<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/535">
    <dcterms:title><![CDATA["Head of Lot's Wife"]]></dcterms:title>
    <dcterms:subject><![CDATA[Hamo Thornycroft, <em>Lot's Wife, </em>1878]]></dcterms:subject>
    <dcterms:source><![CDATA[Gosse, Edmund. &quot;Our Living Artists: Hamo Thornycroft, A.R.A.&quot; Magazine of Art 4 (1881):  329.]]></dcterms:source>
    <dcterms:created><![CDATA[1881]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 7, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/504">
    <dcterms:title><![CDATA[&quot;Pip Waits on Miss Havisham&quot;]]></dcterms:title>
    <dcterms:subject><![CDATA[Chapter 8: &quot;&#039;Look at me,&#039; said Miss Havisham. &#039;You are not afraid of a woman who has never seen the sun since you were born?&#039;&quot; ]]></dcterms:subject>
    <dcterms:creator><![CDATA[Marcus Stone]]></dcterms:creator>
    <dcterms:source><![CDATA[Charles Dickens, <em>Great Expectations</em>]]></dcterms:source>
    <dcterms:created><![CDATA[1862]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 4, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/354">
    <dcterms:title><![CDATA[&quot;The Proposal (The Marquis and Griselda)&quot; ]]></dcterms:title>
    <dcterms:subject><![CDATA[A scene from Geoffrey Chaucer&#039;s &quot;The Clerk&#039;s Tale&quot; from &quot;The Canterbury Tales.&quot; ]]></dcterms:subject>
    <dcterms:creator><![CDATA[Frederic George Stephens ]]></dcterms:creator>
    <dcterms:source><![CDATA[Tate Gallery website <br />
http://www.tate.org.uk/art/artworks/stephens-the-proposal-the-marquis-and-griselda-n04633 ]]></dcterms:source>
    <dcterms:created><![CDATA[c. 1850]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 8, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Tate Gallery; Bequeathed by H.F. Stephens, 1932<br />
Omeka record contributed by Vanessa Pike ]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Creative Commons CC-BY-NC-ND (3.0 Unported)]]></dcterms:rights>
    <dcterms:format><![CDATA[Support: 806 x 648 mm<br />
Frame: 1020 x 855 x 100 mm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil paint on canvas ]]></dcterms:medium>
    <dcterms:identifier><![CDATA[N04633]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/264">
    <dcterms:title><![CDATA[<a href="http://artuk.org/discover/artworks/harmony-in-flesh-colour-and-black-mrs-louise-jopling-139084#image-use">Harmony in Flesh Colour and Black: Mrs Louise Jopling</a>]]></dcterms:title>
    <dcterms:creator><![CDATA[James Abbott McNeill Whistler (1834–1903)]]></dcterms:creator>
    <dcterms:created><![CDATA[1877]]></dcterms:created>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/555">
    <dcterms:title><![CDATA[<em>"And When Did You Last See Your Father?"</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[W. F. Yeames]]></dcterms:creator>
    <dcterms:source><![CDATA[Walker Art Gallery, Liverpool]]></dcterms:source>
    <dcterms:created><![CDATA[1878]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 10, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[131 cm x 251.5 cm (51.57 in. x 99.02 in.)]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/520">
    <dcterms:title><![CDATA[<em></em><em>Miss</em> <em>Anna Alma-Tadema</em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Anna Alma-Tadema (1867–1943), the artist&#039;s daughter, in Townshend House]]></dcterms:subject>
    <dcterms:creator><![CDATA[Lawrence Alma-Tadema]]></dcterms:creator>
    <dcterms:source><![CDATA[Royal Academy of Arts]]></dcterms:source>
    <dcterms:created><![CDATA[1883]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 6, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/557">
    <dcterms:title><![CDATA[<em><em></em>Lady Jane Grey in the Tower</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[W. F. Yeames]]></dcterms:creator>
    <dcterms:source><![CDATA[Sheffield Museums]]></dcterms:source>
    <dcterms:created><![CDATA[1867]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 10, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/556">
    <dcterms:title><![CDATA[<em><em></em>The Meeting of Thomas Moore with His Daughter after His Sentence of Death</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[W. F. Yeames]]></dcterms:creator>
    <dcterms:source><![CDATA[Tower of London]]></dcterms:source>
    <dcterms:created><![CDATA[1863]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 10, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/471">
    <dcterms:title><![CDATA[<em>A Dancing Girl</em>]]></dcterms:title>
    <dcterms:description><![CDATA[Crystal Palace catalogue description, no. 30, <em>A Dancing Girl</em>:<br />"The figure is represented in repose, and is particularly graceful and easy; she holds a tambourine in the left hand, and in the right hand, which rests on the stem of a tree, she holds a garland. This statue should be compared with Canova's conception of the same subject, No. 137. With equal elegance, the one before us has far more of nature, simplicity, and quietude. She is resting, while Canova's dancer is only pausing. This statue was executed in marble, for the London Art Union, and exhibited in 1848. It has been reproduced, of a small size, in Parian, and forms an exquisite ornamental statuette. Classical style."]]></dcterms:description>
