<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/561">
    <dcterms:title><![CDATA[The St. John&#039;s Wood Clique]]></dcterms:title>
    <dcterms:subject><![CDATA[Left to right, P. H. Calderon, William Frederick Yeames, George Dunlop Leslie, Henry Stacy Marks, John Evan Hodgson, George Adolphus Storey, David Wilkie Wynfield]]></dcterms:subject>
    <dcterms:creator><![CDATA[David Wilkie Wynfield]]></dcterms:creator>
    <dcterms:source><![CDATA[Henry Stacy Marks, <em>Pen and Pencil Sketches</em> by Henry Stacy Marks (London: Chatto &amp; Windus, 1894)]]></dcterms:source>
    <dcterms:created><![CDATA[1864–65]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 12, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:medium><![CDATA[Photograph]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/59">
    <dcterms:title><![CDATA[<em>Frederic Leighton, Baron Leighton</em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Leighton, Frederic, 1st Baron Leighton of Stretton (1830-1896), English painter<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[Three-quarter-length, soft-focus portrait of Leighton in renaissance costume.]]></dcterms:description>
    <dcterms:creator><![CDATA[David Wilkie Wynfield (1837-1887)]]></dcterms:creator>
    <dcterms:source><![CDATA[Originally included in <em>The Studio: A Collection of Photographic Portraits of Living Artists, taken in the style of the Old Masters, by an Amateur,</em> March 1864.]]></dcterms:source>
    <dcterms:created><![CDATA[1860s]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[September 5, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[National Portrait Gallery, London]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Creative Commons--Attribution--Non-Commercial--No Derivatives 3.0 Unported]]></dcterms:rights>
    <dcterms:format><![CDATA[197 mm x 161 cm (7 3/4 in. x 6 3/8 in.)]]></dcterms:format>
    <dcterms:medium><![CDATA[Albumen print]]></dcterms:medium>
    <dcterms:identifier><![CDATA[National Portrait Gallery P77]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/429">
    <dcterms:title><![CDATA[<em>Thomas Oldham Barlow</em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Barlow, Thomas Oldham (1824–1889), etcher and engraver]]></dcterms:subject>
    <dcterms:creator><![CDATA[David Wilkie Wynfield (1837–1887)]]></dcterms:creator>
    <dcterms:source><![CDATA[David Wilkie Wynfield, <em><a title="The Studio: A Collection of Photographic Portraits of Living Artists, taken in the style of the Old Masters, by an Amateur" href="http://www.npg.org.uk/collections/search/set/362/Victorian+artists+by+David+Wilkie+Wynfield">The Studio: A Collection of Photographic Portraits of Living Artists, taken in the style of the Old Masters, by an Amateur</a>,</em> part 5, "After the Felmish School," 1864.]]></dcterms:source>
    <dcterms:created><![CDATA[ca. 1883]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[January 16, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[The National Portrait Gallery, London]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Creative Common]]></dcterms:rights>
    <dcterms:format><![CDATA[8 3/8 in. x 6 3/8 in. (212 mm x 161 mm) overall]]></dcterms:format>
    <dcterms:medium><![CDATA[albumen print]]></dcterms:medium>
    <dcterms:identifier><![CDATA[NPG P71]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/559">
    <dcterms:title><![CDATA[<em>Philip IV of Spain</em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Philip IV, King of Spain (1605 - 1665)]]></dcterms:subject>
    <dcterms:creator><![CDATA[Diego Velázquez (1599–1660)]]></dcterms:creator>
    <dcterms:created><![CDATA[ca. 1656]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 10, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[National Gallery, London; Bought, 1865]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Creative Common license]]></dcterms:rights>
    <dcterms:format><![CDATA[64.1 x 53.7 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[NG745]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/356">
    <dcterms:title><![CDATA[Modern-day Professional Golfers in Victorian Golf Dress ]]></dcterms:title>
    <dcterms:subject><![CDATA[Modern-day professional golfers in Victorian golf dress ]]></dcterms:subject>
    <dcterms:description><![CDATA[From left to right: Keegan Bradley, Graeme McDowell, Rickie Fowler, Luke Donald, Ben Crane, Camilo Villegas, and Justin Rose pose at the 2012 Zurich Classic of New Orleans in golf attire worn during the Victorian era. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Dom Furore ]]></dcterms:creator>
