Self-Portrait]]> Thomas Carlyle]]> Sir John Everett Millais, 1st Bt.]]> William Calder Marshall]]> John MacWhirter]]> Self-Portrait]]> Robert Walker Macbeth]]> J. E. Boehm]]> studio portrait of J. Edgar Boehm]]> Royalist and Realist: The Life and Work of Sir Joseph Edgar Boehm (New York & London: Garland, 1988), plate 3.]]> Joseph Edgar Boehm (1834–90)]]> studio portrait of J. E. Boehm published in Artists at Home.]]> Lord Wolseley (Garnet, first Viscount Wolseley), 1884. National Portrait Gallery.]]> Archibald Campbell Tait, 1883]]> Garnet Joseph Wolseley, 1st Viscount Wolseley, 1883]]> Queen Victoria, 1882, Royal Geographical Society, London]]> Sir John Everett Millais, plaster bust, 1882]]> 52.9 x 67.7 cm (mount)]]> George Anderson Lawson, 1832–1904, Sculptor]]> Sir Joseph Edgar Boehm, 1st Bt ("Men of the Day, No. 237")]]> Vanity Fair]]> William Ewart Gladstone]]> Artists at Home (1884)]]> Sir John Gilbert, 1877]]> The Aldine 8, no. 8 (1877): 239.]]> Sir John Gilbert, 1876-78]]> Sir John Gilbert, 1883]]> Self-Portrait]]> Samuel Cousins]]> CC BY-NC-SA 4.0]]> Nineteenth-century Mezzotinters: Samuel Cousins (London: George Bell & Sons, 1904), 46.]]> Samuel Cousins, 1884, oil on canvas; Royal Albert Memorial Museum and Art Gallery, Exeter]]> ]]> Thomas Oldham Barlow]]> The Studio: A Collection of Photographic Portraits of Living Artists, taken in the style of the Old Masters, by an Amateur, part 5, "After the Felmish School," 1864.]]> CC BY-NC-ND]]> The Athenaeum, no. 3244, Dec. 28, 1889, p. 902: "There are some good portraits of Barlow, the most important, and since it was altered the happiest, of which is that by Sir J. Millais, which we all remember seeing at the Academy a few years since."]]> The Inner Life of The Royal Academy, with an account of its schools and exhibitions principally in the reign of Queen Victoria (London, 1914; reprinted New York: Benjamin Blom, 1971), p. 206: "Millais's portrait of him is wonderfully like the man in his later years. Millais and Barlow were great friends, but it is curious that Barlow was not at all pleased with this portrait, just as Cousins was dissatisfied with his own portrait by Frank Holl.".]]>