<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/160">
    <dcterms:title><![CDATA[Fitzroy Square]]></dcterms:title>
    <dcterms:description><![CDATA[Fitzroy Square, Camden, London. Looking West.]]></dcterms:description>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/134">
    <dcterms:title><![CDATA[Arab Hall ]]></dcterms:title>
    <dcterms:subject><![CDATA[The Arab Hall in Leighton&#039;s studio house]]></dcterms:subject>
    <dcterms:creator><![CDATA[Frederic Leighton ]]></dcterms:creator>
    <dcterms:creator><![CDATA[George Aitchison, architect]]></dcterms:creator>
    <dcterms:source><![CDATA["About Leighton House," <em>Leighton House Museum</em>]]></dcterms:source>
    <dcterms:created><![CDATA[1877-81]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 28, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer Norwalk]]></dcterms:contributor>
    <dcterms:isVersionOf><![CDATA[La Zisa]]></dcterms:isVersionOf>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/116">
    <dcterms:title><![CDATA[New Little Holland House, Studio-home of G. F. Watts]]></dcterms:title>
    <dcterms:description><![CDATA[Leighton and Watts were the two artists at the heart of the “Holland Park Circle.” They were close friends and would often call on each other using a gate that connected their gardens. Watts's house contained four studios and a large gallery extension to display his work; these additions were designed by the architect George Aitchison. (<em>The Studio-Houses of the "Holland Park Circle,"</em> produced by the Royal Borough of Kensington.)]]></dcterms:description>
    <dcterms:creator><![CDATA[Frederick Pepys Cockerell (1833-1878), architect]]></dcterms:creator>
    <dcterms:creator><![CDATA[completed by George Aitchison (1825-1910), architect]]></dcterms:creator>
    <dcterms:created><![CDATA[1875-6]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 20, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Albertine Lee]]></dcterms:contributor>
    <dcterms:isReferencedBy><![CDATA[Walkley, Giles. “Establishment Kensington: Melbury Road." In <em>Artists’ Houses in London 1764–1914. </em>Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994.]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Bryant, Barbara.<em> G.F. Watts in Kensington: Little Holland House and Gallery.</em> Compton, Surrey: Watts Gallery, 2009.]]></dcterms:isReferencedBy>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/115">
    <dcterms:title><![CDATA[The Avenue, Studios of J. E. Boehm and E. J. Poynter]]></dcterms:title>
    <dcterms:description><![CDATA[Boehm's sculpture studio and Poynter's painting studio were among the twenty assorted studios on Sydney Close  known collectively as “The Avenue.” Other artists in residence there included Sir Alfred Gilbert R.A., Elizabeth Thompson, Charles Edward Hallé, and John Singer Sargent R.A.. The Avenue was an early example of nonresidential and flatted studios.]]></dcterms:description>
    <dcterms:creator><![CDATA[Sir Charles James Freake (1814-1884), architect and builder]]></dcterms:creator>
    <dcterms:created><![CDATA[1870]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 20, 2016]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[December 16, 2016, by LM]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Albertine Lee]]></dcterms:contributor>
    <dcterms:isReferencedBy><![CDATA[Giles Walkley, <em>Artists' Houses in London 1764-1914</em> (Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994), 141-42.]]></dcterms:isReferencedBy>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/107">
    <dcterms:title><![CDATA[2 Fitzroy Square, Studio-house of F. Dicksee]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[November 19, 2016]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[November 19, 2016]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Hilleary Gramling. ]]></dcterms:contributor>
    <dcterms:isReferencedBy><![CDATA[Giles Walkley, Artists’ Houses in London 1764-1914 (Great Britain: The University Press, Cambridge, 1994), 30.]]></dcterms:isReferencedBy>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/106">
    <dcterms:title><![CDATA[West House, Studio-house of G. Boughton]]></dcterms:title>