    <dcterms:source><![CDATA[Golf Digest <br />
http://www.golfdigest.com/gallery/photos-zurich  ]]></dcterms:source>
    <dcterms:created><![CDATA[2012 ]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 8, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Golf Digest <br />
Omeka record contributed by Vanessa Pike ]]></dcterms:contributor>
    <dcterms:format><![CDATA[Photograph ]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/402">
    <dcterms:title><![CDATA[Hamo Thornycroft ]]></dcterms:title>
    <dcterms:subject><![CDATA[Hamo Thornycroft ]]></dcterms:subject>
    <dcterms:description><![CDATA[A seated, bust-length portrait of Hamo Thornycroft. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Done &amp; Ball]]></dcterms:creator>
    <dcterms:source><![CDATA[National Portrait Gallery <br />
http://www.npg.org.uk/collections/search/portrait/mw121991/Hamo-Thornycroft?search=sp&amp;sText=thornycroft&amp;rNo=19]]></dcterms:source>
    <dcterms:created><![CDATA[early 1890s ]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 9, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[NPG website<br />
Omeka record contributed by Vanessa Pike ]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Creative Commons <br />
© National Portrait Gallery, London]]></dcterms:rights>
    <dcterms:format><![CDATA[albumen cabinet card]]></dcterms:format>
    <dcterms:identifier><![CDATA[NPG x12596]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/64">
    <dcterms:title><![CDATA[<em>The Ides of March</em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Act II, scene II, of Shakespeare's <em>Julius Caesar,</em> when the wife of Caesar, Calphurnia, implores her husband not to go to the senate house, where he will be assassinated.]]></dcterms:subject>
    <dcterms:description><![CDATA[Two heavily draped figures, Caesar and Calphurnia, stand with their backs to the viewer in the center of a grand Roman interior with polished marble floors and columns. They look out onto an ominous night sky, filled with heavy clouds and the illuminated path of a falling comet, toward the silhouette of an armed guard standing on a parapet. A painted marble bust of Caesar is eerily lit from below, casting an exaggerated shadow on the wall.]]></dcterms:description>
    <dcterms:creator><![CDATA[E. J. Poynter]]></dcterms:creator>
    <dcterms:created><![CDATA[1883]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[September 28, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Manchester Art Gallery, Manchester, England]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain, http://www.wikigallery.org]]></dcterms:rights>
    <dcterms:relation><![CDATA[Studio portrait of E. J. Poynter]]></dcterms:relation>
    <dcterms:format><![CDATA[153 x 112.6 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[MAG 1883.18]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/65">
    <dcterms:title><![CDATA[<em>A Visit to Aesculapius</em>]]></dcterms:title>
    <dcterms:subject><![CDATA[Aesculapius, god of healing and medicine (the Roman counterpart of the Greek Asclepius)]]></dcterms:subject>
    <dcterms:description><![CDATA[The draped and bearded Aesculapius, seated on a columned portico, gazes thoughtfully at the thorn in the foot of a nude young woman. She can be identified as Venus by the doves fluttering overhead--her attributes--and by the three Graces--her handmaidens--disposed in the traditional style.]]></dcterms:description>
    <dcterms:creator><![CDATA[E. J. Poynter]]></dcterms:creator>
    <dcterms:source><![CDATA[Thomas Watson (1555-1592), <em>Hekatompathia, Sonnet XX:</em><span style="font-family:'Times New Roman', Times, serif;font-size:xx-large;"><br /></span><br />In time long past, when in Diana's chase <br />A bramble bush prick'd Venus in the foot, <br />Old AEsculapius help'd her heavy case <br />Before the hurt had taken any root: <br />Wherehence although his beard were crisping hard <br />She yielded him a kiss for his reward.]]></dcterms:source>
    <dcterms:created><![CDATA[1880]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[October 4, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Tate Britain, London. Presented by the Trustees of the Chantrey Bequest 1880.]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Available under a CC-BY-NC-ND 3.0 (Unported) license]]></dcterms:rights>
