<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/385">
    <dcterms:title><![CDATA[ Sir Henry Cole and Richard Redgrave in the garden of the Gore House.]]></dcterms:title>
    <dcterms:creator><![CDATA[Albumen print by Charles Thurston Thompson<br />
Copy by Victoria and Albert Museum]]></dcterms:creator>
    <dcterms:source><![CDATA[Victoria and Albert Museum<br />
Museum no. PH.835-1987]]></dcterms:source>
    <dcterms:created><![CDATA[1854]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[12/09/2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Karuna Srikureja]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Free use for non-commercial purposes with proper credit to Victoria and Albert Museum]]></dcterms:rights>
    <dcterms:medium><![CDATA[Albumen print]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/77">
    <dcterms:title><![CDATA["Art in September," <em>Magazine of Art,</em> 1884]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em> by J. P. Mayall and F. G. Stephens (1884)]]></dcterms:subject>
    <dcterms:abstract><![CDATA[A decidedly negative review of the first five installments of <em>Artists at Home, </em>with objections to its lackluster text and lifeless photographic portraits.]]></dcterms:abstract>
    <dcterms:source><![CDATA[<em>The Magazine of Art</em>, vol. 7 (September 1884): xlviii]]></dcterms:source>
    <dcterms:created><![CDATA[September 1884]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[October 20, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[The Magazine of Art, Google Books<br />http://hdl.handle.net/2027/mdp.39015080283537<br /><br />]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Domain in the United States, Google-digitized<br />
]]></dcterms:rights>
    <dcterms:references><![CDATA[F. G. Stephens, <em>Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (</em>London: Sampson Low, Marston, Searle and Rivington; New York: Appleton &amp; Co., 1884).]]></dcterms:references>
    <dcterms:references><![CDATA[William Wordsworth, “Elegiac Stanzas Suggested by a Picture of Peele Castle in a Storm, Painted by Sir George Beaumont.”<br />
]]></dcterms:references>
    <dcterms:identifier><![CDATA[Review_MagOfArt_9.84<br />
]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/100">
    <dcterms:title><![CDATA["Artists at Home," <em>Colonies and India,</em> 1884]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em>]]></dcterms:subject>
    <dcterms:abstract><![CDATA[A notice published after the sixth and final fascicle was released, mainly questioning the inclusion of W. E. Gladstone in the collection.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<em>Colonies and India,</em> September 26, 1884. Newspaper Archive.]]></dcterms:source>
    <dcterms:created><![CDATA[September 1884]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/529">
    <dcterms:title><![CDATA[&quot;Artists&#039; Homes No. 13. Mr. Hamo Thornycroft&#039;s Residence &amp; Studios, Melbury Road, Kensington.&quot;]]></dcterms:title>
    <dcterms:subject><![CDATA[Studio-house of Hamo Thornycroft at 2a Melbury Road, Holland Park, London]]></dcterms:subject>
    <dcterms:creator><![CDATA[Maurice Adams]]></dcterms:creator>
    <dcterms:source><![CDATA[Adams, Maurice. <em>Artists’ Homes: A Portfolio of Drawings including the Houses and Studios of Several Eminent Painters, Sculptors and Architects</em>. London: B. T. Batsford, 1883.]]></dcterms:source>
    <dcterms:created><![CDATA[ca. 1883]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 6, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[Book illustration]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/317">
    <dcterms:title><![CDATA[&quot;Artists&#039; Homes No. 15 Little Holland House Kensington]]></dcterms:title>
    <dcterms:subject><![CDATA[The studio-house of G. F. Watts, Holland Park]]></dcterms:subject>
    <dcterms:creator><![CDATA[Maurice B. Adams (1849-1933), architect and editor of <em>The Building News</em>]]></dcterms:creator>
    <dcterms:source><![CDATA[<p> Adams, Maurice. <em>Artists’ Homes: A Portfolio of Drawings including the Houses and Studios of Several Eminent Painters, Sculptors and Architects.</em> London: B. T. Batsford, 1883.</p>]]></dcterms:source>
    <dcterms:created><![CDATA[ca. 1883]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 7, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/339">
