1 20 26 https://artistsathome.emorydomains.org/files/original/a976a552ff76d697f44acfa941212ff1.png 0fb74a3b7d07fc4a8cfea63b9f8ecd05 https://artistsathome.emorydomains.org/files/original/c9c0efd49587810992ae8176f4019766.png 393dc14bcf268cceda54b3f18db5ef25 https://artistsathome.emorydomains.org/files/original/928df75a5c2e7dfc6fd9921d0eac8ab9.png a8875d9cccfd83397d38fdadb82c0c70 https://artistsathome.emorydomains.org/files/original/30eb188475760e34ba83f284bc98cdf9.png b7846d1a3440ff92bc88855c25d8848b https://artistsathome.emorydomains.org/files/original/7d61f554776e7c92c778aa8db60dc676.png 5eed5be2deb8dbfa9efa3727f6bed29e https://artistsathome.emorydomains.org/files/original/ce2b5937d665732eb5f0ec14acb346d8.png 945614807966a43d7d2607bd3e026901 https://artistsathome.emorydomains.org/files/original/d5cc9a5620bb88d03a0c1b9e6f49212b.png 1f6253b5b70f78312a5cd18e16fe5fa8 https://artistsathome.emorydomains.org/files/original/3894550d0cbf1ca479495f6e1a81d2e0.png f5169154c8d093fc92eaa96af0b2f440 https://artistsathome.emorydomains.org/files/original/93980a8ecb288f211b12d95875392a89.png 6f97c114a37b0de9ef2a5da06ef2f1b4 https://artistsathome.emorydomains.org/files/original/46f506f2b251857e8b7796008dc1d552.png a351248443a73a325ffd770d0a2ad7b5 https://artistsathome.emorydomains.org/files/original/4d9beed41cd7ac1f5d1c9d61c454feca.png 53c3dce3f705e946c7303cab09eb9791 https://artistsathome.emorydomains.org/files/original/572ec55c86ed8e9bb45e5069e3f5aed4.png 625ed4f3507f50bab7dc8121dd110e8a https://artistsathome.emorydomains.org/files/original/d8fc153af9ce0d23e13e808d0a0bc9f3.png dabba4ca0b0c4a3ad4438c6867a04cfe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Still Image Source National Portrait Gallery, London Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artists at Home (higher resolution) Source A related resource from which the described resource is derived F.G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in fascimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Date Created Date of creation of the resource. 1883 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher Appleton & Co. New York publisher Joseph Parkin Mayall (1839-1906) Date Issued Date of formal issuance (e.g., publication) of the resource. 1884 https://artistsathome.emorydomains.org/files/original/57ba1d9bd00eb25d308b6fe4132c31ae.png b90584e52cb417428f272ebff869eaf7 https://artistsathome.emorydomains.org/files/original/a313db19b60db5c61b87aaf99e05f0e0.jpg 7089925b51c1b886d09fbf0e6fa89bcf https://artistsathome.emorydomains.org/files/original/49d703f84ac2e66ed6d4cd9762b84fb3.jpg 61ec987760d3e64d938969614e815eab https://artistsathome.emorydomains.org/files/original/5df027fae8b0a98ef85187f11a908ff8.jpg 55c6772638020d25fb5bf3aa7c4666f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 22.86 cm x 16.51 cm Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | B. RIVIERE, R.A. Sheet size TK Notes A different version of the photograph was also copyrighted on September 14, 1883: Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London.. Description: "Photograph of Mr Pritor [sic] Riviere R A & interior of his studio situate at 'Flaxley' 82 Finchley Road, N.W. Standing, palette in hands" (Public Records, National Archives, Kew, COPY 1/365/283). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource B. RIVIERE, R.A. Studio portrait of Briton Rivière Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London Publisher D. Appleton & Co., New York Publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Rivière, Briton (1840-1920). English painter, etcher, and sculptor. Date Issued Date of formal issuance (e.g., publication) of the resource. July 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 24, 1883. Copyright owner of photograph, Joe Parkin Mayall, 584 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archives, Kew, COPY 1/365/284). Description: “Photograph of Mr Briton Riviere R A [Royal Academy] and interior of his studio situate at 'Flaxley' 82 Finchley Rd. Seated, palette in hand and painting’.” Description An account of the resource Rivière is sitting in lunging position in front of easel, palette in hand, painting on canvas. Canvas content is not visible to viewer. Several animal furs line floor, couch, and table. Large tapestry hangs on left-hand wall. Framed picture hangs on right-hand wall with animal skeleton, perhaps of a wolf or dog, on dresser underneath painting. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_01.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Michelle Malmberg Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 29, 2016 Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM February 14, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. B. Riviere, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Maas, Jeremy. The Victorian Art World in Photographs. London: Barrie & Jenkins, 1984. Repr. p. 77, fig. 137. https://artistsathome.emorydomains.org/files/original/84eb7553a0f30e3245c65fca5320ef52.png 6577569281bf530f08f1b747e6731116 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 6 1/2 in. x 8 5/8 in. (16.4 cm x 22 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | E. J. POYNTER, R.A. | Copyright Sheet size 10 7/8 in. x 14 1/2 in. (27.7 cm x 36.8 cm) Notes A different version of the photograph was copyrighted on September 14, 1883. Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Copyright description: "Photograph of Mr E J Poynter R A & interior of his studio at The Avenue, 76 Fulham Road, S.W. Seated, drawing in hand" (Public Records, The National Archives, Kew, COPY 1/365/286 ). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource E. J. POYNTER, R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Poynter, Edward John (1836-1919), British painter Date Issued Date of formal issuance (e.g., publication) of the resource. August 1884 Date Copyrighted Date of copyright. September 24, 1883, Copyright owner, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archives, Kew, COPY 1/365/287) Copyright description: "Photograph of Mr E J Poynter R A & interior of his studio at The Avenue, 76 Fulham Rd. S.W. Seated, drawing in hand, legs crossed." Description An account of the resource The artist is seated with his legs crossed in his studio, a drawing in his hand, wearing a pensive expression. Behind him, on an easel, is a large figure drawing that partly obscures a fireplace with a row of plates lining the overmantel. In the corner of the room, to the left of the artist, are two more easels holding framed paintings. The floor is covered with an elaborate rug. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. (Easel on the left, lower painting): Smaller version of E. J. Poynter, The Visit of the Queen of Sheba to King Solomon, 1890, Art Gallery of New South Wales. http://www.artgallery.nsw.gov.au/collection/works/898/. In the studio-portrait, the painting is shown unfinished. (Center easel): Smaller version of J. Poynter, The Ides of March, 1883, Manchester Art Gallery, England. http://artuk.org/discover/artworks/the-ides-of-march-205859 (Right easel): E. J. Poynter, Decoration for the Dome: St. Paul's, The Upper Circular Panel. "Christ in Judgment," 1884. "Ink photo" of small copy of color cartoon for the mosaic decoration reproduced in The Builder (London)47 (July 5, 1884), n.p. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context NGA_m48_pl_21.tif Contributor An entity responsible for making contributions to the resource Department of Image Collections, National Gallery of Art, Washington, DC Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 28, 2016 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), fig. 246, p. 131 “Some Fine Art Books.” The Graphic, issue 788, Jan. 3, 1885. "Part VI. of 'Artists at Home' (S. Low and Co.), contains the portraits of five very opposite characters—E. J. Poynter, R.A., T. O. Barlow, R.A., Macbeth and Storey, A.R.A.’s, and Mr. Gladstone. The volume fully sustains the promise of the earlier numbers, the photo engravings are excellent, and the letterpress brief and to the point." Date Modified Date on which the resource was changed. November 21, 2016 Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. E. J. Poynter, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 https://artistsathome.emorydomains.org/files/original/21bc649c5900e0d0b856c33e56554cd5.jpg 9a0763b4b3f88dea833a015b22c5974c https://artistsathome.emorydomains.org/files/original/cc27bf86dd15c85e3d948050807a1302.png a89d9248c5fcd0eb6c1ec93bcec57a74 https://artistsathome.emorydomains.org/files/original/163caa1b480ac302dba1fd26b7d7fc3b.jpg a8fee9d2e1b5c98fe50be968b90f54aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper. Image size 16.5 cm h x 22cm w 6.5 in h x 8.5 in w Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | F. Dicksee A.R.A | Copyright Sheet size 27.5 cm h x 37 cm w 11 in h x 14.25 in w Notes Another version of the photograph was copyrighted on September 24, 1883: Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr J Dicksea A R A, & interior of his studio at 2 Fitzroy Square W. Seated in arm chair, palette in hand". "Photograph of Mr J Dicksea [sic] A R A, & interior of his studio at 2 Fitzroy Square W. Seated in arm chair, palette in hand" (Public Records, National Archives, Kew, COPY 1/365/270). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource F. DICKSEE, A.R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J.P. Mayall and reproduced in facsimile by phototengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Dicksee, Frank (1853-1928), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. May 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archives, Kew, COPY 1/365/269). Copyright description: "Photograph of Mr J Dicksea [sic] A R A, & interior of his studio at 2 Fitzroy Square, London. Standing by the Mantel Piece." Description An account of the resource Frank Dicksee leans against a mantlepiece holding a mahl stick, surrounded by artistic and decorative paraphernalia. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the National Gallery of Art. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_009.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, Ga. Omeka record contributed by Hilleary Gramling. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 26, 2016 Date Modified Date on which the resource was changed. October 1, 2016 November 16, 2016, by LM January 17, 2017, by LM References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Romeo and Juliet, 1884, Southampton City Art Gallery, Southampton, UK. Spring Maiden, 1884. Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. F. Dicksee, ARA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (New Haven and London: Royal Academy of Arts, in association with Yale University Press, 1999), repr. p. 146. Benezit Dictionary of Artists, s.v. "Dicksee, Frank Bernard," Oxford Art Online, repr. “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague; Mr. Boehm, sitting desultorily among busts and statues, seems to have been caught in the act of reading the paper; while Mr. Alma Tadema, as unlike himself as possible, leans boldly and airily on the chimney-piece, and Mr. Frank Dicksee, austere yet frightened, does even as Mr. Alma Tadema, and Mr. Val Prinsep turns from his picture with a frown, as if he felt inclined to wring the photographer’s neck." https://artistsathome.emorydomains.org/files/original/b35eeeb8eeb7079ce78821e4444704cf.jpg ce5be1b0f235c616bd52bedd971024e8 https://artistsathome.emorydomains.org/files/original/d5b1d79e08ed05ab861c01d70fa9578b.jpg 45aa2d5000677003855e88446ddd56e1 https://artistsathome.emorydomains.org/files/original/b538b6221eef774867c2da58a701d1ab.jpg 4ab5d247d7d4c9829e0d1065ba58b3b9 https://artistsathome.emorydomains.org/files/original/abd437a375085f90bc4eed2d1ae4d5b1.png 526c3b50e4276a6c06fed7f5e8693d47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | G. A. LAWSON Image size 16.5 cm x 22 cm Sheet size 30.5 cm x 37 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource G. A. LAWSON Studio portrait of G. A. Lawson Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Lawson, George Anderson (1832-1904), Scottish sculptor Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Description An account of the resource Lawson sits to the right of the composition, looking directly at the viewer. One leg is on the floor, while the other rests awkwardly on the rung of the tall stool in front of him. On the stool is a clay bust of a middle-aged gentleman. The floor around Lawson is relatively bare, but arranged along the edges of the room are sculptures placed on stools and pedestals, their pale forms contrasting eerily with the dark walls. On the left-hand side of the image is a model's stand with an empty chair, a cloth draped over it. On the floor leading to this stand is a single rug, the only object in the portrait that is purely decorative. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. G. A. Lawson, Jeannie Deans, 1862, plaster cast G. A. Lawson, The Girl and Tortoise, 1883 G. A. Lawson, Cleopatra, 1881 G. A. Lawson, Lord Beaconsfield, portrait bust G. A. Lawson, Mr. Dorman, clay G. A. Lawson, Come unto These Yellow Sands G. A. Lawson, Nymph at the Pool G. A. Lawson, Hubert and Arthur, terracotta G. A. Lawson, The Maiden’s Secret G. A. Lawson, model for Retiarius Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_013.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Karuna Srikureja Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. G. A. Lawson, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Date Copyrighted Date of copyright. No copyright recorded. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 206, fig. 394. Benezit Dictionary of Artists, s.v. "Lawson, George Anderson," repr., Oxford Art Online. “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." https://artistsathome.emorydomains.org/files/original/fdedc0b3150955c86c8ed3fa4f4e5062.png 87e03258b417f74ebc45345f61c6aca7 https://artistsathome.emorydomains.org/files/original/ec1f4c24a52fba545a03dd626b5af518.jpg f811527931b24412493b5d6f0297d0d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 22.86 cm x 16.51 cm Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | G. A. STOREY, A.R.A. Sheet size TK Notes A different version of the photograph was copyrighted on September 24, 1883: Copyright owner: Joe Parkin Mayall, 548 Oxford Street, London. Author of work: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr G A Stocey ARA and interior of his studio at 19 St Johns Wood Road, London. Seated palette in hand" (Public Records, National Archives, Kew, COPY 1/365/305). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource G. A. STOREY, A.R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London Publisher D. Appleton & Co., New York Publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Storey, George Adolphus (1834-1919), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. August 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 24th, 1883, Copyright owner of photograph, Joe Parkin Mayall, 584 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records The National Archives, Kew, COPY 1/365/306). Description: "Photograph of Mr G A Stocey [sic] ARA and interior of his studio at 19 St Johns Wood Road. Seated painting a portrait of Lady." Description An account of the resource G. A Storey is seated in front of a canvas on an easel, painting a portrait of a woman. He has a palette in hand. Leaning on a chair and standing to his left is the model for his painting, looking at the viewer. The studio walls are covered in framed pictures. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_016.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Michelle Malmberg Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 29, 2016 Language A language of the resource English Date Modified Date on which the resource was changed. November 21, 2016, by LM January 20, 2017, by LM March 4, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. G. A. Storey, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Some Fine Art Books.” The Graphic, issue 788, Jan. 3, 1885. "Part VI. of 'Artists at Home' (S. Low and Co.), contains the portraits of five very opposite characters—E. J. Poynter, R.A., T. O. Barlow, R.A., Macbeth and Storey, A.R.A.’s, and Mr. Gladstone. The volume fully sustains the promise of the earlier numbers, the photo engravings are excellent, and the letterpress brief and to the point." Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), repr. p. 66, fig. 117. Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), repr. p. 86, fig. 60 (erroneously attributed to the photographer's father, J. J. E. Mayall). Milk, Joanna (MacFarland). “Artists at Home: Artifice and Presence.” n.d. http://www.academia.edu/4168571/Artists_at_Home_Artifice_and_Presence https://artistsathome.emorydomains.org/files/original/02db2be60cb968ba9122ca2e287926c0.png 92acce687aa742566c9d9ef0dbb3b847 https://artistsathome.emorydomains.org/files/original/89e27fdc118ad2e3d46025e24df58690.jpg b428f251be76872c05caafe3d4c0de3f https://artistsathome.emorydomains.org/files/original/d0c2c5ab13f8746cc6c6ac9cb54ae414.jpg cdf31183d88826bf4edfa2c7d18d60bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 22.09 cm x 16.51 cm 8.7 inch x 6.6 inch Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | G. F. WATTS, R.A. Notes TIFF image, 77.8 MB Sheet size 15.3 inch x 10.9 inch Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource G. F. WATTS, R.A. Studio portrait of George Frederick Watts Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher after Joseph Parkin Mayall (1839-1906), photographer Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates / edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Watts, George Frederick (1817-1904), English painter and sculptor Date Issued Date of formal issuance (e.g., publication) of the resource. June 1884 Date Copyrighted Date of copyright. Photograph copyrighted February 29, 1896. Copyright owner and author, Joe Parkin Mayall, 67 Gascony Avenue, West Hampstead, London. Late of 548 Oxford Street, London (Public Records, The National Archives, Kew, COPY 1/423/588). Copyright description: "Photograph of G F Watts [Royal Academy], in his studio, seated, palette in hand." Description An account of the resource The artist seated in the center of his studio, with works of art covering the entire wall behind him. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. G. F. Watts, Lady Lindsay of Balcarres, 1876-77, oil on canvas (private collection). G. F. Watts, Britomart and Her Nurse, 1978, oil on canvas (original in Birmingham City Museums) ALBERTINE: Please check date: do you mean 1878? G. F. Watts, the Meeting of Jacob and Esau, 1878. G. F. Watts, Cardinal Manning, 1882, oil on canvas (National Portrait Gallery, London). G. F. Watts, Duke of Devonshire, 1883, oil on canvas (The Fitzwilliam Museum, Cambridge). G. F. Watts, Paolo and Francesca, 1872-75, oil on canvas (The Watts Gallery, Compton, Guildford) Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_017.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Albertine Lee Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 28, 2016 Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. G. F. Watts, RA, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Our Note Book.” The Illustrated London News 35 (July 12, 1884): 26. "The June number of “Artists at Home” contains portraits and views of the studios of G. F. Watts, R.A., W. H. Thornycroft, A.R.A., W. F. Yeames, R. A., and J. MacWhirter, A.R.A. Considering that this is a purely artistic work, it is surprising that the artists represented have not exercised a more beneficial control over the arrangement and production of the pictures. . . ." “The Reader.” The Graphic, issue 767, August 9, 1884. "Part IV of “Artists at Home” (S. Low and Co.), containing the portraits of Messrs. Watts, Thorneycroft [sic ], Yeames, and MacWhirter is now published. The illustrations are fully equal both in interest and quality to its three predecessors." Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 68, fig. 124. Caroline Dakers, The Holland Park Circle: Artists and Victorian Society (New Haven, CT: Yale University Press, 1999), p. 256, fig. 123. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (London: Royal Academy of Arts in association with Yale University Press, 1999), p. 159, detail on p. 142. Benezit Dictionary of Artists, s.v. "Watts, George Frederick," in Oxford Art Online. Barbara Bryant, G. F. Watts in Kensington: Little Holland House and Gallery (Compton: Watts Gallery, 2009), n.p. https://artistsathome.emorydomains.org/files/original/f51b328a4ad9cd449463f5a950a45b76.png d21faa1533af61164b6ed00da89193fd https://artistsathome.emorydomains.org/files/original/7d85582d6e6540f8c423786524876905.jpg 7dd7bcfc6b64c679fb6020e13fccbc4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 6.5 in x 8.6 in (16.5 cm x 21.8 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | JENIFER: Please complete inscription Sheet size 10.75 in x 12.5 in (27.3 cm x 31.75 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. E. MILLAIS, R.A. Studio portrait of John Everett Millais Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Millais, John Everett (1829-1896), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Date Copyrighted Date of copyright. Photograph copyrighted February 29, 1896. Copyright owner and author of work, Joe Parkin Mayall, 67 Gascony Avenue, West Hampstead, London. Late of 548 Oxford Street, London (Public Records, National Archives, Kew, COPY 1/423/591). Copyright description: "Photograph of J E Millais [Royal Academy], seated in his studio and holding newspaper." Description An account of the resource The artist reclines comfortably in an armchair holding a newspaper. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Jenifer Norwalk Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 28, 2016 Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_018.tif Date Modified Date on which the resource was changed. November 19, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <div class="element"> <div class="element-text five columns offset-by-two"> Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), fig. 9, p. 22. </div> </div> <div class="element"> </div> “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." “Reviews.” The Art Journal 46 (1884): 256. "The portraits of Mr. Millais and Mr. Marcus Stone are excellent likenesses, but those of Mr. Alma-Tadema and Mr. Pettie somehow miss the distinguishing characteristics of the two men." Maas, Jeremy. The Victorian Art World in Photographs. London: Barrie & Jenkins, 1984. Fig. 203, p. 107. Mancoff, Debra N., ed. John Everett Millais: Beyond the Pre-Raphaelite Brotherhood. Studies in British Art 7. New Haven: Yale University Press, 2001. Fig. 3, p. 6. Valentine, Helen, ed. Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection. New Haven and London: Royal Academy of Arts, London, in association with Yale University Press, 1999. Reproduced p. 154. Maas, Jeremy. The Victorian Art World in Photographs. London: Barrie & Jenkins, 1984. pp. 106–7, fig. 203. Cole, Emily, ed. Lived in London: Blue Plaques and the Stories behind Them. New Haven and London: Yale University Press, 2009. pp. 229–30. Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. J. E. Millais, RA, albumen print, approx. 6½ x 8½ in., by Joseph Parkin Mayall (1839-1922), ca. 1883 https://artistsathome.emorydomains.org/files/original/1c64297b2771ef2b6d4182f7e9a27073.jpg a1362316c3a8bd0ab9a9f60fcf27adce https://artistsathome.emorydomains.org/files/original/96c849be5c6fd171d54878c1b6feddf1.jpg 08b7406dfb48f9433e9c2bc5247514b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 21.84 cm x 16.51 cm 8.6 inch x 6.5 inch Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | J. E. BOEHM, R.A. Notes TIFF image, 76.3 MB A different photograph was also copyrighted on September 14, 1883: Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London.. Description: "Photograph of Mr J E Boehm R A, & interior of his studio at The Avenue, 76 Fulham Rd. London. Working on bust of Lord Wolseley" (Public Records, National Archives, Kew, COPY 1/365/257 ). Sheet size 14.5 inch x 10.4 inch Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. E. BOEHM, R.A. Studio portrait of Joseph Edgar Boehm Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London Publisher D. Appleton & Co., New York Publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates / edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Boehm, Joseph Edgar, 1st Baronet of Wetherby Gardens (1834-1890), English-Hungarian medallist and sculptor Date Issued Date of formal issuance (e.g., publication) of the resource. July 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883, Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archies, Kew, COPY 1/365/258). Description: "Photograph of Mr J. E. Boehm R A & interior of his studio at The Avenue, 76 Fulham Rd. London. Seated in chair." Description An account of the resource The artist seated in his studio with newspaper across his lap, with small-scaled statues and statue busts around him. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. J. E. Boehm, <a title="Sir Francis Drake" href="%20http%3A//www.ntprints.com/image/357885/plaster-statue-of-sir-francis-drake-1540-1596-by-sir-joseph-boehm-1834-1890-in-the-lifetimes-gallery-at-buckland-abbey-yelverton-devon">Sir Francis Drake</a>, statuette, 1884–85, model for statues for Fitzford, Tavistock, and The Hoe, Plymouth J. E. Boehm, Thomas Huxley, plaster bust, 1881. Victoria and Albert Museum (on loan to Imperial College). J. E. Boehm, <a title="Monsieur B. Bertrand," href="http://artistsathome.emorydomains.org/search?query=bertrand&query_type=keyword&record_types%5B%5D=Item&record_types%5B%5D=File&record_types%5B%5D=Collection&record_types%5B%5D=Exhibit&record_types%5B%5D=ExhibitPage&record_types%5B%5D=SimplePagesPage&submit_search=Search">Monsieur B. Bertrand,</a> fencing-master of the late Prince Imperial Louis Napoleon, 1882, terra cotta Robert Glassby (1839–1892), <a title="J. Edgar Boehm" href="http://artistsathome.emorydomains.org/items/show/460">J. Edgar Boehm</a>, by 1872 Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_012.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Albertine Lee Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 28, 2016 Date Modified Date on which the resource was changed. November 17, 2016 November 21, 2016, by LM January 23, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. J. E. Boehm, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague; Mr. Boehm, sitting desultorily among busts and statues, seems to have been caught in the act of reading the paper . . . . " “The Late Sir Edgar Boehm.” Times [London, England] (March 3, 1891): 13. "Mr. J. P. Mayall, jun., of Kilburn, has produced an enlarged copy of the fine portrait of the late Sir Edgar Boehm, which was taken by photogravure and published in 1884 among the series of “Artists at Home” (Sampson Low and Marston). The present copy, which is taken from the negative by the silver process, is an excellent portrait of the sculptor sitting in his studio. The focus of the picture is occupied by the well-known bust of Mr. Huxley, which was exhibited some years ago. The companion picture represents the artist at work on a bust of the Queen. The representation loses nothing of the firmness of outline which is sometimes sacrificed in enlarging from a negative, and the shades of tint appear to be as delicately handled as in the original photogravure." Stocker, Mark. Royalist and Realist: The Life and Work of Sir Joseph Edgar Boehm. New York and London: Garland Publishing, 1988. Mentioned p. 67, reproduced plate 5. https://artistsathome.emorydomains.org/files/original/2b300b9aea54ff2113ac1911bb83034f.png 0b0b7dac098f78e753ee40056911f76f https://artistsathome.emorydomains.org/files/original/8e69709a093837ba1f2d249cd39578e8.jpg 4ce5101d62327bbe5508f051089d2e51 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 6 1/2 in. x 8 3/4 in. (16.8 cm x 27.7 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | J. MAC WHIRTER, A.R.A. | Copyright Sheet size 10 3/4 in. x 14 1/2 in. (27.7 cm x 36.8 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. MACWHIRTER, A.R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co. New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource MacWhirter, John (1839-1911), Scottish painter Date Issued Date of formal issuance (e.g., publication) of the resource. June 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 13, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/230) Description: "Photograph of Mr MacWhirter A R A, & interior of his studio at No1. Abbey Road, St Johns Wood." Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_008.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 3, 2016 Description An account of the resource The artist sits is a large, mostly unfurnished studio before an easel that supports a large, framed landscape painting. He holds a palette and brush and looks at a sketch propped on a pile of books atop a wooden chair just to the right of the easel. A grand fireplace appears on the rear wall, below a gallery lined with a railing that descends the stairs in the left-hand corner of the composition. To the left of the railing are two more easels holding framed landscape paintings. The floor is bare, apart from an animal skin before the hearth. Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. J. MacWhirter, ARA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Date Modified Date on which the resource was changed. November 21, 2016 January 20, 2017 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Our Note Book.” The Illustrated London News 35 (July 12, 1884): 26. "The June number of “Artists at Home” contains portraits and views of the studios of G. F. Watts, R.A., W. H. Thornycroft, A.R.A., W. F. Yeames, R. A., and J. MacWhirter, A.R.A. Considering that this is a purely artistic work, it is surprising that the artists represented have not exercised a more beneficial control over the arrangement and production of the pictures. . . ." https://artistsathome.emorydomains.org/files/original/c5457ab6abceebf16fb393f81fa4f088.png 7f1c1759aa8babbf6077fe4bdb3f54af https://artistsathome.emorydomains.org/files/original/009d15f9e0c1f4776a5159d55e35547e.jpg 9aed4c1d1608e5719f445fa30c48f098 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 8 3/8 in. x 6 1/2 in. (21.4 cm x 16.4 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | J. PETTIE, R.A. | Copyright Sheet size 14 3/8 in. x 10 7/8 in. (36.6 cm x 27.7 cm) Notes A second version of the photograph was copyrighted on September 13, 1883: Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr J Pettie R A, & interior of his studio situate The Lothians, Fitzjohn Avenue. Side face position" (Public Records, National Archives, Kew, COPY 1/365/228). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. PETTIE, R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Pettie, John (1839-1893), Scottish painter Date Issued Date of formal issuance (e.g., publication) of the resource. May 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 13, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/229). Description: "Photograph of Mr J Pettie R A, & interior of his studio at The Lothians, Fitzjohn Avenue. Nearly full face position." Description An account of the resource The artist is seated at the compositional center, looking toward the viewer. Slightly behind him is a large easel bearing a framed painting. On the man wall hangs a large tapestry, with two suits of armor flanking a fireplace. The wooden floor is partially covered with oriental rugs. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. "Pettie, John," in Benezit Dictionary of Artists, Oxford Art Online, http://www.oxfordartonline.com.80/subscriber/article/benezit/B00140129 Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), fig. 76, p. 48. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (New Haven: Royal Academy of Arts, Longon, in association with Yale University Press, 1999), p. 155. (Photo from RA Archives) “Reviews.” The Art Journal 46 (1884): 256. "The portraits of Mr. Millais and Mr. Marcus Stone are excellent likenesses, but those of Mr. Alma-Tadema and Mr. Pettie somehow miss the distinguishing characteristics of the two men." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_001.