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                  <text>Portraits</text>
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              <text>Wikipedia: owned and scanned by Tim Ross</text>
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                <text>Sir Joseph Edgar Boehm with Princess Louise</text>
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                <text>ca. 1885</text>
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                <text>Anon</text>
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                <text>Carte-de-visite</text>
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            <name>Subject</name>
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                <text>Boehm, Joseph Edgar (1834–1890), English sculptor and medallist</text>
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                <text>Princess Louise (Louise Caroline Alberta), Duchess of Argyll (1848–1939), sixth child of Queen Victoria and Prince Albert</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Boehm standing, in light-colored suit, his left elbow casually placed on an ornate chair in which Princess Louise, an open book in her hand, sits back, with her feet resting on a stool.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3668">
                <text>Public domain</text>
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                <text>Tim Ross, Wikipedia</text>
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                <text>Omeka record contributed by Linda Merrill</text>
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            <name>Date Submitted</name>
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                <text>December 6, 2016</text>
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  <item itemId="95" public="1" featured="0">
    <collection collectionId="7">
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          <name>Dublin Core</name>
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              <name>Title</name>
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                  <text>The Press</text>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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            <elementText elementTextId="1721">
              <text>&lt;p&gt;This is the title of a serial publication which promises to be one of great interest, utility, and beauty. Messrs. Sampson Low and Co. are the publishers, and the aim of the work is to supply representations of living artists at work or otherwise, in their studios, together with biographical accounts of the said artists. Each monthly part is to contain four plates and four biographies. The plates are reproductions of photographs, on copper, and by the aid of the process known as photo-engraving. Mr. Mayall is the artist, and he has succeeded in furnishing pictures “which are not merely absolute &lt;em&gt;facsimiles &lt;/em&gt;of the originals, but which bring out admirably the middle tints so often found wanting in the photograph from which they are taken, and which have hitherto been a characteristic only of high-class steel-engravings.” The four plates in the part (No. 1) now before us represent Sir Frederic Leighton, Mr. W. C. Marshall, Mr. T. Webster, and Mr. V. C. Prinsep, in their workrooms, and in their habits as they live there. The portraits of the artists are admirable as likenesses, and the details of the studios themselves are admirably brought out. The tint of the plates is something between that of the photograph and the platinotype. It is black, and it is evidently permanent. The biographies are from the highly competent pen of Mr. F.G. Stephens, who supplies a variety of interesting particulars, especially in regard to the works and studies of the artists treated. Thus, of Mr. Prinsep’s house and work-room Mr. Stephens says:&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Mr. Prinsep’s house was designed for him by Mr. Philip Webb, and, in its stately homeliness and breadth of character, is well suited to the ways and studies of the owner.  Large, solid, and massive without, and admirably finished in design and execution, its wide and comfortable windows, smooth, dark red brickwork and high-pitched roofs of tiles, are, without being heavy or austere, very sincere and picturesque.  Within, rich and sober colours prevail, and set off an abundance of sumptuous porcelain and other ceramics, sketches made in India and in Italy, studies for pictures by the artist and his friends, antiquities and oriental arms.  Some of Mr. Prinsep’s Japanese ware is well known to collectors and of extraordinary preciousness. Considerably over six feet in height, and of massive proportions, the painter himself sits in the photograph before his easel, as if he had just turned from the portrait of a lady, which, till the moment, occupied him. On our right is a charming picture destined for the next Academy, and entitled “The Bookworm.”  Its design explains itself.  Other paintings and some portraits are on the walls and easels; a piece of tapestry hangs on the railing of the gallery which extends along the wall of the chamber on that side.  This studio, although it is by no means the largest of its class, is a capital example of a modern chamber of that sort.  Lighted chiefly by an immense northward facing window, it is warmed by more than one stove, and fitted with all the appurtenances of a painter’s use.  The walls are coloured dark maroon-red; the coved ceiling which appears in the photograph, with the dormer windows on the south side admitting sunlight at will, is white.  Large tables are loaded with books, drawings, prints, implements and studies of all kinds.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;The serial will be, indeed, as valuable from a literary and critical, as from an artistic, point of view. The size adopted is imperial quarto, and the letterpress is well printed on fine paper with an ample margin. The work, when completed, will be a veritable &lt;em&gt;ourrage de luxe, &lt;/em&gt;and it is one of which every lover of art will be anxious to become the possessor.&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>"Reviews: 'Artists at Home,'" &lt;em&gt;Derby Mercury,&lt;/em&gt; 1884</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="1714">