    <dcterms:title><![CDATA["Drawing Room in Townsend [<em>sic]</em> House"]]></dcterms:title>
    <dcterms:subject><![CDATA[Drawing room of Townshend House, Regent&#039;s Park, the home of Lawrence Alma-Tadema.]]></dcterms:subject>
    <dcterms:creator><![CDATA[Moncure D. Conway (1832-1907)]]></dcterms:creator>
    <dcterms:source><![CDATA[Moncure Daniel Conway,<em>Travels in South Kensington: With Notes on Decorative Art and Architecture in England (</em>New York: Harper &amp; Bros., 1882), 194.]]></dcterms:source>
    <dcterms:created><![CDATA[ca. 1882]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 7, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Woodruff Library, Emory University, N1150 C7]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:medium><![CDATA[Engraving (probably after a photograph)]]></dcterms:medium>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/535">
    <dcterms:title><![CDATA["Head of Lot's Wife"]]></dcterms:title>
    <dcterms:subject><![CDATA[Hamo Thornycroft, <em>Lot's Wife, </em>1878]]></dcterms:subject>
    <dcterms:source><![CDATA[Gosse, Edmund. &quot;Our Living Artists: Hamo Thornycroft, A.R.A.&quot; Magazine of Art 4 (1881):  329.]]></dcterms:source>
    <dcterms:created><![CDATA[1881]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 7, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/97">
    <dcterms:title><![CDATA["Magazines for June," <em>Publisher's Circular,</em> 1884]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em>]]></dcterms:subject>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<p><em>The Publishers’ Circular </em>47, no. 1122 (June 16, 1884): 571. Nineteenth Century Serials Edition.</p>]]></dcterms:source>
    <dcterms:created><![CDATA[June 1884]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:coverage><![CDATA[A favorable review written after the fourth fascicle had been issued, praising the quality of the photographs and naming the publication "a book of national importance."]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/99">
    <dcterms:title><![CDATA["Our Note Book," <em>Illustrated London News,</em> 1884]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em>]]></dcterms:subject>
    <dcterms:abstract><![CDATA[A brief notice, describing <em>Artists at Home </em>as "purely artistic," and wondering about the artists' involvement in the project.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<em>The Illustrated London News </em>35 (July 12, 1884): 26]]></dcterms:source>
    <dcterms:created><![CDATA[July 1884]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/504">
    <dcterms:title><![CDATA[&quot;Pip Waits on Miss Havisham&quot;]]></dcterms:title>
    <dcterms:subject><![CDATA[Chapter 8: &quot;&#039;Look at me,&#039; said Miss Havisham. &#039;You are not afraid of a woman who has never seen the sun since you were born?&#039;&quot; ]]></dcterms:subject>
    <dcterms:creator><![CDATA[Marcus Stone]]></dcterms:creator>
    <dcterms:source><![CDATA[Charles Dickens, <em>Great Expectations</em>]]></dcterms:source>
    <dcterms:created><![CDATA[1862]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[March 4, 2017]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by LM]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/98">
    <dcterms:title><![CDATA["Reviews," <em>Art Journal,</em> 1884]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em>]]></dcterms:subject>
    <dcterms:abstract><![CDATA[A frequently quoted review published after the third fascicle was issued criticizing the artificiality of the photographs and the likenesses of some of the portraits.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<em>The Art Journal </em>46 (1884): 256.]]></dcterms:source>
    <dcterms:created><![CDATA[1884]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/95">
    <dcterms:title><![CDATA["Reviews: 'Artists at Home,'" <em>Derby Mercury,</em> 1884]]></dcterms:title>
    <dcterms:abstract><![CDATA[A mostly descriptive but complimentary review of <em>Artists at Home, </em>one of the earleist published, including a substantial excerpt from Stephens's biographical sketch of Val Prinsep.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<em>The Derby Mercury</em> (Derby, England), issue 8828, March 26, 1884. <em>19th Century British Library Newspapers: Part II.</em>]]></dcterms:source>
