<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/192">
    <dcterms:title><![CDATA[Leila]]></dcterms:title>
    <dcterms:description><![CDATA[Orientalist Painting by Frank Dicksee]]></dcterms:description>
    <dcterms:creator><![CDATA[Frank Dicksee]]></dcterms:creator>
    <dcterms:source><![CDATA[Painting is in a Private Collection. <br />
Image accessed through http://www.tate.org.uk/whats-on/tate-britain/exhibition/lure-east-british-orientalist-painting/explore-exhibition/lure-ea-3]]></dcterms:source>
    <dcterms:created><![CDATA[1892]]></dcterms:created>
    <dcterms:contributor><![CDATA[Karuna Srikureja]]></dcterms:contributor>
    <dcterms:rights><![CDATA[This is a faithful photographic reproduction of a painting. <br />
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author&#039;s life plus 100 years or less.]]></dcterms:rights>
    <dcterms:medium><![CDATA[Oil on Canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/169">
    <dcterms:title><![CDATA[The Frown]]></dcterms:title>
    <dcterms:creator><![CDATA[Thomas Webster]]></dcterms:creator>
    <dcterms:source><![CDATA[&quot;The Frown,&quot; The Weald. ]]></dcterms:source>
    <dcterms:created><![CDATA[1842]]></dcterms:created>
    <dcterms:><![CDATA[November 29, 2016]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Hilleary Gramling. ]]></dcterms:contributor>
    <dcterms:isReferencedBy><![CDATA[F. G. Stephens, “Thomas Webster, R.A.,” Artists at Home (London: S. Low, 1884), 9.]]></dcterms:isReferencedBy>
    <dcterms:format><![CDATA[31.7 x 63.5 cm.]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on panel ]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/167">
    <dcterms:title><![CDATA[<em>An Athlete Wrestling with a Python</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[Frederic Leighton (1830–1896)]]></dcterms:creator>
    <dcterms:created><![CDATA[1877]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 29, 2016]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[January 21, 2017, by LM]]></dcterms:>
    <dcterms:contributor><![CDATA[Tate Britain; Presented by the Trustees of the Chantrey Bequest, 1877]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer Norwalk ]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:isVersionOf><![CDATA[Sketch for <em>An Athlete Wrestling with a Python,</em> c. 1877, plaster, 251 x 156 x 130 mm. Tate (N01761); Presented by Prof. Alphonse Legros, 1897. http://www.tate.org.uk/art/artworks/leighton-sketch-for-an-athlete-wrestling-with-a-python-n01761<br /><br />]]></dcterms:isVersionOf>
    <dcterms:isVersionOf><![CDATA[Plaster cast of the first sketch model for <em>Athlete Wrestling with a Python,</em> Leighton House. Leighton presented these casts to his friends and fellow artists; the example at Leighton House was presented ca. 1900 by G. F. Watts.]]></dcterms:isVersionOf>
    <dcterms:format><![CDATA[Object: 1746 x 984 x 1099 mm, 290 kg]]></dcterms:format>
    <dcterms:medium><![CDATA[Bronze]]></dcterms:medium>
    <dcterms:identifier><![CDATA[N01754]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/145">
    <dcterms:title><![CDATA[Peace Concluded]]></dcterms:title>
    <dcterms:subject><![CDATA[A staged scene of domestic harmony, celebrating the end of the Crimean War.]]></dcterms:subject>
    <dcterms:creator><![CDATA[John Everett Millais]]></dcterms:creator>
    <dcterms:source><![CDATA[Minneapolis Art Museum ]]></dcterms:source>
    <dcterms:created><![CDATA[1856 ]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 29, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer Norwalk ]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Domain ]]></dcterms:rights>
    <dcterms:medium><![CDATA[Oil on canvas ]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/138">
    <dcterms:title><![CDATA[The Order of Release 1746]]></dcterms:title>
    <dcterms:subject><![CDATA[The release of a Jacobite rebels from prison.]]></dcterms:subject>
    <dcterms:creator><![CDATA[John Everett Millais]]></dcterms:creator>
    <dcterms:source><![CDATA[Tate Britain ]]></dcterms:source>
    <dcterms:created><![CDATA[1852-3]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 28, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer Norwalk ]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Creative Commons CC-BY-NC-ND]]></dcterms:rights>