    <dcterms:creator><![CDATA[William Calder Marshall (1813–1894)]]></dcterms:creator>
    <dcterms:created><![CDATA[ca. 1851]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[January 27, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:isReferencedBy><![CDATA[F. G. Stephens, <a title="&quot;W. C. Marshall,&quot;" href="http://artistsathome.emorydomains.org/items/show/32">"W. C. Marshall,"</a> in <em>Artists at Home: </em>"'The Dancing Girl reposing' obtained an Art Union premium of £500, and large numbers of reductions of the statue were distributed among subscribers to that society." <br /><br />]]></dcterms:isReferencedBy>
    <dcterms:format><![CDATA[&quot;Small life size&quot;]]></dcterms:format>
    <dcterms:medium><![CDATA[Marble]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/475">
    <dcterms:title><![CDATA[<em>A Huguenot</em>]]></dcterms:title>
    <dcterms:title><![CDATA[<em>A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[John Everett Millais (1829–1896)]]></dcterms:creator>
    <dcterms:created><![CDATA[1852]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[January 31, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Private Collection]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[92.71 cm × 64.13 cm (36.5 in × 25.25 in)]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/506">
    <dcterms:title><![CDATA[<em>A Lovers' Spat</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[Marcus Stone]]></dcterms:creator>
    <dcterms:source><![CDATA[Private collection]]></dcterms:source>
    <dcterms:created><![CDATA[1884]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 4, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[76.8 cm x 34.6 cm (30.24 x 13.62 in.)]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/307">
    <dcterms:title><![CDATA[<em>A Private View at the Royal Academy</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[William Powell Frith (1819–1909), English painter]]></dcterms:creator>
    <dcterms:created><![CDATA[1883]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 6, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Wikimedia Commons]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain; painting in the collection of the Royal Academy of Arts, London]]></dcterms:rights>
    <dcterms:format><![CDATA[60 x 114 cm (23.6 x 44.9 in..)]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/514">
    <dcterms:title><![CDATA[<em>A Reading from Homer</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[Lawrence Alma-Tadema]]></dcterms:creator>
    <dcterms:created><![CDATA[1885]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 5, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Philadelphia Museum of Art; The George W. Elkins Collection, 1924]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Creative Commons]]></dcterms:rights>
    <dcterms:format><![CDATA[36 1/8 inches × 6 feet 1/4 inches (91.8 × 183.5 cm)]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[E1924-4-1]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/549">
    <dcterms:title><![CDATA[<em>A Village Choir</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[Thomas Webster]]></dcterms:creator>
    <dcterms:source><![CDATA[Washington Irving, "Christmas Day," <em>The Sketch Book of Geoffrey Crayon </em>(1820)]]></dcterms:source>
    <dcterms:created><![CDATA[1847]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 7, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Victoria &amp; Albert Museum, London; Given by John Sheepshanks, 1857]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[60.4 cm x  91.5 cm ]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on panel]]></dcterms:medium>
    <dcterms:identifier><![CDATA[FA.222[O]]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/65">
    <dcterms:title><![CDATA[<em>A Visit to Aesculapius</em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Aesculapius, god of healing and medicine (the Roman counterpart of the Greek Asclepius)]]></dcterms:subject>
    <dcterms:description><![CDATA[The draped and bearded Aesculapius, seated on a columned portico, gazes thoughtfully at the thorn in the foot of a nude young woman. She can be identified as Venus by the doves fluttering overhead--her attributes--and by the three Graces--her handmaidens--disposed in the traditional style.]]></dcterms:description>
    <dcterms:creator><![CDATA[E. J. Poynter]]></dcterms:creator>
    <dcterms:source><![CDATA[Thomas Watson (1555-1592), <em>Hekatompathia, Sonnet XX:</em><span style="font-family:'Times New Roman', Times, serif;font-size:xx-large;"><br /></span><br />In time long past, when in Diana's chase <br />A bramble bush prick'd Venus in the foot, <br />Old AEsculapius help'd her heavy case <br />Before the hurt had taken any root: <br />Wherehence although his beard were crisping hard <br />She yielded him a kiss for his reward.]]></dcterms:source>
    <dcterms:created><![CDATA[1880]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[October 4, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Tate Britain, London. Presented by the Trustees of the Chantrey Bequest 1880.]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Available under a CC-BY-NC-ND 3.0 (Unported) license]]></dcterms:rights>