    <dcterms:created><![CDATA[March 26, 1884]]></dcterms:created>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:format><![CDATA[Newspaper article]]></dcterms:format>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/78">
    <dcterms:title><![CDATA["Sampson Low, Marston, &amp; Co.’s New Publications," <em>The Academy, <br /></em>1884]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home </em>by J. P. Mayall and F. G. Stephens (1884)]]></dcterms:subject>
    <dcterms:abstract><![CDATA[Publisher&#039;s advertisement for the forthcoming publication, including publication details and a list of the artists whose portrait photographs are to be included.]]></dcterms:abstract>
    <dcterms:source><![CDATA[<p><strong><em>The Academy</em></strong><strong>, no. 613 (February 2, 1884): 71.</strong></p>]]></dcterms:source>
    <dcterms:created><![CDATA[February 2, 1884]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[October 20, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[<em>The Academy</em> (London, 1869-1902), ProQuest.com]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Domain]]></dcterms:rights>
    <dcterms:references><![CDATA[F. G. Stephens, <em>Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens</em> (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton &amp; Co., 1884).]]></dcterms:references>
    <dcterms:identifier><![CDATA[Ad_Acad_2.2.84_ts]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/102">
    <dcterms:title><![CDATA["Serials," <em>Publisher's Circular,</em> 1884]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em>]]></dcterms:subject>
    <dcterms:abstract><![CDATA[A summative, complimentary review, deeming the project &quot;a happy thought&quot; and &quot;a genuine success.&quot;]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<p><strong><em>T</em></strong><em>he Publishers’ Circular </em>47, no. 1129 (Oct. 1, 1884): 939.</p>
<p><strong> </strong></p>]]></dcterms:source>
    <dcterms:created><![CDATA[October 1884]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/101">
    <dcterms:title><![CDATA["Some Fine Art Books, " <em>Graphic,</em> 1885]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em>]]></dcterms:subject>
    <dcterms:abstract><![CDATA[A laudatory review published after the release of Part VI of <em>Artists at Home, </em>dwelling on the curious inclusion of W. E. Gladstone.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<p><em>The Graphic</em>, issue 788, Jan. 3, 1885. <em>19th Century British Library Newspapers: Part II.</em></p>]]></dcterms:source>
    <dcterms:created><![CDATA[January 1885]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[November 17, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/412">
    <dcterms:title><![CDATA[&quot;The Inner Studio&quot; ]]></dcterms:title>
    <dcterms:subject><![CDATA[Studio of Hamo Thornycroft, 1880s]]></dcterms:subject>
    <dcterms:source><![CDATA[<p>Meynell, Wilfred. <em>The Modern School of Art. </em>4 vols. London: Cassell, 1886. Illustration in Vol. 1, p. 67.</p>]]></dcterms:source>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/354">
    <dcterms:title><![CDATA[&quot;The Proposal (The Marquis and Griselda)&quot; ]]></dcterms:title>
    <dcterms:subject><![CDATA[A scene from Geoffrey Chaucer&#039;s &quot;The Clerk&#039;s Tale&quot; from &quot;The Canterbury Tales.&quot; ]]></dcterms:subject>
    <dcterms:creator><![CDATA[Frederic George Stephens ]]></dcterms:creator>
    <dcterms:source><![CDATA[Tate Gallery website <br />
http://www.tate.org.uk/art/artworks/stephens-the-proposal-the-marquis-and-griselda-n04633 ]]></dcterms:source>
    <dcterms:created><![CDATA[c. 1850]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 8, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Tate Gallery; Bequeathed by H.F. Stephens, 1932<br />
Omeka record contributed by Vanessa Pike ]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Creative Commons CC-BY-NC-ND (3.0 Unported)]]></dcterms:rights>
    <dcterms:format><![CDATA[Support: 806 x 648 mm<br />
Frame: 1020 x 855 x 100 mm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil paint on canvas ]]></dcterms:medium>
    <dcterms:identifier><![CDATA[N04633]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/96">
    <dcterms:title><![CDATA["The Reader," <em>The Graphic,</em> 1884]]></dcterms:title>
    <dcterms:subject><![CDATA[<em>Artists at Home</em>]]></dcterms:subject>