    <dcterms:medium><![CDATA[Oil paint on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/136">
    <dcterms:title><![CDATA[The Rescue]]></dcterms:title>
    <dcterms:creator><![CDATA[John Everett Millais ]]></dcterms:creator>
    <dcterms:source><![CDATA[John Everett Millais, <em>The Rescue</em>, National Gallery of Victoria]]></dcterms:source>
    <dcterms:created><![CDATA[1855]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 28, 2016 ]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer Norwalk]]></dcterms:contributor>
    <dcterms:format><![CDATA[121.5 cm. × 83.6 cm.]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/135">
    <dcterms:title><![CDATA[Cimabue&#039;s Celebrated Madonna ]]></dcterms:title>
    <dcterms:subject><![CDATA[Vasari's account of how the <em>Rucellai Madonna</em> was carried from the house of the 13th century painter Cimabue to the church of S. Maria Novella in Florence.]]></dcterms:subject>
    <dcterms:creator><![CDATA[Frederic Leighton ]]></dcterms:creator>
    <dcterms:source><![CDATA[Frederic Leighton, Cimabue's<em> Celebrated Madonna</em>, The National Gallery, London.]]></dcterms:source>
    <dcterms:created><![CDATA[1853-5]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 28, 2016 ]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer Norwalk. ]]></dcterms:contributor>
    <dcterms:format><![CDATA[222 cm. x 521 cm.]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/132">
    <dcterms:title><![CDATA[Thomas Webster Memorial]]></dcterms:title>
    <dcterms:creator><![CDATA[Hamo Thornycroft]]></dcterms:creator>
    <dcterms:source><![CDATA[Wikimedia Commons]]></dcterms:source>
    <dcterms:created><![CDATA[1886]]></dcterms:created>
    <dcterms:><![CDATA[November 28, 2016]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Hilleary Gramling. ]]></dcterms:contributor>
    <dcterms:medium><![CDATA[Marble]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/129">
    <dcterms:title><![CDATA[Late at School]]></dcterms:title>
    <dcterms:creator><![CDATA[Thomas Webster]]></dcterms:creator>
    <dcterms:source><![CDATA[&quot;Late at School,&quot; Tate Britain. ]]></dcterms:source>
    <dcterms:created><![CDATA[1834, exhibited 1835]]></dcterms:created>
    <dcterms:><![CDATA[November 28, 2016]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Hilleary Gramling. ]]></dcterms:contributor>
    <dcterms:format><![CDATA[Support: 457 x 377 x 10 mm<br />
Frame: 600 x 520 x 20 mm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil paint on mahogany ]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/128">
    <dcterms:title><![CDATA[Harmony]]></dcterms:title>
    <dcterms:creator><![CDATA[Frank Dicksee]]></dcterms:creator>
    <dcterms:source><![CDATA["Harmony," &lt;i&gt;Tate Britain.&lt;/i&gt;]]></dcterms:source>
    <dcterms:created><![CDATA[1877]]></dcterms:created>
    <dcterms:><![CDATA[November 28, 2016]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Hilleary Gramling. ]]></dcterms:contributor>
    <dcterms:format><![CDATA[Support: 1575 x 940 mm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/126">
    <dcterms:title><![CDATA[Lieder ohne Worte]]></dcterms:title>
    <dcterms:creator><![CDATA[Frederic Leighton ]]></dcterms:creator>
    <dcterms:source><![CDATA["Lieder ohne Worte," <em>Tate Britain</em>.]]></dcterms:source>
    <dcterms:created><![CDATA[Exhibited 1861]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 26, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer Norwalk. ]]></dcterms:contributor>
    <dcterms:rights><![CDATA[ Creative Commons CC-BY-NC-ND (3.0 Unported)]]></dcterms:rights>
    <dcterms:format><![CDATA[Support: 1016 x 629 mm]]></dcterms:format>
    <dcterms:format><![CDATA[Frame: 1300 x 920 x 70 mm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil paint on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/125">
    <dcterms:title><![CDATA[Pears Soap Advertisement ]]></dcterms:title>
    <dcterms:subject><![CDATA[William Milbourne James, Millais&#039;s grandson ]]></dcterms:subject>
    <dcterms:description><![CDATA[A young child stares up at a soap bubble in an advertisement for Pears Soap. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Pears&#039; Soap]]></dcterms:creator>
    <dcterms:source><![CDATA["The Commercial Conduct of the Saponaceous Salesman," <em>The Study</em>. <em><br /></em>]]></dcterms:source>
