In Clover]]> Harvesting in Arran]]> Highland Landscapes--Paintings of Scotland in the Nineteenth Century (London: Garamond Publishers Ltd., 1990), S.16]]> The Valley of Slaughter, Skye]]> Words of Love]]> John MacWhirter]]> Self-Portrait]]> Our First Tiff]]> Robert Walker Macbeth]]> J. E. Boehm]]> studio portrait of J. Edgar Boehm]]> Royalist and Realist: The Life and Work of Sir Joseph Edgar Boehm (New York & London: Garland, 1988), plate 3.]]> Joseph Edgar Boehm (1834–90)]]> studio portrait of J. E. Boehm published in Artists at Home.]]> Lord Wolseley (Garnet, first Viscount Wolseley), 1884. National Portrait Gallery.]]> Archibald Campbell Tait, 1883]]> Garnet Joseph Wolseley, 1st Viscount Wolseley, 1883]]> Queen Victoria, 1882, Royal Geographical Society, London]]> Sir John Everett Millais, plaster bust, 1882]]> 52.9 x 67.7 cm (mount)]]> And the Sea Gave up the Dead Which Were in It]]> : "And the sea gave up the dead which were in it; and death and hell delivered up the dead which were in them: and they were judged every man according to their works" (Revelation 20:13).]]> The Industrial Arts as Applied to War]]> The Syracusan Bride Leading Wild Animals in Procession to the Temple of Diana]]> Dante in Exile]]> The Daphnephoria]]> George Anderson Lawson, 1832–1904, Sculptor]]> Sir Joseph Edgar Boehm, 1st Bt ("Men of the Day, No. 237")]]> Vanity Fair]]> Monsieur B. Bertrand, fencing-master of the late Prince Imperial Louis Napoleon]]> Royalist and Realist: The Life and Work of Sir Joseph Edgar Boehm (New York and London: Garland Publishing, 1988), pp. 66-67, reproduced plate 53. "An undocumented but obvious instance of Boehm's captivation by an expressive head was that of the Prince Imperial's fencing master, B. Bertrand. No other Boehm bust conveys the dramatic immediacy or the sense of colour of Bertrand's startled, upward glance. Although the portrait attracted little or no attention at the Royal Academy of 1882--probably becaue Bertrand was an unknown--the importance that Boehm accorded it is evident in J. P. Mayall's photograph for Frederic George Stephens's Artists at Home where it is prominently displayed in the studio" (pp. 66-67).]]> William Ewart Gladstone]]> Artists at Home (1884)]]>