5 20 532 https://artistsathome.emorydomains.org/files/original/2132fd294140edaeaeb20676ec2ec32a.jpg f2fa56c89264d0e6d476735dce6e7f09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portraits Person An individual. Birth Date November 16, 1843 Birthplace Manchester Death Date November 19, 1933 Occupation Painter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louise Jane Jopling (née Goode, later Rowe) Date Created Date of creation of the resource. 1890 or before Creator An entity primarily responsible for making the resource Herbert Rose Barraud Medium The material or physical carrier of the resource. Carbon print Format The file format, physical medium, or dimensions of the resource 9 5/8 in. x 7 in. (245 mm x 177 mm) Source A related resource from which the described resource is derived National Portrait Gallery Subject The topic of the resource Louise Jopling, painter Date Copyrighted Date of copyright. © National Portrait Gallery, London https://artistsathome.emorydomains.org/files/original/d13d6177292173441d44dac60fdf6864.jpg cb70f90a9be8b33f44d0fab71baeca50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Still Image Date 2006 Source Wikipedia URL https://commons.wikimedia.org/w/index.php?curid=594314 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gladstone's Hawarden Castle Date Created Date of creation of the resource. 1866 Format The file format, physical medium, or dimensions of the resource Chromolithograph, 5 x 7.5 inches (image size) Source A related resource from which the described resource is derived from F. O. Morris, The County Seats, A Series of Picturesque Views of Seats of Noblemen and Gentlemen of Great Britain and Ireland (London: William Mackenzie, c. 1866) Subject The topic of the resource A view of Hawarden Castle, home of W. E. Gladstone, in Flintshire, Wales Rights Information about rights held in and over the resource Public domain Contributor An entity responsible for making contributions to the resource Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 17, 2016 https://artistsathome.emorydomains.org/files/original/33c2127323384d62a38e0022ff60f780.jpg 5a88f6fcf056c8e0bfab9924da87f035 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Studio Address No. 2 Palace Gate, London W8 London borough Kensington Town/county London Current address No. 2 Palace Gate, London W8 5NF Zambian High Commission Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource No. 2 Palace Gate Date Created Date of creation of the resource. 1873-76 Creator An entity primarily responsible for making the resource Philip Hardwick (1792-1870), architect Description An account of the resource The custom- built studio house of John Everett Millais in Palace Gate. A square, conservative Italianate house with Sicilian marble floors and carved Bücknow fireplaces. It was designed by architect Philip Hardwick but constructed by William Cubitt & Co. in 1873-76. The largest room was Millais’s studio, featuring carpeted floors and tapestry-covered walls. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Jenifer Norwalk Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 17, 2016 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Monkhouse, Cosmo. “Some English artists and their studios.” Century Magazine 24 (August 1882): 557-60. Date Modified Date on which the resource was changed. November 19, 2016 December 16, 2016, by LM January 29, 2017, by LM Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm 2 Palace Gate, London, in February 2015 Rights Information about rights held in and over the resource Photograph: Creative Commons license https://commons.wikimedia.org/wiki/File:Sir_John_Everett_Millais_-_2_Palace_Gate_Kensington_London_W8_5NF.jpg https://artistsathome.emorydomains.org/files/original/d074bdeea329140ce1fe8149d5eaaac3.jpg 788b46dc3883d18304308b5c36ff74c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Studio Address 1 Holland Park Road London borough Kensington Town/county London W14 Current address 14 Holland Park Road (converted to apartments) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1 Holland Park Road Date Created Date of creation of the resource. 1864-1866; altered 1877 Creator An entity primarily responsible for making the resource Philip Webb (1831-1915), architect Description An account of the resource The custom-built studio house of Valentine Cameron Prinsep in Holland Park. A simple, unornamented red-brick house with segmental and pointed arches. It was designed in 1864 and constructed in 1866, altered once in 1877 to include an additional story and drawbridge and again in 1892 to add a new wing to the east. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Jenifer Norwalk Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Monkhouse, Cosmo. “Some English artists and their studios.” Century Magazine 24 (August 1882): 560-62. "No. VIII. Mr. Val C. Prinsep's House, Kensington," 5-6, ill. In Adams, Maurice. Artists’ Homes: A Portfolio of Drawings including the Houses and Studios of Several Eminent Painters, Sculptors and Architects. London: B. T. Batsford, 1883 Walkley, Giles. Artists’ Houses in London 1764–1914. Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994. Pp. 50–53, detail repr. p. 53 "No. 14 Holland Park Road," pp 22, 141-42. In Survey of London, vol. 37, Northern Kensington, edited by Sheppard, F. H. W. London: The Athlone Press, University of London, published for the Greater London Council, 1973. Date Modified Date on which the resource was changed. November 19, 2016 February 2, 2017, by LM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Press Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document This is the title of a serial publication which promises to be one of great interest, utility, and beauty. Messrs. Sampson Low and Co. are the publishers, and the aim of the work is to supply representations of living artists at work or otherwise, in their studios, together with biographical accounts of the said artists. Each monthly part is to contain four plates and four biographies. The plates are reproductions of photographs, on copper, and by the aid of the process known as photo-engraving. Mr. Mayall is the artist, and he has succeeded in furnishing pictures “which are not merely absolute facsimiles of the originals, but which bring out admirably the middle tints so often found wanting in the photograph from which they are taken, and which have hitherto been a characteristic only of high-class steel-engravings.” The four plates in the part (No. 1) now before us represent Sir Frederic Leighton, Mr. W. C. Marshall, Mr. T. Webster, and Mr. V. C. Prinsep, in their workrooms, and in their habits as they live there. The portraits of the artists are admirable as likenesses, and the details of the studios themselves are admirably brought out. The tint of the plates is something between that of the photograph and the platinotype. It is black, and it is evidently permanent. The biographies are from the highly competent pen of Mr. F.G. Stephens, who supplies a variety of interesting particulars, especially in regard to the works and studies of the artists treated. Thus, of Mr. Prinsep’s house and work-room Mr. Stephens says: Mr. Prinsep’s house was designed for him by Mr. Philip Webb, and, in its stately homeliness and breadth of character, is well suited to the ways and studies of the owner. Large, solid, and massive without, and admirably finished in design and execution, its wide and comfortable windows, smooth, dark red brickwork and high-pitched roofs of tiles, are, without being heavy or austere, very sincere and picturesque. Within, rich and sober colours prevail, and set off an abundance of sumptuous porcelain and other ceramics, sketches made in India and in Italy, studies for pictures by the artist and his friends, antiquities and oriental arms. Some of Mr. Prinsep’s Japanese ware is well known to collectors and of extraordinary preciousness. Considerably over six feet in height, and of massive proportions, the painter himself sits in the photograph before his easel, as if he had just turned from the portrait of a lady, which, till the moment, occupied him. On our right is a charming picture destined for the next Academy, and entitled “The Bookworm.” Its design explains itself. Other paintings and some portraits are on the walls and easels; a piece of tapestry hangs on the railing of the gallery which extends along the wall of the chamber on that side. This studio, although it is by no means the largest of its class, is a capital example of a modern chamber of that sort. Lighted chiefly by an immense northward facing window, it is warmed by more than one stove, and fitted with all the appurtenances of a painter’s use. The walls are coloured dark maroon-red; the coved ceiling which appears in the photograph, with the dormer windows on the south side admitting sunlight at will, is white. Large tables are loaded with books, drawings, prints, implements and studies of all kinds. The serial will be, indeed, as valuable from a literary and critical, as from an artistic, point of view. The size adopted is imperial quarto, and the letterpress is well printed on fine paper with an ample margin. The work, when completed, will be a veritable ourrage de luxe, and it is one of which every lover of art will be anxious to become the possessor. Original Format Newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Reviews: 'Artists at Home,'" Derby Mercury, 1884 Date Created Date of creation of the resource. March 26, 1884 Creator An entity primarily responsible for making the resource Anon. Format The file format, physical medium, or dimensions of the resource Newspaper article Source A related resource from which the described resource is derived The Derby Mercury (Derby, England), issue 8828, March 26, 1884. 