                <text>March 26, 1884</text>
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            <name>Creator</name>
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            <elementTextContainer>
              <elementText elementTextId="1715">
                <text>Anon.</text>
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          <element elementId="48">
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1717">
                <text>&lt;em&gt;The Derby Mercury&lt;/em&gt; (Derby, England), issue 8828, March 26, 1884. &lt;em&gt;19th Century British Library Newspapers: Part II.&lt;/em&gt;</text>
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          </element>
          <element elementId="53">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1718">
                <text>A mostly descriptive but complimentary review of &lt;em&gt;Artists at Home, &lt;/em&gt;one of the earleist published, including a substantial excerpt from Stephens's biographical sketch of Val Prinsep.</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1719">
                <text>Public domain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1720">
                <text>Omeka record contributed by Linda Merrill</text>
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  </item>
  <item itemId="96" public="1" featured="0">
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1486">
                  <text>The Press</text>
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          <description>Any textual data included in the document</description>
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              <text>&lt;p&gt;No. III. of “Artists at Home,” which contains portraits of Alma-Tadema, R. Redgrave, J. Pettie, and F. Dicksee, has now been published. It is almost unnecessary to say anything of the publication except that the illustrations are well reproduced by photo-engraving. The subject is one of decided interest, as the original plates (by J. P. Mayall) are taken, as the name implies, in the studios of our most well-known artists.&lt;/p&gt;</text>
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          <description/>
          <elementTextContainer>
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              <text>Newspaper article</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1723">
                <text>"The Reader," &lt;em&gt;The Graphic,&lt;/em&gt; 1884</text>
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          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1724">
                <text>June 1884</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1725">
                <text>Anon.</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1726">
                <text>&lt;em&gt;The Graphic,&lt;/em&gt; issue 758, June 7, 1884. 19th Century British Library Newspapers: Part II.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1727">
                <text>&lt;em&gt;Artists at Home&lt;/em&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="53">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1728">
                <text>A brief, laudatory notice of the third fascicle.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1729">
                <text>Public domain</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="97" public="1" featured="0">
    <collection collectionId="7">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1486">
                  <text>The Press</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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        <element elementId="1">
          <name>Text</name>
          <description>Any textual data included in the document</description>
          <elementTextContainer>
            <elementText elementTextId="1741">
              <text>&lt;p&gt;&lt;em&gt;Artists at Home &lt;/em&gt;(Sampson Low, Marston, Searle, &amp;amp; Rivington) gives us notices of Messrs. G. F. Watts, R.A., W. H. Thornycroft, A.R.A., W. F. Yeames, R.A., and J. MacWhirter, A.R.A. In the illustrations—each a full-page plate, photographed by Mr. J. P. Mayall, and reproduced in facsimile by photo engraving on copper-plates—Mr. Watts is sitting, surrounded by his pictures, in the chamber which he built to contain them; Mr. Thornycroft, in his studio, is at work upon a bust; Mr. Yeames, brush in hand, is busy with a canvas; and Mr. MacWhirter, the Scottish artist, is also adding touches to a picture, the subject of which is somewhat indistinct. In each case the letterpress gives an interesting biographical sketch, and a more than usually full notice of the artist’s principal productions, the fullness of detail on the latter hand adding very materially to the interest with which the members of the artistic fraternity and the genuine amateur will look through the pages. The portraits of the artists are all good and lifelike, and in the page given to Mr. Watts the photographer has had more than his usual success in bringing out the pictures which surround their famous author on the walls. With four parts of the work before us, it is not too much to say that the promise of the prospectus has been more than justified, and that “Artists at Home” will when completed form a book of national importance and of the highest interest.&lt;/p&gt;</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="1742">
              <text>Journal article</text>
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      </elementContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="1732">
                <text>"Magazines for June," &lt;em&gt;Publisher's Circular,&lt;/em&gt; 1884</text>
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          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1733">
                <text>June 1884</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1734">
                <text>Anon.</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1735">
                <text>&lt;p&gt;&lt;em&gt;The Publishers’ Circular &lt;/em&gt;47, no. 1122 (June 16, 1884): 571. Nineteenth Century Serials Edition.&lt;/p&gt;</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
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              <elementText elementTextId="1736">