    <dcterms:description><![CDATA[A four story red-brick house with crow-step gables and seventeenth-century windows in Campden Hill, Kensington, London. Custom built studio house of George H. Boughton. It was built in 1878. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Norman Shaw (1831-1912), architect]]></dcterms:creator>
    <dcterms:created><![CDATA[1878]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 19, 2016]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[November 19, 2016]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Hilleary Gramling. ]]></dcterms:contributor>
    <dcterms:isReferencedBy><![CDATA[Joseph Hatton, “Some Glimpses of Artistic London,” Harper’s New Monthly Magazine 67, no. 402 (November 1883): 838-842.]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Henry-Russell Hitchcock, Architecture: Nineteenth and Twentieth Centuries, (New Haven and London: Yale University Press, 1977), 294.]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Sir Sidney Lee, Dictionary of National Biography (London: Smith, Elder &amp; Co., 1912), 197-198. ]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Mary Eliza Haweis, Beautiful Houses; being a description of certain well-known artistic houses (London: Low, Marston, Searle, and Rivington, 1882), 45-52. ]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Charlotte Gere, Artistic Circles: Design &amp; Decoration in the Aesthetic Movement (London: V&amp;A Publishing, 2010), 26.]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Tarver, Edward J., “Artists’ Studios,” The Art Journal 6 (1880), 273-276. JSTOR: http://www.jstor.org/stable/20569573 .]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Giles Walkley, Artists’ Houses in London 1764–1914 (Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994), pp. 71-73. ]]></dcterms:isReferencedBy>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/103">
    <dcterms:title><![CDATA[Webster House, Home of T. Webster ]]></dcterms:title>
    <dcterms:contributor><![CDATA[Omeka record contributed by Hilleary Gramling. ]]></dcterms:contributor>
    <dcterms:isReferencedBy><![CDATA[&quot;Cranbrook Colony.” 2013. Accessed November 10, 2016. http://www.cranbrookmuseum.org/cranbrook-colony.html.]]></dcterms:isReferencedBy>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/94">
    <dcterms:title><![CDATA[1 Holland Park Road<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[The custom-built studio house of Valentine Cameron Prinsep in Holland Park. A simple, unornamented red-brick house with segmental and pointed arches. It was designed in 1864 and constructed in 1866, altered once in 1877 to include an additional story and drawbridge and again in 1892 to add a new wing to the east.]]></dcterms:description>
    <dcterms:creator><![CDATA[Philip Webb (1831-1915), architect<br />
]]></dcterms:creator>
    <dcterms:created><![CDATA[1864-1866; altered 1877<br />
]]></dcterms:created>
    <dcterms:><![CDATA[November 19, 2016<br />
February 2, 2017, by LM]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer<br />
Norwalk]]></dcterms:contributor>
    <dcterms:isReferencedBy><![CDATA[Monkhouse, Cosmo. “Some English artists and their studios.” Century Magazine 24 (August 1882): 560-62. ]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA["No. VIII. Mr. Val C. Prinsep's House, Kensington," 5-6, ill. In Adams, Maurice. <em>Artists’ Homes: A Portfolio of Drawings including the Houses and Studios of Several Eminent Painters, Sculptors and Architects.</em> London: B. T. Batsford, 1883]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Walkley, Giles. <em>Artists’ Houses in London 1764–1914.</em> Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994. Pp. 50–53, detail repr. p. 53<em><br /></em>]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA["No. 14 Holland Park Road," pp 22, 141-42. In <em>Survey of London, </em>vol. 37, <em>Northern Kensington,</em> edited by Sheppard, F. H. W. London: The Athlone Press, University of London, published for the Greater London Council, 1973.]]></dcterms:isReferencedBy>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/93">
