg ef5ccac78daa6ff0b1785a7ac60c1f49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper. Image size 16.5 cm h x 21.5 cm w 6.5 in h x 8.5i n w Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson and Low Marston Searl & Rivington 188 Fleet St. | Park Lane Studio London | T.WEBSTER R.A. | Copyright Sheet size 27.5 cm h x 37 cm w 11 in h x 14.5 in w Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource T. WEBSTER, R.A. Studio portrait of Thomas Webster Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J.P. Mayall and reproduced in facsimile by phototengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Webster, Thomas (1800-1886), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. March 1884 Date Copyrighted Date of copyright. Photograph copyrighted February 21, 1884. Copyright owner and author of photograph, Joe Parkin Mayall, 548 Oxford Street, London (Public Records, The National Archives, Kew, COPY 1/367/83). Copyright description: "'Photograph of Mr J.[sic] Webster R.A. & portion of exterior of his house at Cranbrook, Kent.' Subject sits on chair in doorway of porch surrounded by climbing plants." Description An account of the resource Webster is seated in a wooden chair in the center of the photogravure outside his home in Cranbrook, Kent. He is surrounded by the various plants in his garden, flanked by the tall, white-framed windows of the entryway. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the National Gallery of Art. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_019.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Hilleary Gramling. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 26, 2016 Date Modified Date on which the resource was changed. November 15, 2016 November 21, 2016, by LM November 28, 2016, by HG January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. T. Webster, RA, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), 56. “Reviews: ‘Artists at Home.’” The Derby Mercury (Derby, England), issue 8828, March 26, 1884. "The four plates in the part (No. 1) now before us represent Sir Frederic Leighton, Mr. W. C. Marshall, Mr. T. Webster, and Mr. V. C. Prinsep, in their workrooms, and in their habits as they live there. The portraits of the artists are admirable as likenesses, and the details of the studios themselves are admirably brought out." https://artistsathome.emorydomains.org/files/original/02db2be60cb968ba9122ca2e287926c0.png 92acce687aa742566c9d9ef0dbb3b847 https://artistsathome.emorydomains.org/files/original/89e27fdc118ad2e3d46025e24df58690.jpg b428f251be76872c05caafe3d4c0de3f https://artistsathome.emorydomains.org/files/original/d0c2c5ab13f8746cc6c6ac9cb54ae414.jpg cdf31183d88826bf4edfa2c7d18d60bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 22.09 cm x 16.51 cm 8.7 inch x 6.6 inch Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | G. F. WATTS, R.A. Notes TIFF image, 77.8 MB Sheet size 15.3 inch x 10.9 inch Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource G. F. WATTS, R.A. Studio portrait of George Frederick Watts Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher after Joseph Parkin Mayall (1839-1906), photographer Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates / edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Watts, George Frederick (1817-1904), English painter and sculptor Date Issued Date of formal issuance (e.g., publication) of the resource. June 1884 Date Copyrighted Date of copyright. Photograph copyrighted February 29, 1896. Copyright owner and author, Joe Parkin Mayall, 67 Gascony Avenue, West Hampstead, London. Late of 548 Oxford Street, London (Public Records, The National Archives, Kew, COPY 1/423/588). Copyright description: "Photograph of G F Watts [Royal Academy], in his studio, seated, palette in hand." Description An account of the resource The artist seated in the center of his studio, with works of art covering the entire wall behind him. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. G. F. Watts, Lady Lindsay of Balcarres, 1876-77, oil on canvas (private collection). G. F. Watts, Britomart and Her Nurse, 1978, oil on canvas (original in Birmingham City Museums) ALBERTINE: Please check date: do you mean 1878? G. F. Watts, the Meeting of Jacob and Esau, 1878. G. F. Watts, Cardinal Manning, 1882, oil on canvas (National Portrait Gallery, London). G. F. Watts, Duke of Devonshire, 1883, oil on canvas (The Fitzwilliam Museum, Cambridge). G. F. Watts, Paolo and Francesca, 1872-75, oil on canvas (The Watts Gallery, Compton, Guildford) Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_017.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Albertine Lee Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 28, 2016 Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. G. F. Watts, RA, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Our Note Book.” The Illustrated London News 35 (July 12, 1884): 26. "The June number of “Artists at Home” contains portraits and views of the studios of G. F. Watts, R.A., W. H. Thornycroft, A.R.A., W. F. Yeames, R. A., and J. MacWhirter, A.R.A. Considering that this is a purely artistic work, it is surprising that the artists represented have not exercised a more beneficial control over the arrangement and production of the pictures. . . ." “The Reader.” The Graphic, issue 767, August 9, 1884. "Part IV of “Artists at Home” (S. Low and Co.), containing the portraits of Messrs. Watts, Thorneycroft [sic ], Yeames, and MacWhirter is now published. The illustrations are fully equal both in interest and quality to its three predecessors." Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 68, fig. 124. Caroline Dakers, The Holland Park Circle: Artists and Victorian Society (New Haven, CT: Yale University Press, 1999), p. 256, fig. 123. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (London: Royal Academy of Arts in association with Yale University Press, 1999), p. 159, detail on p. 142. Benezit Dictionary of Artists, s.v. "Watts, George Frederick," in Oxford Art Online. Barbara Bryant, G. F. Watts in Kensington: Little Holland House and Gallery (Compton: Watts Gallery, 2009), n.p. https://artistsathome.emorydomains.org/files/original/f92a83274ec2dbbba5680a9576282943.png af4fa980e53858ae1a45606d136fd628 https://artistsathome.emorydomains.org/files/original/adaabd9ca45ab0eac52101786c4fb916.png e74c828c4e79747b7caf79c5d2817537 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 11.5 cm x 16.5 cm Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | L. ALMA-TADEMA R. A. Sheet size 16.5 cm x 22 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L. ALMA-TADEMA, R.A. Studio portrait of Lawrence Alma-Tadema Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Alma-Tadema, Lawrence (1836-1912), English painter of Dutch origin Date Issued Date of formal issuance (e.g., publication) of the resource. May 1884 Date Copyrighted Date of copyright. February 29, 189, Copyright owner and author of work, Joe Parkin Mayall, 67 Gascony Avenue, West Hampstead, London. Late of 548 Oxford Street, London (Public Records, The National Archives, Kew, COPY 1/423/590). Description: “Photograph of L Alma Tadema, [Royal Academy], in his studio, leaning his head on his hand against mantel piece.” Description An account of the resource Lawrence Alma-Tadema leans against the mantelpiece in his studio, his contrapposto suggesting movement and informality. In his left hand is a cigar, his right hand he has casually tucked into his trouser pocket. To his right is an empty chair with a tiger fur, to his left, on the mantelpiece, is a portrait bust. To the right of the mantelpiece hangs a luxurious fan. An African mask with peacock feathers is suspended above the artist. On the cornice are placed a sculpture and vases. In the space between the cornice and the mantelpiece hangs a golden cloth. In the background on the left, palm branches, an easel with a finished painting, and another painting behind it catch our eye, before our gaze wonders to the dark liminal space of the entrance into the studio. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. L. Alma-Tadema, The Meeting of Antony and Cleopatra, 1881-1883, oil on canvas (Private Collection) L. Alma-Tadema, An Old Story, 1883, watercolor, British Museum. Boy with Thorn, copy of Hellenistic original Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context NGA_m48_pl_9.tif Contributor An entity responsible for making contributions to the resource Department of Image Collections, National Gallery of Art, Washington, DC Omeka record contributed by Ekaterina Koposova Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 30, 2016 Date Modified Date on which the resource was changed. October 1, 2016 October 2, 2016 November 21, 2016, by LM January 20, 2017, by LM March 5, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. L. Alma Tadema, RA,albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Reviews.” The Art Journal 46 (1884): 256. "The portraits of Mr. Millais and Mr. Marcus Stone are excellent likenesses, but those of Mr. Alma-Tadema and Mr. Pettie somehow miss the distinguishing characteristics of the two men." “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.”<a title="" href="#_ftn1"></a> Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague; Mr. Boehm, sitting desultorily among busts and statues, seems to have been caught in the act of reading the paper; while Mr. Alma Tadema, as unlike himself as possible, leans boldly and airily on the chimney-piece, and Mr. Frank Dicksee, austere yet frightened, does even as Mr. Alma Tadema, and Mr. Val Prinsep turns from his picture with a frown, as if he felt inclined to wring the photographer’s neck." Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 123, fig. 234, p. 123. Julian Treuherz, “Alma-Tadema, aesthete, architect and interior designer,” in Sir Lawrence Alma-Tadema, ed. by Edwin Becker, exhib. cat., Van Gogh Museum, Amsterdam, and Walker Art Gallery, Liverpool, 1996 (New York: Rizzoli, 1997), p. 47, fig. 28. Giles Waterfield, ed., The Artist’s Studio, exhib. cat., Compton Verney (London: Hogarth Arts, 2009), p. 68, fig. 51. Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), p. 84, fig. 57, erroneously attributed to the photographer's father, J. J. E. Mayall. Elizabeth Prettejohn, “Sir Lawrence Alma-Tadema: Studio-House, Grove End Road, London,” in In the Temple of the Self: The Artist’s Residence as a Total Work of Art: Europe and America 1800–1948, ed. by Margot Th. Brandlhuber and Michael Buhrsed (Ostfildern: Hatje Cantz, 2013), p. 107, fig. 4. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (London: Royal Academy of Arts, in association with Yale University Press, 1999), p. 143. Repr. in Benezit Dictionary of Artists, "Alma-Tadema, Lawrence," in Oxford Art Online. https://artistsathome.emorydomains.org/files/original/55c0b4056dad0b962732d4b34e7384b8.png cdae6b321df32abd728f38a4bcd67e91 https://artistsathome.emorydomains.org/files/original/617ed543a9c1da20d0c5d39cefac41a3.jpg 97f4c60c51ffa4dfb64f2730ba7ae5aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 11.5 cm x 16.5 cm Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | Samuel Cousins, R. A. Sheet size 16.5 cm x 22 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource S. COUSINS, R.A. Studio portrait of Samuel Cousins Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Cousins, Samuel (1801-1887), English engraver Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Description An account of the resource In this spacious sitting room, Samuel Cousins occupies a central position. Seated in a comfortable armchair, the engraver looks past the viewer. His legs crossed, his hands joined together in front of him, his pose is stable if slightly stiff. Above him hang four examples of his work and next to him is an engraving. Behind him we can see a shelf with books, further to his right is a mantelpiece overhung by a mirror. On the mantelpiece stand Asian vases and a small statuette, to its left hangs a fan. The old fashioned wallpaper and large Persian rug complete this image of a well-appointed Victorian sitting room. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 215, fig. 409. “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Samuel Cousins, print after James Sant, Speak Lord For Thy Servant Hears also known as The Calling of Samuel (1854) Samuel Cousins, print after Edgar Melville Ward, Marie Antoinette and Louis XVI in the Prison of the Temple, (1862) Samuel Cousins, print after Charles Leslie, A Mother and Child (date unknown) Samuel Cousins, print after Sir John Everett Millais, Yes (ca. 1877) Jacobus Harrewijn, engraving after Jacques van Croes, drawing of Peter Paul Rubens’s house. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_010.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Ekaterina Koposova Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 30, 2016 Date Modified Date on which the resource was changed. October 1, 2016 October 2, 2016 November 21, 2016, by LM January 17, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. S. Cousins, RA, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Date Copyrighted Date of copyright. No copyright recorded. https://artistsathome.emorydomains.org/files/original/b35eeeb8eeb7079ce78821e4444704cf.jpg ce5be1b0f235c616bd52bedd971024e8 https://artistsathome.emorydomains.org/files/original/d5b1d79e08ed05ab861c01d70fa9578b.jpg 45aa2d5000677003855e88446ddd56e1 https://artistsathome.emorydomains.org/files/original/b538b6221eef774867c2da58a701d1ab.jpg 4ab5d247d7d4c9829e0d1065ba58b3b9 https://artistsathome.emorydomains.org/files/original/abd437a375085f90bc4eed2d1ae4d5b1.png 526c3b50e4276a6c06fed7f5e8693d47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | G. A. LAWSON Image size 16.5 cm x 22 cm Sheet size 30.5 cm x 37 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource G. A. LAWSON Studio portrait of G. A. Lawson Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Lawson, George Anderson (1832-1904), Scottish sculptor Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Description An account of the resource Lawson sits to the right of the composition, looking directly at the viewer. One leg is on the floor, while the other rests awkwardly on the rung of the tall stool in front of him. On the stool is a clay bust of a middle-aged gentleman. The floor around Lawson is relatively bare, but arranged along the edges of the room are sculptures placed on stools and pedestals, their pale forms contrasting eerily with the dark walls. On the left-hand side of the image is a model's stand with an empty chair, a cloth draped over it. On the floor leading to this stand is a single rug, the only object in the portrait that is purely decorative. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. G. A. Lawson, Jeannie Deans, 1862, plaster cast G. A. Lawson, The Girl and Tortoise, 1883 G. A. Lawson, Cleopatra, 1881 G. A. Lawson, Lord Beaconsfield, portrait bust G. A. Lawson, Mr. Dorman, clay G. A. Lawson, Come unto These Yellow Sands G. A. Lawson, Nymph at the Pool G. A. Lawson, Hubert and Arthur, terracotta G. A. Lawson, The Maiden’s Secret G. A. Lawson, model for Retiarius Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_013.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Karuna Srikureja Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. G. A. Lawson, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Date Copyrighted Date of copyright. No copyright recorded. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 206, fig. 394. Benezit Dictionary of Artists, s.v. "Lawson, George Anderson," repr., Oxford Art Online. “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." https://artistsathome.emorydomains.org/files/original/2b300b9aea54ff2113ac1911bb83034f.png 0b0b7dac098f78e753ee40056911f76f https://artistsathome.emorydomains.org/files/original/8e69709a093837ba1f2d249cd39578e8.jpg 4ce5101d62327bbe5508f051089d2e51 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 6 1/2 in. x 8 3/4 in. (16.8 cm x 27.7 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | J. MAC WHIRTER, A.R.A. | Copyright Sheet size 10 3/4 in. x 14 1/2 in. (27.7 cm x 36.8 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. MACWHIRTER, A.R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co. New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource MacWhirter, John (1839-1911), Scottish painter Date Issued Date of formal issuance (e.g., publication) of the resource. June 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 13, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/230) Description: "Photograph of Mr MacWhirter A R A, & interior of his studio at No1. Abbey Road, St Johns Wood." Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_008.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 3, 2016 Description An account of the resource The artist sits is a large, mostly unfurnished studio before an easel that supports a large, framed landscape painting. He holds a palette and brush and looks at a sketch propped on a pile of books atop a wooden chair just to the right of the easel. A grand fireplace appears on the rear wall, below a gallery lined with a railing that descends the stairs in the left-hand corner of the composition. To the left of the railing are two more easels holding framed landscape paintings. The floor is bare, apart from an animal skin before the hearth. Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. J. MacWhirter, ARA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Date Modified Date on which the resource was changed. November 21, 2016 January 20, 2017 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Our Note Book.” The Illustrated London News 35 (July 12, 1884): 26. "The June number of “Artists at Home” contains portraits and views of the studios of G. F. Watts, R.A., W. H. Thornycroft, A.R.A., W. F. Yeames, R. A., and J. MacWhirter, A.R.A. Considering that this is a purely artistic work, it is surprising that the artists represented have not exercised a more beneficial control over the arrangement and production of the pictures. . . ." https://artistsathome.emorydomains.org/files/original/252abfc7311195b62c4aab484667ea56.jpg 749921e0f6f51cac19d8a22fecd6c1e5 https://artistsathome.emorydomains.org/files/original/6313f35ccae0d03994d1ce11fbe7d8e6.jpg 060fe854bdd758c0488bccf2fbf7581d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 6 3/4 in. x 8 1/2 in. (16.9 cm x 21.5 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | T. O. BARLOW, R.A. | Copyright Sheet size 11 in. x 14 1/2 in. (27.8 x 36.8 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource T. O. BARLOW, R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher after Frank Dudman (1855-1918) for Joseph Parkin Mayall (1839-1906) Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Barlow, Thomas Oldham (1824-1889), English engraver Date Issued Date of formal issuance (e.g., publication) of the resource. August 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 24, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew COPY 1/365/298). Description: "Photograph of Mr T O Barlow R A and interior of his studio at 38a Victoria [Road], Kensington. Seated at work, engraving." Description An account of the resource The artist is seated at a table with etching tools, his head resting on his right hand, before a large, unframed portrait of a man wearing religious robes; to the right is another unframed portrait of a man that is propped against elaborate, carved shelving filled with metal and ceramic vessels. On the wall behind the artist hang a number of framed prints and a landscape painting. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie # Jenkins, 1984), fig. 498, p. 215. “Some Fine Art Books.” The Graphic, issue 788, Jan. 3, 1885. "Part VI. of 'Artists at Home' (S. Low and Co.), contains the portraits of five very opposite characters—E. J. Poynter, R.A., T. O. Barlow, R.A., Macbeth and Storey, A.R.A.’s, and Mr. Gladstone. The volume fully sustains the promise of the earlier numbers, the photo engravings are excellent, and the letterpress brief and to the point." References A related resource that is referenced, cited, or otherwise pointed to by the described resource. J. E. Millais, Portrait of Henry Irving (Garrick Club, London) J. E. Millais, Portrait of John Newman, 1881, oil on canvas, 47 3/4 in. x 37 1/2 in. (National Portrait Gallery, London), T. O. Barlow, after J. E. Millais, William Ewart Gladstone, Prime Minister (1879), mezzotint with chine collé (59.10 cm x 43.50 cm), published 1881. T. O. Barlow, after Sir Godfrey Kneller, Bt, Sir Isaac Newton, etching and aquatint (19 3/4 in. x 15 1/2 in.), published January 1, 1867. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 3, 2016 Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. T. O. Barlow, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Date Modified Date on which the resource was changed. November 21, 2016 https://artistsathome.emorydomains.org/files/original/fdedc0b3150955c86c8ed3fa4f4e5062.png 87e03258b417f74ebc45345f61c6aca7 https://artistsathome.emorydomains.org/files/original/ec1f4c24a52fba545a03dd626b5af518.jpg f811527931b24412493b5d6f0297d0d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 22.86 cm x 16.51 cm Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | G. A. STOREY, A.R.A. Sheet size TK Notes A different version of the photograph was copyrighted on September 24, 1883: Copyright owner: Joe Parkin Mayall, 548 Oxford Street, London. Author of work: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr G A Stocey ARA and interior of his studio at 19 St Johns Wood Road, London. Seated palette in hand" (Public Records, National Archives, Kew, COPY 1/365/305). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource G. A. STOREY, A.R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London Publisher D. Appleton & Co., New York Publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Storey, George Adolphus (1834-1919), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. August 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 24th, 1883, Copyright owner of photograph, Joe Parkin Mayall, 584 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records The National Archives, Kew, COPY 1/365/306). Description: "Photograph of Mr G A Stocey [sic] ARA and interior of his studio at 19 St Johns Wood Road. Seated painting a portrait of Lady." Description An account of the resource G. A Storey is seated in front of a canvas on an easel, painting a portrait of a woman. He has a palette in hand. Leaning on a chair and standing to his left is the model for his painting, looking at the viewer. The studio walls are covered in framed pictures. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_016.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Michelle Malmberg Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 29, 2016 Language A language of the resource English Date Modified Date on which the resource was changed. November 21, 2016, by LM January 20, 2017, by LM March 4, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. G. A. Storey, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Some Fine Art Books.” The Graphic, issue 788, Jan. 3, 1885. "Part VI. of 'Artists at Home' (S. Low and Co.), contains the portraits of five very opposite characters—E. J. Poynter, R.A., T. O. Barlow, R.A., Macbeth and Storey, A.R.A.’s, and Mr. Gladstone. The volume fully sustains the promise of the earlier numbers, the photo engravings are excellent, and the letterpress brief and to the point." Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), repr. p. 66, fig. 117. Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), repr. p. 86, fig. 60 (erroneously attributed to the photographer's father, J. J. E. Mayall). Milk, Joanna (MacFarland). “Artists at Home: Artifice and Presence.” n.d. http://www.academia.edu/4168571/Artists_at_Home_Artifice_and_Presence https://artistsathome.emorydomains.org/files/original/b2b064b3d136d4e134052de69876782b.png f261300b125f36ae82ff1715af0fc0a5 https://artistsathome.emorydomains.org/files/original/8babc983f9611071e204a6964999e1f5.jpg c4f156b92a5312424c9bd5fc61912950 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | RICHARD REDGRAVE C.B. Image size 21.5 cm x 16.5 cm Sheet size 37 cm x 30 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource RICHARD REDGRAVE, C.B. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London Publisher D. Appleton & Co., New York Publisher after Frank Dudman (1855-1918) for Joseph Parkin Mayall (1839-1906) Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Redgrave, Richard (1804-1888), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. May 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 24, 1883. Copyright owner of work, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of work, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/304). Copyright description: "Photograph of Mr R Redgrave RA and interior of his studio at 18 [sic] Hyde Park Gate, South Kensington, London. Seated palette in hand." Description An account of the resource Redgrave sits on the right-hand side of the composition, leaning back in an ornately carved chair with his legs crossed. He gazes blankly at the upper left corner. Behind him are two easels, and beside his legs, a table with various objects, including several pots and a bottle. Behind Redgrave is a chest of drawers, on top of which sits a large pot. A similar pot is on the floor near the artist. On the far left is a short flight of stairs that leads to a slightly higher level, sectioned off with a banister. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_003.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Karuna Srikureja Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 29, 2016 Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Richard Redgrave, CB, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), August 11, 1883 August 11, 1883 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Dafforne, James. <a title="“British Artists: Their Style and Character, No. XLV—Richard Redgrave, R.A.”" href="https://books.google.com/books?id=oo1CAAAAcAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false">“British Artists: Their Style and Character, No. XLV—Richard Redgrave, R.A.”</a> The Art Journal 5 (July 1, 1859): 205–7. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, Victorian Painters (London: Barrie & Jenkins, 1988), repr. fig. 83. Benezit Dictionary of Artists, s.v. "Redgrave, Richard," in Oxford Art Online, repr. https://artistsathome.emorydomains.org/files/original/cf80b78da92d1da4720050ec13c91098.jpg 58e1ce6f7ce7c882a0cfe5e721fdd27f https://artistsathome.emorydomains.org/files/original/700db8dbe306f064fd4ce450715d48e8.jpg 1b700b74366e2c46b2fe104103636f6c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Copyright description Photograph of Sir F. Leighton in his Studio, seated. Subject sits in chair with hand on small table in huge studio with paintings in gilt frames on far wall (COPY 1/367/82). Image size 6 1/2 in. x 8 5/8 in. (16.4 cm x 22 cm) Sheet size 10 7/8 in. x 14 1/2 in. (27.7 cm x 36.8 cm) Copyright date February 21, 1884, by Joe Parkin Mayall, 548 Oxford Street, London Notes TIFF image, 76.5 MB Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | SIR F. LEIGHTON, P.R.A. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SIR F. LEIGHTON, P.R.A. Studio portrait of Frederic Leighton Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates / edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Date Issued Date of formal issuance (e.g., publication) of the resource. March 1884 Subject The topic of the resource Leighton, Frederic, 1st Baron Leighton of Stretton (1830-1896), English painter Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), fig. 240, p. 126. Caroline Dakers, The Holland Park Circle: Artists and Victorian Society (New Haven, CT: Yale University Press, 1999), fig. 90, p. 189. Andrew Stephenson, “Leighton and the Shifting Repertoires of ‘Masculine’ Artistic Identity in the Late Victorian Period," in Frederic Leighton: Antiquity, Renaissance, Modernity, edited by Tim Barringer and Elizabeth Prettejohn, Studies in British Art 5 (New Haven: Yale University Press, 1999), fig. 82, p. 240. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (New Haven: Royal Academy of Arts, London, in association with Yale University Press, 1999), p. 152. (Photo from RA Archives) Jason Edwards and Imogen Hart, editors, Rethinking the Interior, c. 1867–1896: Aestheticism and Arts and Crafts (Aldershot: Ashgate, 2010), fig. 10.1, p. 214. Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), fig. 58, p. 85. Lynn Federle Orr and Stephen Calloway, editors, The Cult of Beauty: The Victorian Avant-Garde 1860-1900 (London: V&A Publishing, 2011), fig. 227, p. 244. “Reviews: ‘Artists at Home.’” The Derby Mercury (Derby, England), issue 8828, March 26, 1884. "The four plates in the part (No. 1) now before us represent Sir Frederic Leighton, Mr. W. C. Marshall, Mr. T. Webster, and Mr. V. C. Prinsep, in their workrooms, and in their habits as they live there. The portraits of the artists are admirable as likenesses, and the details of the studios themselves are admirably brought out." “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Of 'Artists at Home'—photographs by Mr. Mayall and text by Mr. F. G. Stephens—we have received the first five numbers. To us, we confess it, the publication, if in some sort useful, is absolutely devoid of interest. Mr. Stephens’s text is not much more than catalogue; and Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague; Mr. Boehm, sitting desultorily among busts and statues, seems to have been caught in the act of reading the paper; while Mr. Alma Tadema, as unlike himself as possible, leans boldly and airily on the chimney-piece, and Mr. Frank Dicksee, austere yet frightened, does even as Mr. Alma Tadema, and Mr. Val Prinsep turns from his picture with a frown, as if he felt inclined to wring the photographer’s neck. Other artists presented to the public are Mr. Webster, the President (a sufferer, but resigned), Mr. Redgrave, Mr. Cousins, Mr. Millais, Mr. Pettie, Mr. Marshall, and Mr. Marcus Stone." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Date Copyrighted Date of copyright. Photograph copyrighted February 21, 1884. Copyright owner and author of photograph, Joe Parkin Mayall, 548 Oxford Street, London (Public Records, National Archives, Kew, COPY 1/367/82).. Description: "'Photograph of Sir F. Leighton in his Studio, seated.' Subject sits in chair with hand on small table in huge studio with paintings in gilt frames on far wall." References A related resource that is referenced, cited, or otherwise pointed to by the described resource. F. Leighton, model of An Athlete Wrestling with a Python, 1877, bronze (larger version in Tate, London). F. Leighton, model of The Sluggard, c. 1884, bronze (larger version in Tate, London). F. Leighton, Decoration for the Dome, St. Paul's. The Lower Circular Panel: "The Reesurrection" ("The Sea gave up the dead which were in it.") Designed by Sir F. Leighton, P.R.A., 1884. Reproduced in The Builder 47 (July 5, 1884), n.p. F. Leighton, Letty (c. 1882) (exhib. Royal Academy 1884), <a href="http://www.leicestergalleries.com/19th-20th-century-paintings/d/neo-classical/frederic-lord-leighton/13294">http://www.leicestergalleries.com/19th-20th-century-paintings/d/neo-classical/frederic-lord-leighton/13294</a> F. Leighton, Phyrene at Eleusis (c. 1882) F. Leighton, Margaret "Eustacia" Dalrymple Smith, oil on canvas, location unknown. Sotheby's phot reproduced in Dianne Sachko MacLeod, Art and the Victorian Middle Class: Money and the Making of Cultural Identity (Cambridge: Cambridge University Press, 1996), p. 294, plate 55. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_014.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 5, 2016 Description An account of the resource The artist slouches slightly in a chair positioned in the center of the composition, set between two small round tables; a small figural sculpture, which he appears to touch, stands on the table to his right. Lining the wall behind him is a full bookcase and several framed paintings, many of them portraits of ladies; a drawing for a roundel painting rests on an easel set before a heavily draped window. Date Modified Date on which the resource was changed. November 16, 2016 January 20, 2017 Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Sir F. Leighton, PRA, albumen print, approx. 6½ x 8½ in., by Joseph Parkin Mayall (1839-1922), 1883 https://artistsathome.emorydomains.org/files/original/c2d495cac6cdff5c174cc32869702783.png 6f6c32a87314d19d16a394bc010d0d1d https://artistsathome.emorydomains.org/files/original/4c3371ae7b2170b615c15a9edefea034.jpg 55f2586348948381121d86ce2724c0a6 https://artistsathome.emorydomains.org/files/original/b890d12a99e6544284ab1061d1980697.jpg 1d5930c6aaef19f684228dbff1a2200f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 8.6 in x 6.5 in (21.84 cm x 16.5 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | JENIFER: Please complete inscription Sheet size 14.5 in. x 11.25 in. (36.83 cm x 28.58 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource V. C. PRINSEP, A.R.A. Studio portrait of Val Prinsep Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Prinsep, Valentine Cameron (1838-1904), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. March 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/285). Copyright description: "Photograph of Mr V Prinsep A R A and interior of his studio at 1 Holland Park Road, Kensington. Seated, palette in hand." Description An account of the resource The artist seated in a wooden chair holding a palette and paintbrushes with his head tilted towards his left shoulder. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Val C. Prinsep, Portrait of a Woman with Dark Hair, 1884, oil on canvas Val C. Prinsep, The Little Bookworm, 1884, oil on canvas Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Jenifer Norwalk Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 28, 2016 Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_002.tif Date Modified Date on which the resource was changed. November 19, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. V. C. Prinsep, ARA, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Reviews: ‘Artists at Home.’” The Derby Mercury (Derby, England), issue 8828, March 26, 1884. "The four plates in the part (No. 1) now before us represent Sir Frederic Leighton, Mr. W. C. Marshall, Mr. T. Webster, and Mr. V. C. Prinsep, in their workrooms, and in their habits as they live there. The portraits of the artists are admirable as likenesses, and the details of the studios themselves are admirably brought out. . . . The biographies are from the highly competent pen of Mr. F.G. Stephens, who supplies a variety of interesting particulars, especially in regard to the works and studies of the artists treated. Thus, of Mr. Prinsep’s house and work-room Mr. Stephens says . . . ." “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague; Mr. Boehm, sitting desultorily among busts and statues, seems to have been caught in the act of reading the paper; while Mr. Alma Tadema, as unlike himself as possible, leans boldly and airily on the chimney-piece, and Mr. Frank Dicksee, austere yet frightened, does even as Mr. Alma Tadema, and Mr. Val Prinsep turns from his picture with a frown, as if he felt inclined to wring the photographer’s neck." Valentine, Helen, ed. Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection. London: Royal Academy of Arts, in association with Yale University Press, New Haven and London, 1999. Repr. p. 156 MacLeod, Dianne Sachko. Art and the Victorian Middle Class: Money and the Making of Cultural Identity. Cambridge, England: Cambridge University Press, 1996. p. 297, repr. plate 57. Oxford Art Online, s.v. "Prinsep, Valentine Cameron," Benezit Dictionary of Artists, repr. Gere, Charlotte. Artistic Circles: Design & Decoration in the Aesthetic Movement. London: V&A Publishing, 2010. Repr. fig. 126, p. 144, erroneously attributed to J. J. Mayall. Walkley, Giles. Artists’ Houses in London 1764–1914. Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994. Repr. p. 53. https://artistsathome.emorydomains.org/files/original/f51b328a4ad9cd449463f5a950a45b76.png d21faa1533af61164b6ed00da89193fd https://artistsathome.emorydomains.org/files/original/7d85582d6e6540f8c423786524876905.jpg 7dd7bcfc6b64c679fb6020e13fccbc4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 6.5 in x 8.6 in (16.5 cm x 21.8 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | JENIFER: Please complete inscription Sheet size 10.75 in x 12.5 in (27.3 cm x 31.75 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. E. MILLAIS, R.A. Studio portrait of John Everett Millais Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Millais, John Everett (1829-1896), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Date Copyrighted Date of copyright. Photograph copyrighted February 29, 1896. Copyright owner and author of work, Joe Parkin Mayall, 67 Gascony Avenue, West Hampstead, London. Late of 548 Oxford Street, London (Public Records, National Archives, Kew, COPY 1/423/591). Copyright description: "Photograph of J E Millais [Royal Academy], seated in his studio and holding newspaper." Description An account of the resource The artist reclines comfortably in an armchair holding a newspaper. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Jenifer Norwalk Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 28, 2016 Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_018.tif Date Modified Date on which the resource was changed. November 19, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <div class="element"> <div class="element-text five columns offset-by-two"> Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), fig. 9, p. 22. </div> </div> <div class="element"> </div> “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." “Reviews.” The Art Journal 46 (1884): 256. "The portraits of Mr. Millais and Mr. Marcus Stone are excellent likenesses, but those of Mr. Alma-Tadema and Mr. Pettie somehow miss the distinguishing characteristics of the two men." Maas, Jeremy. The Victorian Art World in Photographs. London: Barrie & Jenkins, 1984. Fig. 203, p. 107. Mancoff, Debra N., ed. John Everett Millais: Beyond the Pre-Raphaelite Brotherhood. Studies in British Art 7. New Haven: Yale University Press, 2001. Fig. 3, p. 6. Valentine, Helen, ed. Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection. New Haven and London: Royal Academy of Arts, London, in association with Yale University Press, 1999. Reproduced p. 154. Maas, Jeremy. The Victorian Art World in Photographs. London: Barrie & Jenkins, 1984. pp. 106–7, fig. 203. Cole, Emily, ed. Lived in London: Blue Plaques and the Stories behind Them. New Haven and London: Yale University Press, 2009. pp. 229–30. Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. J. E. Millais, RA, albumen print, approx. 6½ x 8½ in., by Joseph Parkin Mayall (1839-1922), ca. 1883 https://artistsathome.emorydomains.org/files/original/4edf8a40725b00f9faa532d1b3318199.png 337ca6f7e52050c6427ce7fdf01750ed https://artistsathome.emorydomains.org/files/original/8d0171debd2644ea260a1ab6a1fb1d17.jpg 8afb5594fa40cdd2e389348daf4123ba https://artistsathome.emorydomains.org/files/original/a8353fa4cbeb31f98cafc99552a4b99c.jpg 6c750b215228096b413e0fec758bbfbe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 6 1/2 in. x 8 5/8 in. (16.4 cm x 22 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | MARCUS STONE, A. R. A. Sheet size 10 7/8 in. x 14 1/2 in. (27.7 cm x 36.8 cm) Notes Another version of the photograph was copyrighted on September 14, 1883: Photographers' advertisement on reverse of photograph. Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr Marcus Stone A R A, & interior of his studio at 8 Grove End Road St Johns Wood. Palette in hand, seated, profile face" (Public Records, National Archives, KEW, COPY 1/365/263). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MARCUS STONE, A.R.A. Studio portrait of Marcus Stone Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Stone, Marcus C. (1840-1921), British painter and illustrator Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/264). Copyright description: "Photograph of Mr Marcus Stone A R A, & interior of his studio. Seated, palette in hand, 3/4 face." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Anna Mahony Description An account of the resource The artist sits upright in a wooden chair on the right side of the composition, in front of a fireplace covered by his notes. He studies his canvas while holding a paintbrush and palette. Chairs, full bookcases, and desks occupy the left side of the composition, behind which hangs a large wall tapestry. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_030.tif Date Modified Date on which the resource was changed. December 2, 2016 January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Marcus Stone, ARA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 1, 2016 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." “Reviews.” The Art Journal 46 (1884): 256. "The portraits of Mr. Millais and Mr. Marcus Stone are excellent likenesses, but those of Mr. Alma-Tadema and Mr. Pettie somehow miss the distinguishing characteristics of the two men." Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (London: Royal Academy of Arts in association with Yale University Press, 1999), repr. p. 35, fig. 5. Reproduced in "Stone, Marcus C.," Benezit Dictionary of Artists in Oxford Art Online. Caroline Dakers, The Holland Park Circle: Artists and Victorian Society (New Haven, CT: Yale University Press, 1999), repr. p. 166, fig. 75. https://artistsathome.emorydomains.org/files/original/c5457ab6abceebf16fb393f81fa4f088.png 7f1c1759aa8babbf6077fe4bdb3f54af https://artistsathome.emorydomains.org/files/original/009d15f9e0c1f4776a5159d55e35547e.jpg 9aed4c1d1608e5719f445fa30c48f098 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 8 3/8 in. x 6 1/2 in. (21.4 cm x 16.4 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | J. PETTIE, R.A. | Copyright Sheet size 14 3/8 in. x 10 7/8 in. (36.6 cm x 27.7 cm) Notes A second version of the photograph was copyrighted on September 13, 1883: Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr J Pettie R A, & interior of his studio situate The Lothians, Fitzjohn Avenue. Side face position" (Public Records, National Archives, Kew, COPY 1/365/228). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. PETTIE, R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Pettie, John (1839-1893), Scottish painter Date Issued Date of formal issuance (e.g., publication) of the resource. May 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 13, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/229). Description: "Photograph of Mr J Pettie R A, & interior of his studio at The Lothians, Fitzjohn Avenue. Nearly full face position." Description An account of the resource The artist is seated at the compositional center, looking toward the viewer. Slightly behind him is a large easel bearing a framed painting. On the man wall hangs a large tapestry, with two suits of armor flanking a fireplace. The wooden floor is partially covered with oriental rugs. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. "Pettie, John," in Benezit Dictionary of Artists, Oxford Art Online, http://www.oxfordartonline.com.80/subscriber/article/benezit/B00140129 Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), fig. 76, p. 48. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (New Haven: Royal Academy of Arts, Longon, in association with Yale University Press, 1999), p. 155. (Photo from RA Archives) “Reviews.” The Art Journal 46 (1884): 256. "The portraits of Mr. Millais and Mr. Marcus Stone are excellent likenesses, but those of Mr. Alma-Tadema and Mr. Pettie somehow miss the distinguishing characteristics of the two men." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_001.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 3, 2016 Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. J. Pettie, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Date Modified Date on which the resource was changed. November 21, 2016 January 20, 2017 https://artistsathome.emorydomains.org/files/original/21bc649c5900e0d0b856c33e56554cd5.jpg 9a0763b4b3f88dea833a015b22c5974c https://artistsathome.emorydomains.org/files/original/cc27bf86dd15c85e3d948050807a1302.png a89d9248c5fcd0eb6c1ec93bcec57a74 https://artistsathome.emorydomains.org/files/original/163caa1b480ac302dba1fd26b7d7fc3b.jpg a8fee9d2e1b5c98fe50be968b90f54aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper. Image size 16.5 cm h x 22cm w 6.5 in h x 8.5 in w Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | F. Dicksee A.R.A | Copyright Sheet size 27.5 cm h x 37 cm w 11 in h x 14.25 in w Notes Another version of the photograph was copyrighted on September 24, 1883: Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr J Dicksea A R A, & interior of his studio at 2 Fitzroy Square W. Seated in arm chair, palette in hand". "Photograph of Mr J Dicksea [sic] A R A, & interior of his studio at 2 Fitzroy Square W. Seated in arm chair, palette in hand" (Public Records, National Archives, Kew, COPY 1/365/270). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource F. DICKSEE, A.R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J.P. Mayall and reproduced in facsimile by phototengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Dicksee, Frank (1853-1928), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. May 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archives, Kew, COPY 1/365/269). Copyright description: "Photograph of Mr J Dicksea [sic] A R A, & interior of his studio at 2 Fitzroy Square, London. Standing by the Mantel Piece." Description An account of the resource Frank Dicksee leans against a mantlepiece holding a mahl stick, surrounded by artistic and decorative paraphernalia. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the National Gallery of Art. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_009.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, Ga. Omeka record contributed by Hilleary Gramling. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 26, 2016 Date Modified Date on which the resource was changed. October 1, 2016 November 16, 2016, by LM January 17, 2017, by LM References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Romeo and Juliet, 1884, Southampton City Art Gallery, Southampton, UK. Spring Maiden, 1884. Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. F. Dicksee, ARA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (New Haven and London: Royal Academy of Arts, in association with Yale University Press, 1999), repr. p. 146. Benezit Dictionary of Artists, s.v. "Dicksee, Frank Bernard," Oxford Art Online, repr. “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague; Mr. Boehm, sitting desultorily among busts and statues, seems to have been caught in the act of reading the paper; while Mr. Alma Tadema, as unlike himself as possible, leans boldly and airily on the chimney-piece, and Mr. Frank Dicksee, austere yet frightened, does even as Mr. Alma Tadema, and Mr. Val Prinsep turns from his picture with a frown, as if he felt inclined to wring the photographer’s neck." https://artistsathome.emorydomains.org/files/original/78a6e9c80c1e62a5fdae4aa03938f9bf.png 97126fdfee6351a327a0628a21153a39 https://artistsathome.emorydomains.org/files/original/ef3f71407d238ed4db8d6ff79e6be816.jpg e2d258b2bc578adcb86b5e5339dec800 https://artistsathome.emorydomains.org/files/original/e5520ba6be7ae7512dea4771b5973777.jpg 4dc220d1d47a96a1293f25d49b1dd22f https://artistsathome.emorydomains.org/files/original/b065cc2e8cdb1a32992c128d2b00ce5a.jpg 9606f6b1b576f17bce261ce22b93ac4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 8 1/2 in. x 6 3/4 in. (21.4 cm x 17 cm) Sheet size 14 1/2 in. x 11 in. (36.8 cm x 27.8 cm) Inscriptions J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | WILLIAM FREDERICK YEAMES, R.A. Notes Another version of the photograph was copyrighted on September 14, 1883: Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: ""Photograph of Mr W F Yearmes R A, & interior of his studio at 4 Grove End Rd. St Johns Wood. Seated, palette in hand" (Public Records, National Archives, Kew, COPY 1/365/266 ). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource W. F. YEAMES R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. William Frederick Yeames, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Yeames, William Frederick (1835-1918), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. June 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883. Photographers' advertisement on reverse of photograph. Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, Kew, COPY 1/365/265). Description: "Photograph of Mr W F Yeames R A, & interior of his studio at 4 Grove End Rd. St. Johns Wood: Seated, Painting." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_004.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 21, 2016 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Our Note Book.” The Illustrated London News 35 (July 12, 1884): 26. "The June number of “Artists at Home” contains portraits and views of the studios of G. F. Watts, R.A., W. H. Thornycroft, A.R.A., W. F. Yeames, R. A., and J. MacWhirter, A.R.A. Considering that this is a purely artistic work, it is surprising that the artists represented have not exercised a more beneficial control over the arrangement and production of the pictures. . . ." “The Reader.” The Graphic, issue 767, August 9, 1884. "Part IV of “Artists at Home” (S. Low and Co.), containing the portraits of Messrs. Watts, Thorneycroft [sic ], Yeames, and MacWhirter is now published. The illustrations are fully equal both in interest and quality to its three predecessors." Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 57, fig. 100. Date Modified Date on which the resource was changed. January 20, 2017 https://artistsathome.emorydomains.org/files/original/cf9c01b0663f0798200b12abadd18e33.png 73952f89dd4ae4f1a9baf82e396cc421 https://artistsathome.emorydomains.org/files/original/6de03199c591f21337a051ca01de24df.jpg edaf3340a551237f47c9545b1d825215 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 16.5 cm x 21.5 cm Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | GABRIELLA: FINISH INSCRIPTION Sheet size 27.5 cm x 38.5 cm Notes Two other versions of this photograph were copyrighted on 24, September 1883, both Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Descriptions: "Photograph of Sir John Gilbert R A, & interior of his studio at Vanbrugh Park, Blackheath. Seated in arm chair" (Public Records, National Archives, Kew, COPY 1/365/271); and "Photograph of Sir John Gilbert R A & interior of his studio at Vanbrugh Pk. Blackheath. Seated, palette in hand, facing large picture" (September 24, 1883; Public Records, National Archives, Kew, COPY 1/365/272). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SIR JOHN GILBERT, R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co. ,New York publisher Subject The topic of the resource Gilbert, John (1817-1897), English artist, illustrator, and engraver Date Issued Date of formal issuance (e.g., publication) of the resource. July 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archives, Kew, COPY 1/365/273) . Description: ""Photograph of Sir J Gilbert R A & interior of his studio at Vanbrugh Park, Blackheath. Seated, palette in hand, back to large picture." Description An account of the resource The artist seated in an arm chair staring out the window. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Mass, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 139. Sally Woodcock, "Utility, Versatility and Obscurity: The Sources and Selection of Sir John Gilbert's Oil Painting Materials," in Sir John Gilbert: Art and Imagination, edited by Spike Bucklow and Sally Woodcock (Burlington, VT: Lund Humphries, 2011), p. 223, reproduced p. 224, fig. 149. Vivien Knight and Mark Bills, "Sir John Gilbert: A Biographical Sketch," in Sir John Gilbert: Art and Imagination, edited by Spike Bucklow and Sally Woodcock (Burlington, VT: Lund Humphries, 2011), p. 52. Referred to as "the most famous photograph of the artist." “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague . . . ." References A related resource that is referenced, cited, or otherwise pointed to by the described resource. J. Gilbert, Fair St. George, 1881, oil on canvas. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Gabriella Meier Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 29, 2016 Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Sir John Gilbert, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 https://artistsathome.emorydomains.org/files/original/caf1783bfd1ea52ef8a74d0523a0e96e.png 465f003bdee4a31a8cfa35e517979264 https://artistsathome.emorydomains.org/files/original/09bca3ebcfdd02f98a181cf3afef6907.jpg 7973d2f01068bbcad23b34e4d284fedd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 8 5/8 in. x 6 1/2 in. (22 cm x 16.4 cm) Sheet size 14 1/2 in. x 10 7/8 in. (36.8 cm x 27.7 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | P. H. CALDERON, R. A. Notes Two other versions of the photograph were copyrighted on September 14, 1883: Both Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr P H Calderon R A, & interior of his studio situate at Weston Lodge, 16 Grove End Road, S. Johns Wood. Seated on sofa" (Public Records, National Archives, Kew, COPY 1/365/274 ); and "Photograph of Mr P H Calderon R A, & interior of his studio situate at Weston Lodge, 16 Grove End Road, N.W. Seated, palette on ground" (Public Records, National Archive, Kew, COPY 1/365/275). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource P. H. CALDERON, R.A. Studio portrait of Philip Hermogenes Calderon Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Calderon, Philip Hermogenes (1833-1898), British painter Date Issued Date of formal issuance (e.g., publication) of the resource. July 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 24, 1883, Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archives, Kew, COPY 1/365/276) "Photograph of Mr P H Calderon R A & interior of his studio at Weston Lodge, 16 Grove End Rd. Seated, palette in hand." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Anna Mahony Description An account of the resource The artist is seated with one leg crossed over the other, positioned in profile, but his face is turned towards the viewer, away from the canvas in front of him. He occupies the center of the composition. Cussioned chairs and a fireplace are behind the artist. On the mantel are miniature Night and Dawn sculptures, originally by Michelangelo Buonarrotti. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_007.tif Date Modified Date on which the resource was changed. December 3, 2016 January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. P. H. Calderon, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Michelangelo Buonarroti, model of L'Aurora, c. 1524, marble (original in the New Sacristy, The Church of San Lorenzo, Florence, Italy). Michelangelo Buonarroti, model of La Notte, c. 1526, marble (original in the New Sacristy, The Church of San Lorenzo, Florence, Italy). Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 1, 2016 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.”<a title="" href="#_ftn1"></a> Mr. Calderon affronts the camera with much sternness . . . . " https://artistsathome.emorydomains.org/files/original/57ba1d9bd00eb25d308b6fe4132c31ae.png b90584e52cb417428f272ebff869eaf7 https://artistsathome.emorydomains.org/files/original/a313db19b60db5c61b87aaf99e05f0e0.jpg 7089925b51c1b886d09fbf0e6fa89bcf https://artistsathome.emorydomains.org/files/original/49d703f84ac2e66ed6d4cd9762b84fb3.jpg 61ec987760d3e64d938969614e815eab https://artistsathome.emorydomains.org/files/original/5df027fae8b0a98ef85187f11a908ff8.jpg 55c6772638020d25fb5bf3aa7c4666f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 22.86 cm x 16.51 cm Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | B. RIVIERE, R.A. Sheet size TK Notes A different version of the photograph was also copyrighted on September 14, 1883: Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London.. Description: "Photograph of Mr Pritor [sic] Riviere R A & interior of his studio situate at 'Flaxley' 82 Finchley Road, N.W. Standing, palette in hands" (Public Records, National Archives, Kew, COPY 1/365/283). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource B. RIVIERE, R.A. Studio portrait of Briton Rivière Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London Publisher D. Appleton & Co., New York Publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Rivière, Briton (1840-1920). English painter, etcher, and sculptor. Date Issued Date of formal issuance (e.g., publication) of the resource. July 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 24, 1883. Copyright owner of photograph, Joe Parkin Mayall, 584 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archives, Kew, COPY 1/365/284). Description: “Photograph of Mr Briton Riviere R A [Royal Academy] and interior of his studio situate at 'Flaxley' 82 Finchley Rd. Seated, palette in hand and painting’.” Description An account of the resource Rivière is sitting in lunging position in front of easel, palette in hand, painting on canvas. Canvas content is not visible to viewer. Several animal furs line floor, couch, and table. Large tapestry hangs on left-hand wall. Framed picture hangs on right-hand wall with animal skeleton, perhaps of a wolf or dog, on dresser underneath painting. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_01.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Michelle Malmberg Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 29, 2016 Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM February 14, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. B. Riviere, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Maas, Jeremy. The Victorian Art World in Photographs. London: Barrie & Jenkins, 1984. Repr. p. 77, fig. 137.