                <text>&lt;em&gt;Artists at Home&lt;/em&gt;</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="1737">
                <text>||||osm&#13;
A favorable review written after the fourth fascicle had been issued, praising the quality of the photographs and naming the publication "a book of national importance."</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1738">
                <text>Public domain</text>
              </elementText>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1739">
                <text>Omeka record contributed by Linda Merrill</text>
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          </element>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
            <elementTextContainer>
              <elementText elementTextId="1740">
                <text>November 17, 2016</text>
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  </item>
  <item itemId="98" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>The Press</text>
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      <elementContainer>
        <element elementId="1">
          <name>Text</name>
          <description>Any textual data included in the document</description>
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            <elementText elementTextId="1752">
              <text>“ARTISTS AT HOME.” Parts I. to III. (Sampson Low and Co.) –This publication does hardly more than the one just mentioned,&lt;a title="" href="#_ftn1"&gt;[1]&lt;/a&gt; to admit the public into the real sanctuaries of the life artistic. True, a large and in some cases skilled photograph, taken by Mr. Mayall, and reproduced by photo-engraving, accompanies the notice of each artist which Mr. F. G. Stephens has written. But these plates do not show us the artists really at home; or, at least, they show them only as they are at home to the photographer. All the handsome furniture has been piled into that part of the room which is represented in the plate, while the owner of the studio has posed himself gracefully at the right point. The portraits of Mr. Millais and Mr. Marcus Stone are excellent likenesses, but those of Mr. Alma-Tadema and Mr. Pettie somehow miss the distinguishing characteristics of the two men.
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref1"&gt;[1]&lt;/a&gt; Maurice B. Adams, &lt;em&gt;Artists’ Homes, &lt;/em&gt;published December 1883.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                <text>"Reviews," &lt;em&gt;Art Journal,&lt;/em&gt; 1884</text>
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                <text>&lt;em&gt;The Art Journal &lt;/em&gt;46 (1884): 256.</text>
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                <text>&lt;em&gt;Artists at Home&lt;/em&gt;</text>
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                <text>A frequently quoted review published after the third fascicle was issued criticizing the artificiality of the photographs and the likenesses of some of the portraits.</text>
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                <text>Omeka record contributed by Linda Merrill</text>
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                <text>November 17, 2016</text>
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              <text>&lt;p&gt;Here is a batch of art items. – . . . . The June number of “Artists at Home” contains portraits and views of the studios of G. F. Watts, R.A., W. H. Thornycroft, A.R.A., W. F. Yeames, R. A., and J. MacWhirter, A.R.A.  Considering that this is a purely artistic work, it is surprising that the artists represented have not exercised a more beneficial control over the arrangement and production of the pictures. . . .&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="1754">
                <text>"Our Note Book," &lt;em&gt;Illustrated London News,&lt;/em&gt; 1884</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="1755">
                <text>July 1884</text>
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          <element elementId="39">
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              <elementText elementTextId="1756">
                <text>Anon.</text>
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              <elementText elementTextId="1757">
                <text>&lt;em&gt;The Illustrated London News &lt;/em&gt;35 (July 12, 1884): 26</text>
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            <name>Subject</name>
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                <text>&lt;em&gt;Artists at Home&lt;/em&gt;</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="1759">
                <text>A brief notice, describing &lt;em&gt;Artists at Home &lt;/em&gt;as "purely artistic," and wondering about the artists' involvement in the project.</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1760">
                <text>Public domain</text>
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                <text>Omeka record by Linda Merrill</text>
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              <elementText elementTextId="1762">
                <text>November 17, 2016</text>
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                  <text>The Press</text>
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            <elementText elementTextId="1773">
              <text>&lt;p&gt;“Artists at Home.” –The sixth part of this fine-art publication contains photographs with biographical sketches of Edward John Poynter, R.A., Thomas Oldham Barlow, R.A., Robert Walker Macbeth, A.R.A., George Adolphus Storey, A.R.A., and the Right Hon. W. E. Gladstone, M.P.  The portraits, surrounded as they are with the handiwork of the several gentlemen named, are excellent representations of the originals; but why Mr. Gladstone should be put down as “an artist at home” is not clearly defined, unless he may be claimed from the fact of his being “an honorary member and professor of ancient history in the Royal Academy.” Otherwise although the portrait will no doubt be very acceptable to a great many, we cannot conceive its right of insertion in such a production as “Artists at Home.”&lt;/p&gt;</text>
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            <description>A name given to the resource</description>