    <dcterms:format><![CDATA[1511 x 2286 mm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[N01586]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/552">
    <dcterms:title><![CDATA[<em>A Visit to the Haunted Chamber</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[W. F. Yeames]]></dcterms:creator>
    <dcterms:source><![CDATA[Private collection]]></dcterms:source>
    <dcterms:created><![CDATA[1869]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 10, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[59.5 cm  x 84.5 cm (23.43 in. x 33.27 in.)]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/167">
    <dcterms:title><![CDATA[<em>An Athlete Wrestling with a Python</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[Frederic Leighton (1830–1896)]]></dcterms:creator>
    <dcterms:created><![CDATA[1877]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 29, 2016]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[January 21, 2017, by LM]]></dcterms:>
    <dcterms:contributor><![CDATA[Tate Britain; Presented by the Trustees of the Chantrey Bequest, 1877]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer Norwalk ]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:isVersionOf><![CDATA[Sketch for <em>An Athlete Wrestling with a Python,</em> c. 1877, plaster, 251 x 156 x 130 mm. Tate (N01761); Presented by Prof. Alphonse Legros, 1897. http://www.tate.org.uk/art/artworks/leighton-sketch-for-an-athlete-wrestling-with-a-python-n01761<br /><br />]]></dcterms:isVersionOf>
    <dcterms:isVersionOf><![CDATA[Plaster cast of the first sketch model for <em>Athlete Wrestling with a Python,</em> Leighton House. Leighton presented these casts to his friends and fellow artists; the example at Leighton House was presented ca. 1900 by G. F. Watts.]]></dcterms:isVersionOf>
    <dcterms:format><![CDATA[Object: 1746 x 984 x 1099 mm, 290 kg]]></dcterms:format>
    <dcterms:medium><![CDATA[Bronze]]></dcterms:medium>
    <dcterms:identifier><![CDATA[N01754]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/517">
    <dcterms:title><![CDATA[<em>An Old Story</em>]]></dcterms:title>
    <dcterms:description><![CDATA[A male and female sitting on stone seat, beyond at right trees behind wall, and in background sea. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Lawrence Alma-Tadema]]></dcterms:creator>
    <dcterms:created><![CDATA[1883]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 5, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[The British Museum, London]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Creative Commons license, Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)]]></dcterms:rights>
    <dcterms:format><![CDATA[227 mm x 465 mm<br />
    <br />
]]></dcterms:format>
    <dcterms:medium><![CDATA[Watercolor]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1954,0508.33]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/458">
    <dcterms:title><![CDATA[<em>And the Sea Gave up the Dead Which Were in It</em>]]></dcterms:title>
    <dcterms:subject><![CDATA[The resurrection of the dead as described in the Bible<em>: </em>"And the sea gave up the dead which were in it; and death and hell delivered up the dead which were in them: and they were judged every man according to their works" (<em>Revelation</em> 20:13).]]></dcterms:subject>
    <dcterms:creator><![CDATA[Frederic Leighton (1830–1896)]]></dcterms:creator>
    <dcterms:created><![CDATA[1892]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[January 21, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Tate Britain; Acquisition Presented by Sir Henry Tate 1894]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:isVersionOf><![CDATA[Design originally created for one of the eight roundels on the theme of the Apocalypse intended for the dome of St. Paul&#039;s Cathedral, London, abandoned when rejected as &quot;unsuitable for a Christian church.&quot; This reduced version was commissioned by Henry Tate for his gallery of British art.]]></dcterms:isVersionOf>
    <dcterms:isVersionOf><![CDATA[Preparatory oil sketch, Leighton House Museum and Art Gallery, London]]></dcterms:isVersionOf>
    <dcterms:format><![CDATA[Tondo, 2286 x 2286 mm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[N01511]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/411">
    <dcterms:title><![CDATA[<em>Art and Nature</em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Storey&#039;s studio.]]></dcterms:subject>
    <dcterms:description><![CDATA[A woman sits in G. A. Storey&#039;s studio.]]></dcterms:description>
    <dcterms:creator><![CDATA[George Adolphus Storey (1834-1919)]]></dcterms:creator>
    <dcterms:created><![CDATA[1884]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 9, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Michelle Malmberg ]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain, free for non-commercial use.]]></dcterms:rights>
    <dcterms:isReferencedBy><![CDATA[&quot;&#039;Artists at Home&#039;: Artifice and Presence&quot; by Joanna Milk]]></dcterms:isReferencedBy>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
</rdf:Description></rdf:RDF>