    <dcterms:abstract><![CDATA[A brief, laudatory notice of the third fascicle.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Anon.]]></dcterms:creator>
    <dcterms:source><![CDATA[<em>The Graphic,</em> issue 758, June 7, 1884. 19th Century British Library Newspapers: Part II.]]></dcterms:source>
    <dcterms:created><![CDATA[June 1884]]></dcterms:created>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/81">
    <dcterms:title><![CDATA[&quot;The Whole-Hearted Homage of a Hero-Worshipper&quot;]]></dcterms:title>
    <dcterms:subject><![CDATA[Mayall's reminiscences of his two visits to Hawarden Castle, Wales, in 1884 (he misremembers the year as 1883), to photograph the prime minister, W. E. Gladstone, for <em>Artists at Home. </em>]]></dcterms:subject>
    <dcterms:abstract><![CDATA[A lengthy, discursive , autobiographical text in which the photographer J. P. Mayall recalls his two visits to Hawarden Castle to photograph W. E. Gladstone and his wife. As one of the only extant primary sources on Mayall, it is extraordinarily valuable, revealing his love of music and books; his tepid appreciation of royalty (he recalls going to Osborne as a child when his father, the much better-known photographer J. J. E. Mayall, was summoned to photograph Queen Victoria and her family) and his &quot;whole-hearted&quot; admiration for Gladstone and others like him, who had earned their position in the world through intelligence and hard work; his antipathy toward Roman Catholicism; his sense of social inferiority; his views on photography as an art form; and his photographic process. The story ends with Mayall glimpsing the Gladstone family at a distance, walking through Hawarden Park with axes in hand, preparing to fell a few trees.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[Joseph Parkin Mayall (1839-1922)]]></dcterms:creator>
    <dcterms:source><![CDATA[<em>The Grand Old Man,</em> n 44, <em>Pall Mall Gazette "Extra" </em>(London) (November 5, 1888), Part VII, 26-30. LSE Selected Pamphlets, LSE LIbrary, http://www.jstor.org/stable/60214627]]></dcterms:source>
    <dcterms:created><![CDATA[November 5, 1888]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[October 30, 2016]]></dcterms:dateSubmitted>
    <dcterms:><![CDATA[December 5, 2016]]></dcterms:>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain.]]></dcterms:rights>
    <dcterms:isReferencedBy><![CDATA[Milk, Joanna (MacFarland). “Artists at Home: Artifice and Presence.” n.d. Accessed September 24, 2015. http://www.academia.edu/4168571/Artists_at_Home_Artifice_and_Presence]]></dcterms:isReferencedBy>
    <dcterms:identifier><![CDATA[Mayall_GOM_1888]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://artistsathome.emorydomains.org/items/show/316">
    <dcterms:title><![CDATA[“Artists’ Homes No. 16. &#039;The Lothians&#039; Hampstead NW&quot;<br />
]]></dcterms:title>
    <dcterms:subject><![CDATA[Studio home of John Pettie, Hampstead<br />
]]></dcterms:subject>
    <dcterms:creator><![CDATA[Maurice B. Adams (1849-1933), architect and editor of <em>The Building News</em>]]></dcterms:creator>
    <dcterms:source><![CDATA[Adams, Maurice. <em>Artists’ Homes: A Portfolio of Drawings including the Houses and Studios of Several Eminent Painters, Sculptors and Architects.</em> London: B. T. Batsford, 1883.]]></dcterms:source>
    <dcterms:created><![CDATA[ca 1883]]></dcterms:created>
    <dcterms:dateSubmitted><![CDATA[December 7, 2016]]></dcterms:dateSubmitted>
    <dcterms:contributor><![CDATA[Omeka record contributed by Linda Merrill]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public domain]]></dcterms:rights>
    <dcterms:relation><![CDATA[Accompanying text: "The walling is of red Suffolk brick, with beer-stone dressings, the roof being covered with Whitland, Abbey slates. The staircase is of wainscot, and the chief feature in the hall and vestibule is the mosaic flooring. The studio is arranged so as to be distinct from the house, and has a clear floor space of 50 ft. by 30 ft., being one of the largest private studios in London. The builders were Messrs. Downsing and Son, of Notting Hill. A free Classic style of architecture was chosen for the building, which works out well in execution, with dignity." Maurice B. Adams, <em>Artists' Houses </em>(London: B. T. Batsford, 1883), No. XVI, "Mr. John Petties' [<em>sic</em>] House and Studio," p. 9.]]></dcterms:relation>
</rdf:Description></rdf:RDF>