    <dcterms:format><![CDATA[1511 x 2286 mm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[N01586]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/401">
    <dcterms:title><![CDATA[Carlos Duran playing the organ]]></dcterms:title>
    <dcterms:creator><![CDATA[Edmond Bénard, photographer<br />
C. Léveillé, engraver<br />
Paul Eudel, writer]]></dcterms:creator>
    <dcterms:created><![CDATA[July 3, 1886]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 6, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Emory University Library <br />
<br />
Omeka record contributed by Ekaterina Koposova]]></dcterms:contributor>
    <dcterms:rights><![CDATA[The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by Ekaterina Koposova at the Emory University Woodruff Library.<br />
]]></dcterms:rights>
    <dcterms:isReferencedBy><![CDATA[Rachel Esner, “In the Artist’s Studio with L’Illustration,” <em>RIHA Journal</em> 69 (March 18, 2013): 1-33, <a href="http://www.riha-journal.org/articles/2013/2013-jan-mar/esner-illustration">http://www.riha-journal.org/articles/2013/2013-jan-mar/esner-illustration</a>]]></dcterms:isReferencedBy>
    <dcterms:format><![CDATA[JPEG image, 889 KB]]></dcterms:format>
    <dcterms:medium><![CDATA[Engraving]]></dcterms:medium>
    <dcterms:identifier><![CDATA[Duran.png]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/397">
    <dcterms:title><![CDATA[Carolus Duran playing the organ, ca. 1885]]></dcterms:title>
    <dcterms:creator><![CDATA[Edmond Bénard, photographer]]></dcterms:creator>
    <dcterms:created><![CDATA[1886]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 9, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Archives of American Art<br />
<br />
Omeka record contributed by Ekaterina Koposova]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Permission to reproduce image granted by holder, Archives of American Art.]]></dcterms:rights>
    <dcterms:format><![CDATA[PNG image, 32.8 MB]]></dcterms:format>
    <dcterms:medium><![CDATA[Photograph]]></dcterms:medium>
    <dcterms:identifier><![CDATA[AAA_photartiparis_18649.png]]></dcterms:identifier>
    <dcterms:rightsHolder><![CDATA[Archives of American Art]]></dcterms:rightsHolder>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/327">
    <dcterms:title><![CDATA[Miss Ellen Terry as Ophelia]]></dcterms:title>
    <dcterms:subject><![CDATA[Print depicting Ellen Terry in the role of Ophelia.]]></dcterms:subject>
    <dcterms:creator><![CDATA[Edward Gordon Craig (1872-1966)]]></dcterms:creator>
    <dcterms:source><![CDATA[Victoria and Albert Museum (E.962-1959)]]></dcterms:source>
    <dcterms:created><![CDATA[1890-1910]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 7, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Gabriella Meier]]></dcterms:contributor>
    <dcterms:medium><![CDATA[Woodcut with letterpress]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/484">
    <dcterms:title><![CDATA[<em>Israel in Egypt</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[Edward J. Poynter (1836–1919)]]></dcterms:creator>
    <dcterms:source><![CDATA[Exodus 1: 1–14]]></dcterms:source>
    <dcterms:created><![CDATA[1867]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[February 6, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Guildhall Art Gallery, London]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[54 in. x 125 in.]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/486">
    <dcterms:title><![CDATA[<em>The Visit of the Queen of Shea to King Solomon </em>]]></dcterms:title>
    <dcterms:creator><![CDATA[Edward John Poynter (1839–1919)]]></dcterms:creator>
    <dcterms:created><![CDATA[Completed 1890]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[February 6, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[The Art Gallery of New South Wales, Sydney, Australia]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[234.5 x 350.5 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/113">
    <dcterms:title><![CDATA[Pima Matron]]></dcterms:title>
    <dcterms:creator><![CDATA[Edward S. Curtis]]></dcterms:creator>
    <dcterms:source><![CDATA[<em>The North American Indian</em>]]></dcterms:source>
    <dcterms:created><![CDATA[1907]]></dcterms:created>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer<br />
Norwalk]]></dcterms:contributor>
    <dcterms:medium><![CDATA[Photogravure]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/235">
    <dcterms:title><![CDATA[Drawing of Marcus Stone&#039;s Studio ]]></dcterms:title>
    <dcterms:creator><![CDATA[Edward Tarver]]></dcterms:creator>