    <dcterms:title><![CDATA[No. 2 Palace Gate ]]></dcterms:title>
    <dcterms:description><![CDATA[The custom- built studio house of John Everett Millais in Palace Gate. A square, conservative Italianate house with Sicilian marble floors and carved Bücknow fireplaces. It was designed by architect Philip Hardwick but constructed by William Cubitt &amp; Co. in 1873-76. The largest room was Millais’s studio, featuring carpeted floors and tapestry-covered walls.]]></dcterms:description>
    <dcterms:creator><![CDATA[Philip Hardwick (1792-1870), architect]]></dcterms:creator>
    <dcterms:created><![CDATA[1873-76]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016 ]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[November 19, 2016<br />
December 16, 2016, by LM<br />
January 29, 2017, by LM]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer Norwalk]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Photograph: Creative Commons license<br />
https://commons.wikimedia.org/wiki/File:Sir_John_Everett_Millais_-_2_Palace_Gate_Kensington_London_W8_5NF.jpg]]></dcterms:rights>
    <dcterms:isReferencedBy><![CDATA[Monkhouse, Cosmo. “Some English artists and their studios.” <em>Century Magazine</em> 24 (August 1882): 557-60.]]></dcterms:isReferencedBy>
    <dcterms:coverage><![CDATA[2 Palace Gate, London, in February 2015]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/92">
    <dcterms:title><![CDATA[Gladstone&#039;s Hawarden Castle]]></dcterms:title>
    <dcterms:subject><![CDATA[A view of Hawarden Castle, home of W. E. Gladstone, in Flintshire, Wales]]></dcterms:subject>
    <dcterms:source><![CDATA[from F. O. Morris, <em>The County Seats, A Series of Picturesque Views of Seats of Noblemen and Gentlemen of Great Britain and Ireland</em> (London: William Mackenzie, c. 1866)]]></dcterms:source>
    <dcterms:created><![CDATA[1866]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[Chromolithograph, 5 x 7.5 inches (image size)]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/88">
    <dcterms:title><![CDATA[Studio of Frederic Leighton]]></dcterms:title>
    <dcterms:subject><![CDATA[Studio house of Frederic Leighton at No. 2 Holland Park Road, Kensington]]></dcterms:subject>
    <dcterms:description><![CDATA[Exterior of the garden front of Leighton House, showing north-facing studio windows on the first floor and the Arab Hall.]]></dcterms:description>
    <dcterms:creator><![CDATA[Maurice B. Adams]]></dcterms:creator>
    <dcterms:source><![CDATA[Adams, Maurice. <em>Artists’ Homes: A Portfolio of Drawings including the Houses and Studios of Several Eminent Painters, Sculptors and Architects.</em> London: B. T. Batsford, 1883.]]></dcterms:source>
    <dcterms:created><![CDATA[c. 1883]]></dcterms:created>
    <dcterms:issued><![CDATA[1885]]></dcterms:issued>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[Drawing (reproduction)]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/80">
    <dcterms:title><![CDATA[24 Camden Square]]></dcterms:title>
    <dcterms:title><![CDATA[The House of Samuel Cousins]]></dcterms:title>
    <dcterms:created><![CDATA[Converted c. 1857]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[October 12, 2016]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[November 30, 2016]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Ekaterina Koposova]]></dcterms:contributor>
    <dcterms:isReferencedBy><![CDATA[Charlotte Gere, <em>Artistic Circles: Design &amp; Decoration in the Aesthetic Movement</em> (London: V&amp;A Publishing, 2010), p. 41: "He lived in a rather severe but substantial house in North Terrace, Camden Town, his walls hung with the finest examples of his own remarkable technique."]]></dcterms:isReferencedBy>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/6">
    <dcterms:title><![CDATA[Leighton House]]></dcterms:title>
    <dcterms:description><![CDATA[A restrained, red-brick house with Caen stone dressings, custom-built studio house of Frederic Leighton in Holland Park. Designed in 1864, constructed in 1866, extended once in 1869-70 and again in 1877-79, when the famous, two-story Arab Hall was added.]]></dcterms:description>
    <dcterms:creator><![CDATA[George Aitchison (1825-1910), architect, with Frederic Leighton]]></dcterms:creator>
