<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/90">
    <dcterms:title><![CDATA[Louise Jane Jopling (née Goode, later Rowe)<br />
]]></dcterms:title>
    <dcterms:subject><![CDATA[Louise Jopling, painter]]></dcterms:subject>
    <dcterms:creator><![CDATA[Herbert Rose Barraud<br />
]]></dcterms:creator>
    <dcterms:source><![CDATA[National Portrait Gallery]]></dcterms:source>
    <dcterms:created><![CDATA[1890 or before]]></dcterms:created>
    <dcterms:dateCopyrighted><![CDATA[© National Portrait Gallery, London]]></dcterms:dateCopyrighted>
    <dcterms:format><![CDATA[9 5/8 in. x 7 in. (245 mm x 177 mm) <br />
]]></dcterms:format>
    <dcterms:medium><![CDATA[Carbon print]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/92">
    <dcterms:title><![CDATA[Gladstone&#039;s Hawarden Castle]]></dcterms:title>
    <dcterms:subject><![CDATA[A view of Hawarden Castle, home of W. E. Gladstone, in Flintshire, Wales]]></dcterms:subject>
    <dcterms:source><![CDATA[from F. O. Morris, <em>The County Seats, A Series of Picturesque Views of Seats of Noblemen and Gentlemen of Great Britain and Ireland</em> (London: William Mackenzie, c. 1866)]]></dcterms:source>
    <dcterms:created><![CDATA[1866]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[Chromolithograph, 5 x 7.5 inches (image size)]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/93">
    <dcterms:title><![CDATA[No. 2 Palace Gate ]]></dcterms:title>
    <dcterms:description><![CDATA[The custom- built studio house of John Everett Millais in Palace Gate. A square, conservative Italianate house with Sicilian marble floors and carved Bücknow fireplaces. It was designed by architect Philip Hardwick but constructed by William Cubitt &amp; Co. in 1873-76. The largest room was Millais’s studio, featuring carpeted floors and tapestry-covered walls.]]></dcterms:description>
    <dcterms:creator><![CDATA[Philip Hardwick (1792-1870), architect]]></dcterms:creator>
    <dcterms:created><![CDATA[1873-76]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016 ]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[November 19, 2016<br />
December 16, 2016, by LM<br />
January 29, 2017, by LM]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer Norwalk]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Photograph: Creative Commons license<br />
https://commons.wikimedia.org/wiki/File:Sir_John_Everett_Millais_-_2_Palace_Gate_Kensington_London_W8_5NF.jpg]]></dcterms:rights>
    <dcterms:isReferencedBy><![CDATA[Monkhouse, Cosmo. “Some English artists and their studios.” <em>Century Magazine</em> 24 (August 1882): 557-60.]]></dcterms:isReferencedBy>
    <dcterms:coverage><![CDATA[2 Palace Gate, London, in February 2015]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/94">
    <dcterms:title><![CDATA[1 Holland Park Road<br />
]]></dcterms:title>
    <dcterms:description><![CDATA[The custom-built studio house of Valentine Cameron Prinsep in Holland Park. A simple, unornamented red-brick house with segmental and pointed arches. It was designed in 1864 and constructed in 1866, altered once in 1877 to include an additional story and drawbridge and again in 1892 to add a new wing to the east.]]></dcterms:description>
    <dcterms:creator><![CDATA[Philip Webb (1831-1915), architect<br />
]]></dcterms:creator>
    <dcterms:created><![CDATA[1864-1866; altered 1877<br />
]]></dcterms:created>
    <dcterms:><![CDATA[November 19, 2016<br />
February 2, 2017, by LM]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Jenifer<br />
Norwalk]]></dcterms:contributor>
    <dcterms:isReferencedBy><![CDATA[Monkhouse, Cosmo. “Some English artists and their studios.” Century Magazine 24 (August 1882): 560-62. ]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA["No. VIII. Mr. Val C. Prinsep's House, Kensington," 5-6, ill. In Adams, Maurice. <em>Artists’ Homes: A Portfolio of Drawings including the Houses and Studios of Several Eminent Painters, Sculptors and Architects.</em> London: B. T. Batsford, 1883]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Walkley, Giles. <em>Artists’ Houses in London 1764–1914.</em> Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994. Pp. 50–53, detail repr. p. 53<em><br /></em>]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA["No. 14 Holland Park Road," pp 22, 141-42. In <em>Survey of London, </em>vol. 37, <em>Northern Kensington,</em> edited by Sheppard, F. H. W. London: The Athlone Press, University of London, published for the Greater London Council, 1973.]]></dcterms:isReferencedBy>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/95">
    <dcterms:title><![CDATA["Reviews: 'Artists at Home,'" <em>Derby Mercury,</em> 1884]]></dcterms:title>
    <dcterms:abstract><![CDATA[A mostly descriptive but complimentary review of <em>Artists at Home, </em>one of the earleist published, including a substantial excerpt from Stephens's biographical sketch of Val Prinsep.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<em>The Derby Mercury</em> (Derby, England), issue 8828, March 26, 1884. <em>19th Century British Library Newspapers: Part II.</em>]]></dcterms:source>