    <dcterms:created><![CDATA[1886]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 26, 2016. ]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer Norwalk. ]]></dcterms:contributor>
    <dcterms:isVersionOf><![CDATA[Bubbles]]></dcterms:isVersionOf>
    <dcterms:isVersionOf><![CDATA[John Everett Millais]]></dcterms:isVersionOf>
    <dcterms:isVersionOf><![CDATA[1885-6]]></dcterms:isVersionOf>
    <dcterms:medium><![CDATA[Engraving]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/124">
    <dcterms:title><![CDATA[L&#039;Enfant du Regiment]]></dcterms:title>
    <dcterms:description><![CDATA[A small child with an injured hand rests on a tomb. ]]></dcterms:description>
    <dcterms:creator><![CDATA[John Everett Millais]]></dcterms:creator>
    <dcterms:source><![CDATA["L'Enfant du Regiment," <em>Yale Center for British Art</em>.]]></dcterms:source>
    <dcterms:created><![CDATA[1854-55]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 26, 2016. ]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer Norwalk. ]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Domain]]></dcterms:rights>
    <dcterms:format><![CDATA[17 3/4 in. x 24 in. ]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on paper, laid on canvas, mounted on board]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/123">
    <dcterms:title><![CDATA[<em>Ophelia</em>]]></dcterms:title>
    <dcterms:subject><![CDATA[The scene depicted is from Shakespeare's Hamlet, Act IV, Scene vii, in which Ophelia, driven out of her mind when her father is murdered by her lover Hamlet, drowns herself in a stream: <br /><br /><em>There, on the pendent boughs her coronet weeds Clambering to hang, an envious sliver broke; When down her weedy trophies and herself Fell in the weeping brook. Her clothes spread wide, And, mermaid-like, awhile they bore her up; Which time she chanted snatches of old tunes, As one incapable of her own distress, Or like a creature native and indued Unto that element; but long it could not be Till that her garments, heavy with their drink, Pull'd the poor wretch from her melodious lay To muddy death.</em>]]></dcterms:subject>
    <dcterms:creator><![CDATA[John Everett Millais (1829–1896)]]></dcterms:creator>
    <dcterms:created><![CDATA[1851–52]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 26, 2016. ]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[January 31, 2017, by LM]]></dcterms:>
    <dcterms:contributor><![CDATA[Tate Britain, London]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer Norwalk.]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[Support: 762 x 1118 mm]]></dcterms:format>
    <dcterms:format><![CDATA[Frame: 1105 x 1458 x 145 mm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil paint on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/118">
    <dcterms:title><![CDATA[Thomas Carlyle ]]></dcterms:title>
    <dcterms:subject><![CDATA[Terracotta bust of Thomas Carlyle ]]></dcterms:subject>
    <dcterms:description><![CDATA[The sitter depicted in a coat, heavily bearded, and with downcast eyes ]]></dcterms:description>
    <dcterms:creator><![CDATA[Joseph Edgar Boehm (1834-1890)]]></dcterms:creator>
    <dcterms:source><![CDATA[Thomas Carlyle, <em>National Portrait Gallery, London, </em>658.]]></dcterms:source>
    <dcterms:created><![CDATA[c. 1875]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 20, 2016 ]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Albertine Lee]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Available under a CC-BY-NC-SA license]]></dcterms:rights>
    <dcterms:isReferencedBy><![CDATA[F.G. Stephens, <em>Artists at Home, photographed by J.P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens</em> (London" Sampson Low, Marston, Searle and Rivington; New York: Appleton &amp; Co., 1884), n.p.]]></dcterms:isReferencedBy>
    <dcterms:format><![CDATA[559 mm high ]]></dcterms:format>
    <dcterms:medium><![CDATA[Terracotta ]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/113">
    <dcterms:title><![CDATA[Pima Matron]]></dcterms:title>
    <dcterms:creator><![CDATA[Edward S. Curtis]]></dcterms:creator>
    <dcterms:source><![CDATA[<em>The North American Indian</em>]]></dcterms:source>
    <dcterms:created><![CDATA[1907]]></dcterms:created>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer<br />