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 3, 2016 Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. J. Pettie, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Date Modified Date on which the resource was changed. November 21, 2016 January 20, 2017 https://artistsathome.emorydomains.org/files/original/f92a83274ec2dbbba5680a9576282943.png af4fa980e53858ae1a45606d136fd628 https://artistsathome.emorydomains.org/files/original/adaabd9ca45ab0eac52101786c4fb916.png e74c828c4e79747b7caf79c5d2817537 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 11.5 cm x 16.5 cm Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | L. ALMA-TADEMA R. A. Sheet size 16.5 cm x 22 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L. ALMA-TADEMA, R.A. Studio portrait of Lawrence Alma-Tadema Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Alma-Tadema, Lawrence (1836-1912), English painter of Dutch origin Date Issued Date of formal issuance (e.g., publication) of the resource. May 1884 Date Copyrighted Date of copyright. February 29, 189, Copyright owner and author of work, Joe Parkin Mayall, 67 Gascony Avenue, West Hampstead, London. Late of 548 Oxford Street, London (Public Records, The National Archives, Kew, COPY 1/423/590). Description: “Photograph of L Alma Tadema, [Royal Academy], in his studio, leaning his head on his hand against mantel piece.” Description An account of the resource Lawrence Alma-Tadema leans against the mantelpiece in his studio, his contrapposto suggesting movement and informality. In his left hand is a cigar, his right hand he has casually tucked into his trouser pocket. To his right is an empty chair with a tiger fur, to his left, on the mantelpiece, is a portrait bust. To the right of the mantelpiece hangs a luxurious fan. An African mask with peacock feathers is suspended above the artist. On the cornice are placed a sculpture and vases. In the space between the cornice and the mantelpiece hangs a golden cloth. In the background on the left, palm branches, an easel with a finished painting, and another painting behind it catch our eye, before our gaze wonders to the dark liminal space of the entrance into the studio. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. L. Alma-Tadema, The Meeting of Antony and Cleopatra, 1881-1883, oil on canvas (Private Collection) L. Alma-Tadema, An Old Story, 1883, watercolor, British Museum. Boy with Thorn, copy of Hellenistic original Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context NGA_m48_pl_9.tif Contributor An entity responsible for making contributions to the resource Department of Image Collections, National Gallery of Art, Washington, DC Omeka record contributed by Ekaterina Koposova Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 30, 2016 Date Modified Date on which the resource was changed. October 1, 2016 October 2, 2016 November 21, 2016, by LM January 20, 2017, by LM March 5, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. L. Alma Tadema, RA,albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Reviews.” The Art Journal 46 (1884): 256. "The portraits of Mr. Millais and Mr. Marcus Stone are excellent likenesses, but those of Mr. Alma-Tadema and Mr. Pettie somehow miss the distinguishing characteristics of the two men." “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.”<a title="" href="#_ftn1"></a> Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague; Mr. Boehm, sitting desultorily among busts and statues, seems to have been caught in the act of reading the paper; while Mr. Alma Tadema, as unlike himself as possible, leans boldly and airily on the chimney-piece, and Mr. Frank Dicksee, austere yet frightened, does even as Mr. Alma Tadema, and Mr. Val Prinsep turns from his picture with a frown, as if he felt inclined to wring the photographer’s neck." Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 123, fig. 234, p. 123. Julian Treuherz, “Alma-Tadema, aesthete, architect and interior designer,” in Sir Lawrence Alma-Tadema, ed. by Edwin Becker, exhib. cat., Van Gogh Museum, Amsterdam, and Walker Art Gallery, Liverpool, 1996 (New York: Rizzoli, 1997), p. 47, fig. 28. Giles Waterfield, ed., The Artist’s Studio, exhib. cat., Compton Verney (London: Hogarth Arts, 2009), p. 68, fig. 51. Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), p. 84, fig. 57, erroneously attributed to the photographer's father, J. J. E. Mayall. Elizabeth Prettejohn, “Sir Lawrence Alma-Tadema: Studio-House, Grove End Road, London,” in In the Temple of the Self: The Artist’s Residence as a Total Work of Art: Europe and America 1800–1948, ed. by Margot Th. Brandlhuber and Michael Buhrsed (Ostfildern: Hatje Cantz, 2013), p. 107, fig. 4. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (London: Royal Academy of Arts, in association with Yale University Press, 1999), p. 143. Repr. in Benezit Dictionary of Artists, "Alma-Tadema, Lawrence," in Oxford Art Online. https://artistsathome.emorydomains.org/files/original/4edf8a40725b00f9faa532d1b3318199.png 337ca6f7e52050c6427ce7fdf01750ed https://artistsathome.emorydomains.org/files/original/8d0171debd2644ea260a1ab6a1fb1d17.jpg 8afb5594fa40cdd2e389348daf4123ba https://artistsathome.emorydomains.org/files/original/a8353fa4cbeb31f98cafc99552a4b99c.jpg 6c750b215228096b413e0fec758bbfbe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 6 1/2 in. x 8 5/8 in. (16.4 cm x 22 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | MARCUS STONE, A. R. A. Sheet size 10 7/8 in. x 14 1/2 in. (27.7 cm x 36.8 cm) Notes Another version of the photograph was copyrighted on September 14, 1883: Photographers' advertisement on reverse of photograph. Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr Marcus Stone A R A, & interior of his studio at 8 Grove End Road St Johns Wood. Palette in hand, seated, profile face" (Public Records, National Archives, KEW, COPY 1/365/263). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MARCUS STONE, A.R.A. Studio portrait of Marcus Stone Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Stone, Marcus C. (1840-1921), British painter and illustrator Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/264). Copyright description: "Photograph of Mr Marcus Stone A R A, & interior of his studio. Seated, palette in hand, 3/4 face." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Anna Mahony Description An account of the resource The artist sits upright in a wooden chair on the right side of the composition, in front of a fireplace covered by his notes. He studies his canvas while holding a paintbrush and palette. Chairs, full bookcases, and desks occupy the left side of the composition, behind which hangs a large wall tapestry. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_030.tif Date Modified Date on which the resource was changed. December 2, 2016 January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Marcus Stone, ARA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 1, 2016 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." “Reviews.” The Art Journal 46 (1884): 256. "The portraits of Mr. Millais and Mr. Marcus Stone are excellent likenesses, but those of Mr. Alma-Tadema and Mr. Pettie somehow miss the distinguishing characteristics of the two men." Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (London: Royal Academy of Arts in association with Yale University Press, 1999), repr. p. 35, fig. 5. Reproduced in "Stone, Marcus C.," Benezit Dictionary of Artists in Oxford Art Online. Caroline Dakers, The Holland Park Circle: Artists and Victorian Society (New Haven, CT: Yale University Press, 1999), repr. p. 166, fig. 75. https://artistsathome.emorydomains.org/files/original/caf1783bfd1ea52ef8a74d0523a0e96e.png 465f003bdee4a31a8cfa35e517979264 https://artistsathome.emorydomains.org/files/original/09bca3ebcfdd02f98a181cf3afef6907.jpg 7973d2f01068bbcad23b34e4d284fedd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 8 5/8 in. x 6 1/2 in. (22 cm x 16.4 cm) Sheet size 14 1/2 in. x 10 7/8 in. (36.8 cm x 27.7 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | P. H. CALDERON, R. A. Notes Two other versions of the photograph were copyrighted on September 14, 1883: Both Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr P H Calderon R A, & interior of his studio situate at Weston Lodge, 16 Grove End Road, S. Johns Wood. Seated on sofa" (Public Records, National Archives, Kew, COPY 1/365/274 ); and "Photograph of Mr P H Calderon R A, & interior of his studio situate at Weston Lodge, 16 Grove End Road, N.W. Seated, palette on ground" (Public Records, National Archive, Kew, COPY 1/365/275). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource P. H. CALDERON, R.A. Studio portrait of Philip Hermogenes Calderon Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Calderon, Philip Hermogenes (1833-1898), British painter Date Issued Date of formal issuance (e.g., publication) of the resource. July 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 24, 1883, Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archives, Kew, COPY 1/365/276) "Photograph of Mr P H Calderon R A & interior of his studio at Weston Lodge, 16 Grove End Rd. Seated, palette in hand." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Anna Mahony Description An account of the resource The artist is seated with one leg crossed over the other, positioned in profile, but his face is turned towards the viewer, away from the canvas in front of him. He occupies the center of the composition. Cussioned chairs and a fireplace are behind the artist. On the mantel are miniature Night and Dawn sculptures, originally by Michelangelo Buonarrotti. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_007.tif Date Modified Date on which the resource was changed. December 3, 2016 January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. P. H. Calderon, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Michelangelo Buonarroti, model of L'Aurora, c. 1524, marble (original in the New Sacristy, The Church of San Lorenzo, Florence, Italy). Michelangelo Buonarroti, model of La Notte, c. 1526, marble (original in the New Sacristy, The Church of San Lorenzo, Florence, Italy). Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 1, 2016 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.”<a title="" href="#_ftn1"></a> Mr. Calderon affronts the camera with much sternness . . . . " https://artistsathome.emorydomains.org/files/original/9e06b5ac339b6c6cbcd8b22e0b517500.jpg 03d82ab8ea9d8db5f2de5e6b298e4404 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 6 1/2 in. x 8 1/2 in. (16.8 cm x 22 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | R. W. MACBETH, A.R.A. | Copyright Sheet size 11 in. x 14 1/2 in. (27.8 x 36.8 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource R. W. MACBETH, A.R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Macbeth, Robert Walker (1848-1910), Scottish painter and illustrator Date Issued Date of formal issuance (e.g., publication) of the resource. August 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 24, 1883. Copyright owner, Joe Parkin Mayall, 548 Oxford Street, London. Author of work: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London Description: "Photograph of Mr R W Macbeth ARA and interior of his studio at 2 Whitcomb [sic] Studios, Errylands [sic]Lane, Taverstock [sic] Hill, London. Seated sketching" (Public Records, National Archives, Kew, COPY 1/365/303). Description An account of the resource The artist sits on a velvet-upholstered chair, his right knee crossed over his left, with his left hand on his right ankle as he looks down at the image he is sketching.. In front of him, on a large easel, is an elaborately framed painting of a young woman with a fur muff. On the left-hand side of the composition is a fireplace with a cluttered overmantel, surmounted by a round convex mirror; on the right, propped against the wall, is an enormous stretched canvas, its face toward the wall. The walls are covered with tapestries but the floor is bare, apart from a narrow rug in front of the hearth. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World iin Photographs (London: Barrie & Jenkins, 1984), fig. 64, p. 44. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (New Haven: Royal Academy of Arts, Longon, in association with Yale University Press, 1999), p. 153. (Photo from RA Archives) “Some Fine Art Books.” The Graphic, issue 788, Jan. 3, 1885. "Part VI. of 'Artists at Home' (S. Low and Co.), contains the portraits of five very opposite characters—E. J. Poynter, R.A., T. O. Barlow, R.A., Macbeth and Storey, A.R.A.’s, and Mr. Gladstone. The volume fully sustains the promise of the earlier numbers, the photo engravings are excellent, and the letterpress brief and to the point." References A related resource that is referenced, cited, or otherwise pointed to by the described resource. R. W. Macbeth, Far from the Madding Crowd, ca. 1884 (exhibited at the Grosvenor Gallery in 1884). Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_016.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 3, 2016 Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. R. W. Macbeth, ARA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Date Modified Date on which the resource was changed. November 21, 2016 https://artistsathome.emorydomains.org/files/original/b2b064b3d136d4e134052de69876782b.png f261300b125f36ae82ff1715af0fc0a5 https://artistsathome.emorydomains.org/files/original/8babc983f9611071e204a6964999e1f5.jpg c4f156b92a5312424c9bd5fc61912950 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | RICHARD REDGRAVE C.B. Image size 21.5 cm x 16.5 cm Sheet size 37 cm x 30 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource RICHARD REDGRAVE, C.B. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London Publisher D. Appleton & Co., New York Publisher after Frank Dudman (1855-1918) for Joseph Parkin Mayall (1839-1906) Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Redgrave, Richard (1804-1888), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. May 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 24, 1883. Copyright owner of work, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of work, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/304). Copyright description: "Photograph of Mr R Redgrave RA and interior of his studio at 18 [sic] Hyde Park Gate, South Kensington, London. Seated palette in hand." Description An account of the resource Redgrave sits on the right-hand side of the composition, leaning back in an ornately carved chair with his legs crossed. He gazes blankly at the upper left corner. Behind him are two easels, and beside his legs, a table with various objects, including several pots and a bottle. Behind Redgrave is a chest of drawers, on top of which sits a large pot. A similar pot is on the floor near the artist. On the far left is a short flight of stairs that leads to a slightly higher level, sectioned off with a banister. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_003.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Karuna Srikureja Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 29, 2016 Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Richard Redgrave, CB, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), August 11, 1883 August 11, 1883 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Dafforne, James. <a title="“British Artists: Their Style and Character, No. XLV—Richard Redgrave, R.A.”" href="https://books.google.com/books?id=oo1CAAAAcAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false">“British Artists: Their Style and Character, No. XLV—Richard Redgrave, R.A.”</a> The Art Journal 5 (July 1, 1859): 205–7. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, Victorian Painters (London: Barrie & Jenkins, 1988), repr. fig. 83. Benezit Dictionary of Artists, s.v. "Redgrave, Richard," in Oxford Art Online, repr. https://artistsathome.emorydomains.org/files/original/5617105f50dddfce0c8dfdacc1780d84.jpg 90f5e5cb54332212a81a1cee032a173d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | RT HON. W.E. GLADSTONE, M.P. Image size length= 8.4 in. (21.34 cm) width= 6.6 in. (16.76 cm) Sheet size length= 15.25 in. (38.74 cm) width= 11 in. (27.94 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource RT. HON. W. E. GLADSTONE, M.P. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Gladstone, William Ewart, The Right Honorable (1809-1898), Prime Minister of the United Kingdom and Professor of Ancient History in the Royal Academy Date Issued Date of formal issuance (e.g., publication) of the resource. August 1884 Date Copyrighted Date of copyright. Possibly the photograph copyrighted June 17, 1884, Copyright owner and author, Joe Parkin Mayall, 548 Oxford Street, London (Public Records, The National Archives, Kew, COPY 1/368/250). Description: "Photograph of Rt Hon W. E. Gladstone MP. Profile. face” Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Vanessa Pike Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 29, 2016 Description An account of the resource Gladstone seated, surrounded by books in his study at Hawarden Castle. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. J. P. Mayall, “The Whole Hearted Homage of a Hero-Worshipper,” in The Grand Old Man, No. 44, Pall Mall Gazette “Extra” (London) (November 5, 1888), Part VII, pp. 26–30. J. P. Mayall, “Mr. Gladstone at Home. The Whole-Hearted Homage of a Hero-Worshipper,” Pall Mall Gazette (London), no. 6700 (July 27, 1889): 26–30. “Multiple News Items,” The Morning Post (London, England), issue 34812 (January 19, 1884):3. "Mr. Gladstone has recently given Mr. J. P. Mayall a sitting at Hawarden Castle for a photograph which will be published by Sampson Low, Marston and Co. in a new work, 'Artist’s Homes,' the first number of which will appear on the 1st of March. Mr. Gladstone, who occupies the position of 'Professor of Ancient History' to the Royal Academy, will be included in the series, which consists chiefly of Royal Academicians. The work is dedicated to Sir F. Leighton, P.R.A." “Gleanings,” Birmingham Daily Post, issue 7973 (January 21, 1884). "Mr. Gladstone has recently given Mr. J. P. Mayall a sitting at Hawarden Castle for a photograph which will be published by Sampson Low, Marston and Co. in a new work, “Artist’s Homes,” the first number of which will appear on the 1st of March." “Literary and Art Gossip,” The Leeds Mercury, issue 1429 (January 28, 1884). "Mr. Gladstone recently gave Mr. J. P. Mayall, Park-lane Studio, a sitting for a photograph in the library at Hawarden Castle. The photograph was taken expressly for the new serial work, 'Artists’ Homes,' to be published by Messrs. Sampson Low, Marston, and Co. The first number will appear on the 1st of March." “Literary Notes,” The Pall Mall Gazette (London, England), issue 6009 (June 12, 1884). "The Prime Minister, during his recent visit to Hawarden, sat to Mr. J. P. Mayall, both in the library at Hawarden Castle and for some Rembrandt photographs. The photograph of Mr. Gladstone in his library is for publication in 'Artists at Home,' now being issued by Messrs. Sampson Low, Marston, and Co., and is dedicated to Sir F. Leighton." “The Premier,” Daily News (London), issue 11908 (June 12, 1884). "THE PREMIER.—Mr. J. P. Mayall, Park-lane Studio, has recently been honoured with sittings form the Prime Minister during his recent visit to Hawarden. A photograph of Mr. Gladstone in his library at Hawarden Castle is intended for publication in 'Artists at Home,' a work dealing chiefly with the Royal Academy, now being issued by Messrs. Sampson, Low, Marston, and Co. Mr. Gladstone, as Professor of Ancient History, comes in the series. Mr. Mayall was likewise honoured with a sitting from Mr. Gladstone for a Rembrandt photograph as a companion to a life-size one of Mrs. Gladstone, taken by Mr. Mayall last January, of which Mr. Gladstone had been pleased to express his approval. Several members of the family gave sittings, including the Rector of Hawarden and Mr. and the Hon. Mrs. W. H. Gladstone." “Literary and Art Gossip,” The Leeds Mercury, issue 14411 (June 16, 1884). "The Prime Minister, during his recent visit to Hawarden, sat to Mr. J. P. Mayall, both in the library at Hawarden Castle and for some Rembrandt photographs. The photograph of Mr. Gladstone in his library is for publication in 'Artists at Home,' now being issued by Messrs. Sampson Low, Marston, and Co., and is dedicated to Sir F. Leighton." “Art Notes.” New York Times, July 7, 1884. “The Magazines for October,” The Morning Post (London), issue 35032 (October 2, 1884). "Artists at Home gives portraits and sketches of Mr. Poynter, Mr. Barlow, Mr. Macbeth, and Mr. Storey, and greatest artist of all in his own peculiar line, Mr. W. E. Gladstone, professor of ancient history to the Royal Academy." "Some Fine Art Books,” The Graphic (London), issue 788 (January 3, 1885). "Part VI. of 'Artists at Home' (S. Low and Co.), contains the portraits of five very opposite characters—E. J. Poynter, R.A., T. O. Barlow, R.A., Macbeth and Storey, A.R.A.’s, and Mr. Gladstone. The volume fully sustains the promise of the earlier numbers, the photo engravings are excellent, and the letterpress brief and to the point. The Premier as an artist would be a novelty for which few would be prepared. Luckily, however, the notice appended to his portrait explains that besides being a considerable collector of bric-à-brac, Mr. Gladstone has for some nine years been Professor of Ancient History in the Royal Academy, and that it is as such that his portrait is here introduced. The office is one without duties and without salary, a condition to which Oliver Goldsmith, upon whom the honour was first conferred, humorously referred when he wrote to acquaint his brother of his new dignity. The notes in connection with the office from then to now are as interesting as anything in the volume." “Notes on Art and Archaeology.” The Academy, June 14, 1884, p. 429. "Mr. J. P. Mayall took a photograph of Mr. Gladstone during his recent stay at Hawarden for the series of Artists at Home (Sampson Low), in which the Prime Minister finds a place by reason of his being Professor of Ancient History at the Royal Academy. At the same time Mr. Mayall took a 'Rembrandt photograph' of Mr. Gladstone, and also photographs of several members of his family." “Personal Mention.” Daily American, June 26, 1884, p. 2. "During his recent visit to Hawarden Mr. Gladstone sat to Mr. J. P. Mayall, both in the library at Hawarden Castle and for some Rembrandt photographs. The photograph of him in his library is for publication in 'Artists at Home,' now being issued." References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Thomas Woolner, W. E. Gladstone, medallion portrait, bronze Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_005.tif Date Modified Date on which the resource was changed. November 21, 2016, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Rt. Hon. W E. Gladstone, M.P, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), June 1883 https://artistsathome.emorydomains.org/files/original/55c0b4056dad0b962732d4b34e7384b8.png cdae6b321df32abd728f38a4bcd67e91 https://artistsathome.emorydomains.org/files/original/617ed543a9c1da20d0c5d39cefac41a3.jpg 97f4c60c51ffa4dfb64f2730ba7ae5aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 11.5 cm x 16.5 cm Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | Samuel Cousins, R. A. Sheet size 16.5 cm x 22 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource S. COUSINS, R.A. Studio portrait of Samuel Cousins Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Cousins, Samuel (1801-1887), English engraver Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Description An account of the resource In this spacious sitting room, Samuel Cousins occupies a central position. Seated in a comfortable armchair, the engraver looks past the viewer. His legs crossed, his hands joined together in front of him, his pose is stable if slightly stiff. Above him hang four examples of his work and next to him is an engraving. Behind him we can see a shelf with books, further to his right is a mantelpiece overhung by a mirror. On the mantelpiece stand Asian vases and a small statuette, to its left hangs a fan. The old fashioned wallpaper and large Persian rug complete this image of a well-appointed Victorian sitting room. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 215, fig. 409. “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Samuel Cousins, print after James Sant, Speak Lord For Thy Servant Hears also known as The Calling of Samuel (1854) Samuel Cousins, print after Edgar Melville Ward, Marie Antoinette and Louis XVI in the Prison of the Temple, (1862) Samuel Cousins, print after Charles Leslie, A Mother and Child (date unknown) Samuel Cousins, print after Sir John Everett Millais, Yes (ca. 1877) Jacobus Harrewijn, engraving after Jacques van Croes, drawing of Peter Paul Rubens’s house. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_010.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Ekaterina Koposova Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 30, 2016 Date Modified Date on which the resource was changed. October 1, 2016 October 2, 2016 November 21, 2016, by LM January 17, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. S. Cousins, RA, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Date Copyrighted Date of copyright. No copyright recorded. https://artistsathome.emorydomains.org/files/original/cf80b78da92d1da4720050ec13c91098.jpg 58e1ce6f7ce7c882a0cfe5e721fdd27f https://artistsathome.emorydomains.org/files/original/700db8dbe306f064fd4ce450715d48e8.jpg 1b700b74366e2c46b2fe104103636f6c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Copyright description Photograph of Sir F. Leighton in his Studio, seated. Subject sits in chair with hand on small table in huge studio with paintings in gilt frames on far wall (COPY 1/367/82). Image size 6 1/2 in. x 8 5/8 in. (16.4 cm x 22 cm) Sheet size 10 7/8 in. x 14 1/2 in. (27.7 cm x 36.8 cm) Copyright date February 21, 1884, by Joe Parkin Mayall, 548 Oxford Street, London Notes TIFF image, 76.5 MB Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | SIR F. LEIGHTON, P.R.A. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SIR F. LEIGHTON, P.R.A. Studio portrait of Frederic Leighton Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates / edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Date Issued Date of formal issuance (e.g., publication) of the resource. March 1884 Subject The topic of the resource Leighton, Frederic, 1st Baron Leighton of Stretton (1830-1896), English painter Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), fig. 240, p. 126. Caroline Dakers, The Holland Park Circle: Artists and Victorian Society (New Haven, CT: Yale University Press, 1999), fig. 90, p. 189. Andrew Stephenson, “Leighton and the Shifting Repertoires of ‘Masculine’ Artistic Identity in the Late Victorian Period," in Frederic Leighton: Antiquity, Renaissance, Modernity, edited by Tim Barringer and Elizabeth Prettejohn, Studies in British Art 5 (New Haven: Yale University Press, 1999), fig. 82, p. 240. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (New Haven: Royal Academy of Arts, London, in association with Yale University Press, 1999), p. 152. (Photo from RA Archives) Jason Edwards and Imogen Hart, editors, Rethinking the Interior, c. 1867–1896: Aestheticism and Arts and Crafts (Aldershot: Ashgate, 2010), fig. 10.1, p. 214. Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), fig. 58, p. 85. Lynn Federle Orr and Stephen Calloway, editors, The Cult of Beauty: The Victorian Avant-Garde 1860-1900 (London: V&A Publishing, 2011), fig. 227, p. 244. “Reviews: ‘Artists at Home.’” The Derby Mercury (Derby, England), issue 8828, March 26, 1884. "The four plates in the part (No. 1) now before us represent Sir Frederic Leighton, Mr. W. C. Marshall, Mr. T. Webster, and Mr. V. C. Prinsep, in their workrooms, and in their habits as they live there. The portraits of the artists are admirable as likenesses, and the details of the studios themselves are admirably brought out." “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Of 'Artists at Home'—photographs by Mr. Mayall and text by Mr. F. G. Stephens—we have received the first five numbers. To us, we confess it, the publication, if in some sort useful, is absolutely devoid of interest. Mr. Stephens’s text is not much more than catalogue; and Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague; Mr. Boehm, sitting desultorily among busts and statues, seems to have been caught in the act of reading the paper; while Mr. Alma Tadema, as unlike himself as possible, leans boldly and airily on the chimney-piece, and Mr. Frank Dicksee, austere yet frightened, does even as Mr. Alma Tadema, and Mr. Val Prinsep turns from his picture with a frown, as if he felt inclined to wring the photographer’s neck. Other artists presented to the public are Mr. Webster, the President (a sufferer, but resigned), Mr. Redgrave, Mr. Cousins, Mr. Millais, Mr. Pettie, Mr. Marshall, and Mr. Marcus Stone." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Date Copyrighted Date of copyright. Photograph copyrighted February 21, 1884. Copyright owner and author of photograph, Joe Parkin Mayall, 548 Oxford Street, London (Public Records, National Archives, Kew, COPY 1/367/82).. Description: "'Photograph of Sir F. Leighton in his Studio, seated.' Subject sits in chair with hand on small table in huge studio with paintings in gilt frames on far wall." References A related resource that is referenced, cited, or otherwise pointed to by the described resource. F. Leighton, model of An Athlete Wrestling with a Python, 1877, bronze (larger version in Tate, London). F. Leighton, model of The Sluggard, c. 1884, bronze (larger version in Tate, London). F. Leighton, Decoration for the Dome, St. Paul's. The Lower Circular Panel: "The Reesurrection" ("The Sea gave up the dead which were in it.") Designed by Sir F. Leighton, P.R.A., 1884. Reproduced in The Builder 47 (July 5, 1884), n.p. F. Leighton, Letty (c. 1882) (exhib. Royal Academy 1884), <a href="http://www.leicestergalleries.com/19th-20th-century-paintings/d/neo-classical/frederic-lord-leighton/13294">http://www.leicestergalleries.com/19th-20th-century-paintings/d/neo-classical/frederic-lord-leighton/13294</a> F. Leighton, Phyrene at Eleusis (c. 1882) F. Leighton, Margaret "Eustacia" Dalrymple Smith, oil on canvas, location unknown. Sotheby's phot reproduced in Dianne Sachko MacLeod, Art and the Victorian Middle Class: Money and the Making of Cultural Identity (Cambridge: Cambridge University Press, 1996), p. 294, plate 55. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_014.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 5, 2016 Description An account of the resource The artist slouches slightly in a chair positioned in the center of the composition, set between two small round tables; a small figural sculpture, which he appears to touch, stands on the table to his right. Lining the wall behind him is a full bookcase and several framed paintings, many of them portraits of ladies; a drawing for a roundel painting rests on an easel set before a heavily draped window. Date Modified Date on which the resource was changed. November 16, 2016 January 20, 2017 Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Sir F. Leighton, PRA, albumen print, approx. 6½ x 8½ in., by Joseph Parkin Mayall (1839-1922), 1883 https://artistsathome.emorydomains.org/files/original/cf9c01b0663f0798200b12abadd18e33.png 73952f89dd4ae4f1a9baf82e396cc421 https://artistsathome.emorydomains.org/files/original/6de03199c591f21337a051ca01de24df.jpg edaf3340a551237f47c9545b1d825215 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 16.5 cm x 21.5 cm Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | GABRIELLA: FINISH INSCRIPTION Sheet size 27.5 cm x 38.5 cm Notes Two other versions of this photograph were copyrighted on 24, September 1883, both Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Descriptions: "Photograph of Sir John Gilbert R A, & interior of his studio at Vanbrugh Park, Blackheath. Seated in arm chair" (Public Records, National Archives, Kew, COPY 1/365/271); and "Photograph of Sir John Gilbert R A & interior of his studio at Vanbrugh Pk. Blackheath. Seated, palette in hand, facing large picture" (September 24, 1883; Public Records, National Archives, Kew, COPY 1/365/272). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SIR JOHN GILBERT, R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co. ,New York publisher Subject The topic of the resource Gilbert, John (1817-1897), English artist, illustrator, and engraver Date Issued Date of formal issuance (e.g., publication) of the resource. July 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archives, Kew, COPY 1/365/273) . Description: ""Photograph of Sir J Gilbert R A & interior of his studio at Vanbrugh Park, Blackheath. Seated, palette in hand, back to large picture." Description An account of the resource The artist seated in an arm chair staring out the window. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Mass, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 139. Sally Woodcock, "Utility, Versatility and Obscurity: The Sources and Selection of Sir John Gilbert's Oil Painting Materials," in Sir John Gilbert: Art and Imagination, edited by Spike Bucklow and Sally Woodcock (Burlington, VT: Lund Humphries, 2011), p. 223, reproduced p. 224, fig. 149. Vivien Knight and Mark Bills, "Sir John Gilbert: A Biographical Sketch," in Sir John Gilbert: Art and Imagination, edited by Spike Bucklow and Sally Woodcock (Burlington, VT: Lund Humphries, 2011), p. 52. Referred to as "the most famous photograph of the artist." “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague . . . ." References A related resource that is referenced, cited, or otherwise pointed to by the described resource. J. Gilbert, Fair St. George, 1881, oil on canvas. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Gabriella Meier Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 29, 2016 Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Sir John Gilbert, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883