    <dcterms:source><![CDATA[Tarver, Edward J., Artists’ Studios, The Art Journal 6 (1880), 273-276. JSTOR: http://www.jstor.org/stable/20569573.]]></dcterms:source>
    <dcterms:created><![CDATA[1880]]></dcterms:created>
    <dcterms:><![CDATA[November 30, 2016]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Hilleary Gramling. ]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/242">
    <dcterms:title><![CDATA[Study of a Lion]]></dcterms:title>
    <dcterms:description><![CDATA[A painting study of a lion in profile. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Edwin Landseer]]></dcterms:creator>
    <dcterms:source><![CDATA[Tate]]></dcterms:source>
    <dcterms:created><![CDATA[1862]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 1, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka entry contributed by Michelle Malmberg]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Creative Commons Non-Commercial ]]></dcterms:rights>
    <dcterms:format><![CDATA[91.4 cm x 137.8 cm<br />
<br />
]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/369">
    <dcterms:title><![CDATA[Scene from A Midsummer Night&#039;s Dream. Titania and Bottom]]></dcterms:title>
    <dcterms:subject><![CDATA[A Midsummer Night&#039;s Dream]]></dcterms:subject>
    <dcterms:description><![CDATA[In the center, Titania, the queen of fairies, leans against Bottom, a weaver with a head of an ass.]]></dcterms:description>
    <dcterms:creator><![CDATA[Edwin Landseer]]></dcterms:creator>
    <dcterms:created><![CDATA[1848-1851]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 9, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Wikipedia Commons<br />
<br />
Omeka record contributed by Ekaterina Koposova]]></dcterms:contributor>
    <dcterms:rights><![CDATA[The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Wikipedia Commons.]]></dcterms:rights>
    <dcterms:format><![CDATA[JPG image, 8 MB]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil on canvas ]]></dcterms:medium>
    <dcterms:identifier><![CDATA[Edwin_Landseer_-_Scene_from_A_Midsummer_Night&#039;s_Dream._Titania_and_Bottom_-_Google_Art_Project.jpg]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/364">
    <dcterms:title><![CDATA[Reviews of<em> Artists at Home</em>: a collage]]></dcterms:title>
    <dcterms:description><![CDATA[A collage from the pages of the <em>Art Journal</em>, <em>The Derby Mercury</em>, and <em>The Cornubian and Redruth Times</em>.]]></dcterms:description>
    <dcterms:creator><![CDATA[Ekaterina Koposova]]></dcterms:creator>
    <dcterms:created><![CDATA[December 9, 2016]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 9, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Ekaterina Koposova]]></dcterms:contributor>
    <dcterms:format><![CDATA[Digital image]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/387">
    <dcterms:title><![CDATA[Comparison of collections]]></dcterms:title>
    <dcterms:subject><![CDATA[Collections of photographs — diagram]]></dcterms:subject>
    <dcterms:description><![CDATA[Diagram of select collections according to number of photographs.]]></dcterms:description>
    <dcterms:creator><![CDATA[Ekaterina Koposova]]></dcterms:creator>
    <dcterms:created><![CDATA[December 9, 2016]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 9, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Ekaterina Koposova]]></dcterms:contributor>
    <dcterms:rights><![CDATA[The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by Ekaterina Koposova.]]></dcterms:rights>
    <dcterms:format><![CDATA[PNG image, 53 KB]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/388">
    <dcterms:title><![CDATA[The demographics of the larger series ]]></dcterms:title>
    <dcterms:subject><![CDATA[Demographics of the series as a whole.]]></dcterms:subject>
    <dcterms:description><![CDATA[Shows the percentage representation of established artists, women, and foreigners in the larger series.]]></dcterms:description>
    <dcterms:creator><![CDATA[Ekaterina Koposova ]]></dcterms:creator>
    <dcterms:created><![CDATA[December 9, 2016]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 9, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Ekaterina Koposova]]></dcterms:contributor>
    <dcterms:rights><![CDATA[The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by Ekaterina Koposova]]></dcterms:rights>
    <dcterms:format><![CDATA[PNG image, 176 KB.]]></dcterms:format>
    <dcterms:identifier><![CDATA[demographics.png]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