19th Century British Library Newspapers: Part II. Abstract A summary of the resource. A mostly descriptive but complimentary review of Artists at Home, one of the earleist published, including a substantial excerpt from Stephens's biographical sketch of Val Prinsep. Rights Information about rights held in and over the resource Public domain Contributor An entity responsible for making contributions to the resource Omeka record contributed by Linda Merrill Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Press Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document No. III. of “Artists at Home,” which contains portraits of Alma-Tadema, R. Redgrave, J. Pettie, and F. Dicksee, has now been published. It is almost unnecessary to say anything of the publication except that the illustrations are well reproduced by photo-engraving. The subject is one of decided interest, as the original plates (by J. P. Mayall) are taken, as the name implies, in the studios of our most well-known artists. Original Format Newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "The Reader," The Graphic, 1884 Date Created Date of creation of the resource. June 1884 Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived The Graphic, issue 758, June 7, 1884. 19th Century British Library Newspapers: Part II. Subject The topic of the resource Artists at Home Abstract A summary of the resource. A brief, laudatory notice of the third fascicle. Rights Information about rights held in and over the resource Public domain Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Press Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Artists at Home (Sampson Low, Marston, Searle, & Rivington) gives us notices of Messrs. G. F. Watts, R.A., W. H. Thornycroft, A.R.A., W. F. Yeames, R.A., and J. MacWhirter, A.R.A. In the illustrations—each a full-page plate, photographed by Mr. J. P. Mayall, and reproduced in facsimile by photo engraving on copper-plates—Mr. Watts is sitting, surrounded by his pictures, in the chamber which he built to contain them; Mr. Thornycroft, in his studio, is at work upon a bust; Mr. Yeames, brush in hand, is busy with a canvas; and Mr. MacWhirter, the Scottish artist, is also adding touches to a picture, the subject of which is somewhat indistinct. In each case the letterpress gives an interesting biographical sketch, and a more than usually full notice of the artist’s principal productions, the fullness of detail on the latter hand adding very materially to the interest with which the members of the artistic fraternity and the genuine amateur will look through the pages. The portraits of the artists are all good and lifelike, and in the page given to Mr. Watts the photographer has had more than his usual success in bringing out the pictures which surround their famous author on the walls. With four parts of the work before us, it is not too much to say that the promise of the prospectus has been more than justified, and that “Artists at Home” will when completed form a book of national importance and of the highest interest. Original Format Journal article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Magazines for June," Publisher's Circular, 1884 Date Created Date of creation of the resource. June 1884 Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived The Publishers’ Circular 47, no. 1122 (June 16, 1884): 571. Nineteenth Century Serials Edition. Subject The topic of the resource Artists at Home Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm A favorable review written after the fourth fascicle had been issued, praising the quality of the photographs and naming the publication "a book of national importance." Rights Information about rights held in and over the resource Public domain Contributor An entity responsible for making contributions to the resource Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 17, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Press Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document “ARTISTS AT HOME.” Parts I. to III. (Sampson Low and Co.) –This publication does hardly more than the one just mentioned,<a title="" href="#_ftn1">[1]</a> to admit the public into the real sanctuaries of the life artistic. True, a large and in some cases skilled photograph, taken by Mr. Mayall, and reproduced by photo-engraving, accompanies the notice of each artist which Mr. F. G. Stephens has written. But these plates do not show us the artists really at home; or, at least, they show them only as they are at home to the photographer. All the handsome furniture has been piled into that part of the room which is represented in the plate, while the owner of the studio has posed himself gracefully at the right point. The portraits of Mr. Millais and Mr. Marcus Stone are excellent likenesses, but those of Mr. Alma-Tadema and Mr. Pettie somehow miss the distinguishing characteristics of the two men. <div> <div> <a title="" href="#_ftnref1">[1]</a> Maurice B. Adams, Artists’ Homes, published December 1883. </div> </div> Original Format Journal article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Reviews," Art Journal, 1884 Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived The Art Journal 46 (1884): 256. Subject The topic of the resource Artists at Home Abstract A summary of the resource. A frequently quoted review published after the third fascicle was issued criticizing the artificiality of the photographs and the likenesses of some of the portraits. Rights Information about rights held in and over the resource Public domain Contributor An entity responsible for making contributions to the resource Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 17, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Press Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Here is a batch of art items. – . . . . The June number of “Artists at Home” contains portraits and views of the studios of G. F. Watts, R.A., W. H. Thornycroft, A.R.A., W. F. Yeames, R. A., and J. MacWhirter, A.R.A. Considering that this is a purely artistic work, it is surprising that the artists represented have not exercised a more beneficial control over the arrangement and production of the pictures. . . . Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Our Note Book," Illustrated London News, 1884 Date Created Date of creation of the resource. July 1884 Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived The Illustrated London News 35 (July 12, 1884): 26 Subject The topic of the resource Artists at Home Abstract A summary of the resource. A brief notice, describing Artists at Home as "purely artistic," and wondering about the artists' involvement in the project. Rights Information about rights held in and over the resource Public domain Contributor An entity responsible for making contributions to the resource Omeka record by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 17, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Press Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document “Artists at Home.” –The sixth part of this fine-art publication contains photographs with biographical sketches of Edward John Poynter, R.A., Thomas Oldham Barlow, R.A., Robert Walker Macbeth, A.R.A., George Adolphus Storey, A.R.A., and the Right Hon. W. E. Gladstone, M.P. The portraits, surrounded as they are with the handiwork of the several gentlemen named, are excellent representations of the originals; but why Mr. Gladstone should be put down as “an artist at home” is not clearly defined, unless he may be claimed from the fact of his being “an honorary member and professor of ancient history in the Royal Academy.” Otherwise although the portrait will no doubt be very acceptable to a great many, we cannot conceive its right of insertion in such a production as “Artists at Home.” Original Format Newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Artists at Home," Colonies and India, 1884 Date Created Date of creation of the resource. September 1884 Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived Colonies and India, September 26, 1884. Newspaper Archive. Subject The topic of the resource Artists at Home Abstract A summary of the resource. A notice published after the sixth and final fascicle was released, mainly questioning the inclusion of W. E. Gladstone in the collection. Rights Information about rights held in and over the resource Public domain Contributor An entity responsible for making contributions to the resource Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 17, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Press Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Part VI. of “Artists at Home” (S. Low and Co.), contains the portraits of five very opposite characters—E. J. Poynter, R.A., T. O. Barlow, R.A., Macbeth and Storey, A.R.A.’s, and Mr. Gladstone. The volume fully sustains the promise of the earlier numbers, the photo engravings are excellent, and the letterpress brief and to the point. The Premier as an artist would be a novelty for which few would be prepared. Luckily, however, the notice appended to his portrait explains that besides being a considerable collector of bric-à-brac, Mr. Gladstone has for some nine years been Professor of Ancient History in the Royal Academy, and that it is as such that his portrait is here introduced. The office is one without duties and without salary, a condition to which Oliver Goldsmith, upon whom the honour was first conferred, humorously referred when he wrote to acquaint his brother of his new dignity. The notes in connection with the office from then to now are as interesting as anything in the volume. Original Format Journal article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Some Fine Art Books, " Graphic, 1885 Date Created Date of creation of the resource. January 1885 Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived The Graphic, issue 788, Jan. 3, 1885. 19th Century British Library Newspapers: Part II. Subject The topic of the resource Artists at Home Abstract A summary of the resource. A laudatory review published after the release of Part VI of Artists at Home, dwelling on the curious inclusion of W. E. Gladstone. Rights Information about rights held in and over the resource Public domain Contributor An entity responsible for making contributions to the resource Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 17, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Press Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Messrs. Sampson Low, Marston & Co. issue the sixth part of Artists at Home, which brings the volume of this unique work to a close. The subjects of the present biographical sketches and illustrations are Mr. Poynter, the Academician; Mr. Barlow, the engraver; Mr. Storey, who, after