    <dcterms:created><![CDATA[March 26, 1884]]></dcterms:created>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[Newspaper article]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/96">
    <dcterms:title><![CDATA["The Reader," <em>The Graphic,</em> 1884]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em>]]></dcterms:subject>
    <dcterms:abstract><![CDATA[A brief, laudatory notice of the third fascicle.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<em>The Graphic,</em> issue 758, June 7, 1884. 19th Century British Library Newspapers: Part II.]]></dcterms:source>
    <dcterms:created><![CDATA[June 1884]]></dcterms:created>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/97">
    <dcterms:title><![CDATA["Magazines for June," <em>Publisher's Circular,</em> 1884]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em>]]></dcterms:subject>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<p><em>The Publishers’ Circular </em>47, no. 1122 (June 16, 1884): 571. Nineteenth Century Serials Edition.</p>]]></dcterms:source>
    <dcterms:created><![CDATA[June 1884]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:coverage><![CDATA[A favorable review written after the fourth fascicle had been issued, praising the quality of the photographs and naming the publication "a book of national importance."]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/98">
    <dcterms:title><![CDATA["Reviews," <em>Art Journal,</em> 1884]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em>]]></dcterms:subject>
    <dcterms:abstract><![CDATA[A frequently quoted review published after the third fascicle was issued criticizing the artificiality of the photographs and the likenesses of some of the portraits.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<em>The Art Journal </em>46 (1884): 256.]]></dcterms:source>
    <dcterms:created><![CDATA[1884]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/99">
    <dcterms:title><![CDATA["Our Note Book," <em>Illustrated London News,</em> 1884]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em>]]></dcterms:subject>
    <dcterms:abstract><![CDATA[A brief notice, describing <em>Artists at Home </em>as "purely artistic," and wondering about the artists' involvement in the project.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<em>The Illustrated London News </em>35 (July 12, 1884): 26]]></dcterms:source>
    <dcterms:created><![CDATA[July 1884]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/100">
    <dcterms:title><![CDATA["Artists at Home," <em>Colonies and India,</em> 1884]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em>]]></dcterms:subject>
    <dcterms:abstract><![CDATA[A notice published after the sixth and final fascicle was released, mainly questioning the inclusion of W. E. Gladstone in the collection.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<em>Colonies and India,</em> September 26, 1884. Newspaper Archive.]]></dcterms:source>
    <dcterms:created><![CDATA[September 1884]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/101">
    <dcterms:title><![CDATA["Some Fine Art Books, " <em>Graphic,</em> 1885]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em>]]></dcterms:subject>
    <dcterms:abstract><![CDATA[A laudatory review published after the release of Part VI of <em>Artists at Home, </em>dwelling on the curious inclusion of W. E. Gladstone.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<p><em>The Graphic</em>, issue 788, Jan. 3, 1885. <em>19th Century British Library Newspapers: Part II.</em></p>]]></dcterms:source>
    <dcterms:created><![CDATA[January 1885]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/102">
    <dcterms:title><![CDATA["Serials," <em>Publisher's Circular,</em> 1884]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em>]]></dcterms:subject>
    <dcterms:abstract><![CDATA[A summative, complimentary review, deeming the project &quot;a happy thought&quot; and &quot;a genuine success.&quot;]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<p><strong><em>T</em></strong><em>he Publishers’ Circular </em>47, no. 1129 (Oct. 1, 1884): 939.</p>
<p><strong> </strong></p>]]></dcterms:source>
    <dcterms:created><![CDATA[October 1884]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/103">
    <dcterms:title><![CDATA[Webster House, Home of T. Webster ]]></dcterms:title>
    <dcterms:contributor><![CDATA[Omeka record contributed by Hilleary Gramling. ]]></dcterms:contributor>
    <dcterms:isReferencedBy><![CDATA[&quot;Cranbrook Colony.” 2013. Accessed November 10, 2016. http://www.cranbrookmuseum.org/cranbrook-colony.html.]]></dcterms:isReferencedBy>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/104">
    <dcterms:title><![CDATA[Boehm, Joseph Edgar ]]></dcterms:title>
    <dcterms:subject><![CDATA[Boehm, Joseph Edgar, 1st Baronet of Wetherby Gardens (1834-1890), English-Hungarian medallist and sculptor ]]></dcterms:subject>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Albertine Lee]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/105">
    <dcterms:title><![CDATA[Watts, George Frederick ]]></dcterms:title>