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                <text>"Artists at Home," &lt;em&gt;Colonies and India,&lt;/em&gt; 1884</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="1765">
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              <elementText elementTextId="1766">
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              <elementText elementTextId="1767">
                <text>&lt;em&gt;Colonies and India,&lt;/em&gt; September 26, 1884. Newspaper Archive.</text>
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              <elementText elementTextId="1768">
                <text>&lt;em&gt;Artists at Home&lt;/em&gt;</text>
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              <elementText elementTextId="1769">
                <text>A notice published after the sixth and final fascicle was released, mainly questioning the inclusion of W. E. Gladstone in the collection.</text>
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              <elementText elementTextId="1770">
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                <text>Omeka record contributed by Linda Merrill</text>
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                <text>November 17, 2016</text>
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  <item itemId="101" public="1" featured="0">
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            <elementText elementTextId="1784">
              <text>&lt;p&gt;Part VI. of “Artists at Home” (S. Low and Co.), contains the portraits of five very opposite characters—E. J. Poynter, R.A., T. O. Barlow, R.A., Macbeth and Storey, A.R.A.’s, and Mr. Gladstone. The volume fully sustains the promise of the earlier numbers, the photo engravings are excellent, and the letterpress brief and to the point. The Premier as an artist would be a novelty for which few would be prepared. Luckily, however, the notice appended to his portrait explains that besides being a considerable collector of &lt;em&gt;bric-à-brac,&lt;/em&gt; Mr. Gladstone has for some nine years been Professor of Ancient History in the Royal Academy, and that it is as such that his portrait is here introduced. The office is one without duties and without salary, a condition to which Oliver Goldsmith, upon whom the honour was first conferred, humorously referred when he wrote to acquaint his brother of his new dignity. The notes in connection with the office from then to now are as interesting as anything in the volume.&lt;/p&gt;</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>"Some Fine Art Books, " &lt;em&gt;Graphic,&lt;/em&gt; 1885</text>
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            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="1778">
                <text>&lt;p&gt;&lt;em&gt;The Graphic&lt;/em&gt;, issue 788, Jan. 3, 1885. &lt;em&gt;19th Century British Library Newspapers: Part II.&lt;/em&gt;&lt;/p&gt;</text>
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          <element elementId="49">
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              <elementText elementTextId="1779">
                <text>&lt;em&gt;Artists at Home&lt;/em&gt;</text>
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          <element elementId="53">
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            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1780">
                <text>A laudatory review published after the release of Part VI of &lt;em&gt;Artists at Home, &lt;/em&gt;dwelling on the curious inclusion of W. E. Gladstone.</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="1781">
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                <text>Omeka record contributed by Linda Merrill</text>
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                <text>November 17, 2016</text>
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  <item itemId="102" public="1" featured="0">
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            <elementText elementTextId="1795">
              <text>&lt;p&gt;Messrs. Sampson Low, Marston &amp;amp; Co. issue the sixth part of &lt;em&gt;Artists at Home, &lt;/em&gt;which brings the volume of this unique work to a close. The subjects of the present biographical sketches and illustrations are Mr. Poynter, the Academician; Mr. Barlow, the engraver; Mr. Storey, who, after beginning with the study of mathematics and architecture, settled down to the easel; Mr. Macbeth, the eminent Scottish painter; and &lt;em&gt;honoris causa, &lt;/em&gt;as Professor of Ancient History in the Royal Academy, the Rt. Hon. W. E. Gladstone. The six numbers of &lt;em&gt;Artists at Home &lt;/em&gt;will form a choice and interesting table-book, and the success with which Mr. Mayall has been able to set before us the eminent men and their home surroundings by his photo-engraving process has been complete. The idea was essentially “a happy thought,” and its execution has been a genuine success.&lt;/p&gt;</text>
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            <description>A name given to the resource</description>
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                <text>"Serials," &lt;em&gt;Publisher's Circular,&lt;/em&gt; 1884</text>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1787">
                <text>October 1884</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="1788">
                <text>Anon.</text>
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              <elementText elementTextId="1789">
                <text>&lt;p&gt;&lt;strong&gt;&lt;em&gt;T&lt;/em&gt;&lt;/strong&gt;&lt;em&gt;he Publishers’ Circular &lt;/em&gt;47, no. 1129 (Oct. 1, 1884): 939.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/p&gt;</text>
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          <element elementId="49">
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                <text>&lt;em&gt;Artists at Home&lt;/em&gt;</text>
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                <text>F. G. Stephens, &lt;em&gt;Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and desriptions, by Frederick George Stephens &lt;/em&gt;(New York: Appleton &amp;amp; Co., 1884)</text>
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&#13;
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