beginning with the study of mathematics and architecture, settled down to the easel; Mr. Macbeth, the eminent Scottish painter; and honoris causa, as Professor of Ancient History in the Royal Academy, the Rt. Hon. W. E. Gladstone. The six numbers of Artists at Home will form a choice and interesting table-book, and the success with which Mr. Mayall has been able to set before us the eminent men and their home surroundings by his photo-engraving process has been complete. The idea was essentially “a happy thought,” and its execution has been a genuine success. Original Format Journal article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Serials," Publisher's Circular, 1884 Date Created Date of creation of the resource. October 1884 Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived The Publishers’ Circular 47, no. 1129 (Oct. 1, 1884): 939. Subject The topic of the resource Artists at Home Abstract A summary of the resource. A summative, complimentary review, deeming the project "a happy thought" and "a genuine success." Rights Information about rights held in and over the resource Public domain Contributor An entity responsible for making contributions to the resource Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 17, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Studio Town/county Cranbrook, Kent Address High Street Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Webster House, Home of T. Webster Is Referenced By A related resource that references, cites, or otherwise points to the described resource. "Cranbrook Colony.” 2013. Accessed November 10, 2016. http://www.cranbrookmuseum.org/cranbrook-colony.html. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Hilleary Gramling. https://artistsathome.emorydomains.org/files/original/ec3881b19dfc37afd60e301785b47553.jpg 3fcb4eaaea162503274c36093e982a21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sir Joseph Edgar Boehm, 1st Bt Date Created Date of creation of the resource. 1892 Creator An entity primarily responsible for making the resource Ralph Winwood Robinson (1862-1942), photographer C. Whittingham & Co, London publisher Medium The material or physical carrier of the resource. Platinum print Format The file format, physical medium, or dimensions of the resource 203 x 153 mm Source A related resource from which the described resource is derived Sir Edgar Joseph Boehm, 1st Bt, National Portrait Gallery, London (London: C. Whittingham & Co., 1892). <a href="http://www.npg.org.uk/collections/search/portrait/mw117334/Sir-Joseph-Edgar-Boehm-1st-Bt?LinkID=mp00467&search=sas&sText=boehm&role=sit&rNo=6">http://www.npg.org.uk/collections/search/portrait/mw117334/Sir-Joseph-Edgar-Boehm-1st-Bt?LinkID=mp00467&search=sas&sText=boehm&role=sit&rNo=6</a> Subject The topic of the resource Boehm, Joseph (1834-1890), English-Hungarian medallist and sculptor, portrait Description An account of the resource Portrait of Joseph Edgar Boehm sitting on the arm of a chair, working on a sculpture Rights Information about rights held in and over the resource Available under a CC-BY-NC-SA license Contributor An entity responsible for making contributions to the resource Omeka record contributed by Albertine Lee Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 20, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists Person An individual. Birth Date July 4, 1834 Birthplace Vienna, Austria Death Date December 12, 1890 Occupation Sculptor Medallist Biographical summary Born in Vienna, Austria in 1834 to Hungarian parents, Joseph Edgar Boehm was the youngest son of Josef Daniel Boehm, who was a court medallist and the director of the imperial mint in Vienna. His father’s art collection and occupation influenced Boehm at a very young age, prompting him to study medal design and modelling in London from 1848-51. He returned to Vienna, and in 1856, Boehm was awarded the Austrian Imperial Prize for Sculpture. His marriage to Frances Louisa Boteler led to the sculptor’s decision to move and settle in London in 1862, where he used his Parisian experience in portraiture and expertise in carving marble and modelling terracotta to set himself apart from the classicizing idealism typical of mainstream sculptors. His success at the 1862 International Exhibition marked the start of Boehm’s distinguished career. The majority of Boehm’s works were portrait busts, reflecting a diverse range of expressiveness and emotional content. His sitters included James McNeill Whistler, John Ruskin, and William Makepeace Thackeray (a piece produced in 1864 which attracted great attention for its realism). In 1869, Boehm’s achievements attracted the attention of Queen Victoria, and in the same year, he executed a colossal marble statue of the Queen for Windsor Castle. Among his fifty-seven public monuments, one of Boehm’s most famous works, a life-sized statue of Thomas Carlyle, earned the sculptor unanimous praise the at the Royal Academy Exhibition of 1875. Boehm’s close association with the Queen and his ability to cater to the tastes of his royal patrons caused his popularity among English royalty and aristocrats to rise