    <dcterms:created><![CDATA[1864-66]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[September 27, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record by Linda Merrill]]></dcterms:contributor>
    <dcterms:isReferencedBy><![CDATA[<p>Conway, M. D. “Decorative Art and Architecture in England. Third Paper.” <em>Harper’s New Monthly Magazine</em> 50 (December 1874/75): 35-49. <a href="https://babel.hathitrust.org/cgi/pt?id=coo.31924079637579;view=1up;seq=49;size=75">https://babel.hathitrust.org/cgi/pt?id=coo.31924079637579;view=1up;seq=49;size=75</a></p>]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA["An English Artist’s Home.” <em>The Art Amateur </em>5, no. 1 (June 1881): 13.]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[<p>Meynell, Wilfred. “The Homes of Our Artists: Sir Frederick Leighton’s House in Holland Park   Road.” <em>The Magazine of Art</em> (London) 4 (1881): 169–76. <a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015010783259;view=1up;seq=15">https://babel.hathitrust.org/cgi/pt?id=mdp.39015010783259;view=1up;seq=15</a></p>
<p> </p>]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[<p>Monkhouse, Cosmo. “Some English artists and their studios.” <em>Century Magazine</em> 24 (August 1882): 553–57.</p>]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[<p>Haweis, Mary Eliza. <em>Beautiful Houses; being a description of certain well-known artistic houses. </em>London: Low, Marston, Searle, and Rivington, 1882. Leighton House, pp. 1-12.  <a href="https://catalog.hathitrust.org/Record/011407369">https://catalog.hathitrust.org/Record/011407369</a> </p>]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[<p>Hatton, Joseph. “Some Glimpses of Artistic London.” <em>Harper’s New Monthly Magazine</em> 67, no. 402 (November 1883): 829-34.   <a href="https://babel.hathitrust.org/cgi/pt?id=uc1.c058323290;view=1up;seq=838">https://babel.hathitrust.org/cgi/pt?id=uc1.c058323290;view=1up;seq=838</a></p>]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[<p>Adams, Maurice B. <em>Artists’ Homes: A Portfolio of Drawings including the Houses and Studios of Several Eminent Painters, Sculptors and Architects.</em> London: B. T. Batsford, 1883. Leighton House, pp. 4-5.</p>]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[How, Harry. “Illustrated Interviews: No. XIV: Sir Frederic Leighton, PRA.” <em>Strand Magazine: An Illustrated Monthly</em> 4 (July 1892): 126-37.]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Stone, J. Harris. “Leighton House.” <em>The English Illustrated Magazine</em> 31 (October 1905): 3–17.]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[<p>Walkley, Giles. <em>Artists’ Houses in London 1764–1914.</em> Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994. </p>]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Prettejohn, Elizabeth. “Painting Indoors: Leighton and His Studio.” <em>Apollo </em>143, no. 408 (  February 1996): 17-21.]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[<p>Campbell, Louise. “Decoration, Display, Disguise: Leighton House Reconsidered." In Tim Barringer and Elizabeth Prettejohn, eds.,<em> <em>Frederic Leighton: Antiquity, Renaissance, Modernity, </em></em>pp. 267-93. New Haven: Published for the Paul Mellon Centre for Studies in British Art and the Yale Center for British Art by Yale University Press, 1999.<em><br /></em></p>]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Suleman, Reena. “The ‘Lost’ Interiors of Leighton House: Techniques of Modern Re-Presentation.” <em>The Journal of the Decorative Arts Society, 1850—Present</em>, no. 34, The Aesthetic  Movement(2010): 92-111]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Droth, Martina. “Leighton’s House: Art In and Beyond the Studio.” <em>Journal of Design History</em> 24, no. 4 (2011): 339-58]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Robbins, Daniel. “Frederic, Lord Leighton." In Margot Th. Brandlhuber and Michael Buhrs, eds. <em>In the Temple of the Self: The Artist’s Residence as a Total Work of Art: Europe and America 1800–1948, </em>pp. 74-91. Ostfildern: Hatje Cantz, 2013.]]></dcterms:isReferencedBy>
</rdf:Description></rdf:RDF>