    <dcterms:subject><![CDATA[Watts, George Frederick (1817-1904), English painter and sculptor ]]></dcterms:subject>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016 ]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Albertine Lee]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/106">
    <dcterms:title><![CDATA[West House, Studio-house of G. Boughton]]></dcterms:title>
    <dcterms:description><![CDATA[A four story red-brick house with crow-step gables and seventeenth-century windows in Campden Hill, Kensington, London. Custom built studio house of George H. Boughton. It was built in 1878. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Norman Shaw (1831-1912), architect]]></dcterms:creator>
    <dcterms:created><![CDATA[1878]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 19, 2016]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[November 19, 2016]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Hilleary Gramling. ]]></dcterms:contributor>
    <dcterms:isReferencedBy><![CDATA[Joseph Hatton, “Some Glimpses of Artistic London,” Harper’s New Monthly Magazine 67, no. 402 (November 1883): 838-842.]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Henry-Russell Hitchcock, Architecture: Nineteenth and Twentieth Centuries, (New Haven and London: Yale University Press, 1977), 294.]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Sir Sidney Lee, Dictionary of National Biography (London: Smith, Elder &amp; Co., 1912), 197-198. ]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Mary Eliza Haweis, Beautiful Houses; being a description of certain well-known artistic houses (London: Low, Marston, Searle, and Rivington, 1882), 45-52. ]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Charlotte Gere, Artistic Circles: Design &amp; Decoration in the Aesthetic Movement (London: V&amp;A Publishing, 2010), 26.]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Tarver, Edward J., “Artists’ Studios,” The Art Journal 6 (1880), 273-276. JSTOR: http://www.jstor.org/stable/20569573 .]]></dcterms:isReferencedBy>
    <dcterms:isReferencedBy><![CDATA[Giles Walkley, Artists’ Houses in London 1764–1914 (Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994), pp. 71-73. ]]></dcterms:isReferencedBy>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/107">
    <dcterms:title><![CDATA[2 Fitzroy Square, Studio-house of F. Dicksee]]></dcterms:title>
    <dcterms:dateSubmitted><![CDATA[November 19, 2016]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[November 19, 2016]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Hilleary Gramling. ]]></dcterms:contributor>
    <dcterms:isReferencedBy><![CDATA[Giles Walkley, Artists’ Houses in London 1764-1914 (Great Britain: The University Press, Cambridge, 1994), 30.]]></dcterms:isReferencedBy>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/108">
    <dcterms:title><![CDATA[George H. Boughton]]></dcterms:title>
    <dcterms:subject><![CDATA[Boughton, George H., A.R.A. (1833-1905, English painter<br />
]]></dcterms:subject>
    <dcterms:dateSubmitted><![CDATA[November 19, 2016]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[November 19, 2016]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Hilleary Gramling. ]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/109">
    <dcterms:title><![CDATA[Old Tom Morris and Young Tom Morris ]]></dcterms:title>
    <dcterms:subject><![CDATA[Old Tom Morris (left) and Young Tom Morris (right) ]]></dcterms:subject>
    <dcterms:description><![CDATA[Old and Young Tom Morris pose with their golf clubs in front of an artificial backdrop. ]]></dcterms:description>
    <dcterms:source><![CDATA[The Daily Mail Online <br />
http://www.dailymail.co.uk/sport/golf/article-2120936/Forgotten-pictures-Old-Tom-Morris-sale-350-0000.html]]></dcterms:source>
    <dcterms:created><![CDATA[c. 1870-75]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 19, 2016]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[December 8, 2016]]></dcterms:>
    <dcterms:contributor><![CDATA[Jonathan Brocklebank, author of the &quot;Daily Mail&quot; article <br />
Omeka record contributed by Vanessa Pike ]]></dcterms:contributor>
    <dcterms:format><![CDATA[Photograph ]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/110">
    <dcterms:title><![CDATA[Allan Robertson ]]></dcterms:title>
    <dcterms:subject><![CDATA[Allan Robertson, the first professional golfer]]></dcterms:subject>
    <dcterms:description><![CDATA[Allan Robertson, the Scottish golfer, poses with his golf clubs and golf balls beside him. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Thomas Rodger (1832-1883), Scottish photographer ]]></dcterms:creator>
    <dcterms:source><![CDATA[Golf Tournaments 101 <br />
http://charitygolf101.com/three-linked-golf-families-st-andrews/ ]]></dcterms:source>
    <dcterms:created><![CDATA[c. 1850]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 19, 2016]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[December 8, 2016]]></dcterms:>
    <dcterms:contributor><![CDATA[Mel Lewis, PGA of New Zealand ]]></dcterms:contributor>
    <dcterms:format><![CDATA[Photograph ]]></dcterms:format>
</rdf:Description></rdf:RDF>