Norwalk]]></dcterms:contributor>
    <dcterms:medium><![CDATA[Photogravure]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/70">
    <dcterms:title><![CDATA[<em>Fair St. George</em>]]></dcterms:title>
    <dcterms:subject><![CDATA[St. George and the Dragon]]></dcterms:subject>
    <dcterms:creator><![CDATA[Sir John Gilbert (1817–1897)]]></dcterms:creator>
    <dcterms:source><![CDATA[Guildhall Art Gallery, London]]></dcterms:source>
    <dcterms:created><![CDATA[1881]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[October 13, 2016]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[December 7, 2016<br />
January 20, 2017, by LM]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Gabriella Meier]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[244 cm x 152 cm (96.06 in. x 59.84 in.)]]></dcterms:format>
    <dcterms:medium><![CDATA[oil on canvas.]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/69">
    <dcterms:title><![CDATA[Tomb of Giuliano de&#039; Medici: Night]]></dcterms:title>
    <dcterms:subject><![CDATA[Personification of night]]></dcterms:subject>
    <dcterms:creator><![CDATA[Michelangelo Buonarroti]]></dcterms:creator>
    <dcterms:created><![CDATA[1520-1534]]></dcterms:created>
    <dcterms:medium><![CDATA[Marble]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/65">
    <dcterms:title><![CDATA[<em>A Visit to Aesculapius</em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Aesculapius, god of healing and medicine (the Roman counterpart of the Greek Asclepius)]]></dcterms:subject>
    <dcterms:description><![CDATA[The draped and bearded Aesculapius, seated on a columned portico, gazes thoughtfully at the thorn in the foot of a nude young woman. She can be identified as Venus by the doves fluttering overhead--her attributes--and by the three Graces--her handmaidens--disposed in the traditional style.]]></dcterms:description>
    <dcterms:creator><![CDATA[E. J. Poynter]]></dcterms:creator>
    <dcterms:source><![CDATA[Thomas Watson (1555-1592), <em>Hekatompathia, Sonnet XX:</em><span style="font-family:'Times New Roman', Times, serif;font-size:xx-large;"><br /></span><br />In time long past, when in Diana's chase <br />A bramble bush prick'd Venus in the foot, <br />Old AEsculapius help'd her heavy case <br />Before the hurt had taken any root: <br />Wherehence although his beard were crisping hard <br />She yielded him a kiss for his reward.]]></dcterms:source>
    <dcterms:created><![CDATA[1880]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[October 4, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Tate Britain, London. Presented by the Trustees of the Chantrey Bequest 1880.]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Available under a CC-BY-NC-ND 3.0 (Unported) license]]></dcterms:rights>
    <dcterms:format><![CDATA[1511 x 2286 mm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[N01586]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/64">
    <dcterms:title><![CDATA[<em>The Ides of March</em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Act II, scene II, of Shakespeare's <em>Julius Caesar,</em> when the wife of Caesar, Calphurnia, implores her husband not to go to the senate house, where he will be assassinated.]]></dcterms:subject>
    <dcterms:description><![CDATA[Two heavily draped figures, Caesar and Calphurnia, stand with their backs to the viewer in the center of a grand Roman interior with polished marble floors and columns. They look out onto an ominous night sky, filled with heavy clouds and the illuminated path of a falling comet, toward the silhouette of an armed guard standing on a parapet. A painted marble bust of Caesar is eerily lit from below, casting an exaggerated shadow on the wall.]]></dcterms:description>
    <dcterms:creator><![CDATA[E. J. Poynter]]></dcterms:creator>
    <dcterms:created><![CDATA[1883]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[September 28, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Manchester Art Gallery, Manchester, England]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain, http://www.wikigallery.org]]></dcterms:rights>
    <dcterms:relation><![CDATA[Studio portrait of E. J. Poynter]]></dcterms:relation>
    <dcterms:format><![CDATA[153 x 112.6 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[MAG 1883.18]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