rapidly; the sculptor received over forty royal commissions, and was appointed sculptor-in-ordinary to the Queen in 1880. In 1878, he became an Associate of the Royal Academy, and was elected Academician in 1882. Unfortunately, Boehm’s reputation deteriorated in the late 1880s; in 1887, he was commissioned to design the effigy of the Queen for the jubilee coinage that would be used to commemorate the 50th anniversary of her reign, but it met with unfavorable response from both his peers and the public. Although he was created a baronet in 1889, his fortunes and popularity fell after the mid-1880s. On December 12, 1890, Boehm suddenly passed away in his studio in London, where his body was discovered by his most famous pupil, Princess Louise. Bibliography Mark, Stocker, Royalist And Realist: the Life And Work of Sir Joseph Edgar Boehm (New York: Garland, 1988). E. Gosse, "Living English sculptors III," Century Magazine, v. 31 (1886), 39–50, <a href="https://babel.hathitrust.org/cgi/pt?id=hvd.hnyb7z;view=1up;seq=53">https://babel.hathitrust.org/cgi/pt?id=hvd.hnyb7z;view=1up;seq=53</a> W. Meynell, "Our living artists: Joseph Edgar Boehm," Magazine of Art, v. 3 (1879–80), 333–8, <a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015070275758;view=1up;seq=350">https://babel.hathitrust.org/cgi/pt?id=mdp.39015070275758;view=1up;seq=350</a> Mark Stocker, "Boehm, Sir (Joseph) Edgar, baronet (1834-1890," Oxford Dictionary of National Biography (Oxford University Press, 2004; online edition, May 2006), <a href="%20http%3A//www.oxforddnb.com.proxy.library.emory.edu/view/article/2762?docPos=2%20">http://www.oxforddnb.com.proxy.library.emory.edu/view/article/2762?docPos=2 </a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boehm, Joseph Edgar Subject The topic of the resource Boehm, Joseph Edgar, 1st Baronet of Wetherby Gardens (1834-1890), English-Hungarian medallist and sculptor Contributor An entity responsible for making contributions to the resource Omeka record contributed by Albertine Lee Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 17, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists Person An individual. Birth Date February 23, 1817 Birthplace 52 Queenstreet, Bryanston Square, Marylebone, London Death Date July 1, 1904 Occupation Painter Sculptor Biographical summary At a young age, George Frederick Watts was discovered to have great artistic talent. Under the guidance of draughtsman turned sculptor William Behnes, Watts created drawings that attained him admission to the Royal Academy in 1835. However, the young Watts soon left the Academy after finding that there was nothing to be learned there. Watts continued to have an extremely rapid and great success, after contributing several portraits to the Academy Exhibition in 1837, 1838, and 1840. He also produced subject-pictures, which were exhibited at the British Institution, and entered and won competitions at prestigious locations including the Houses of Parliament. The prize money allowed Watts to travel extensively around Italy for several years, studying Venetian painting, in particular, before returning to London in 1847. Not only was Watts successful in producing notable portraiture, subject-paintings, and historical works, the artist was also preoccupied with allegorical paintings that reflect his ideas of nature and humanity. As an advocate for the public commissions of art, Watts was interested in producing large-scale paintings in fresco to adorn public buildings. Watts’s close acquaintance with Lord Holland, then the English Envoy in Florence, and the Prinsep family allowed him to closely associate with a circle of “bohemians” at the Holland House, which included Julia Margaret Cameron and Dante Gabriel Rossetti. Under the encouragement of Taylor and Sara Prinsep, the forty-six-year-old Watts married Ellen Terry, a sixteen-year-old actress, on 20 February 1864. They divorced after Terry eloped with another man after less than a year of marriage. In 1867, the artist was elected an Associate of the Royal Academy, and in a mere two years, a Royal Academician in 1868. By the 1880s, Watts’s reputation as a distinguished painter was effectively secured; the painter had achieved an international celebrity status. He pursued his ambition of working on non-narrative symbolic works, introducing ideas of death and spiritualism. In 1886, Watts married his second wife, Mary Seton-Fraser-Tytler, with whom he purchased a piece of land in Compton in Surrey in 1890. The house, built by Ernest George, was named Limnerslease. Throughout the 1890s and early 1900s, Watts continued to send paintings to various exhibition venus, despite the deteroriation of his health. He died of old age at 6 Melbury Road on Friday, 1 July 1904. Bibliography Monkhouse, W. Cosmo 1840-1901. British Contemporary Artists. London: W. Heinemann, 1899. Bayliss, Wyke, Sir, 1835-1906. Five Great Painters of the Victorian Era: Leighton, Millais, Burne-Jones, Watts, Holman Hunt. London: S. Low, Marston and co., Ltd., 1902. Watts, Mary S. Fraser-Tytler. George Frederic Watts. London: Macmillan, 1912. Blunt, Wilfrid, 1901-1987. England's Michelangelo: a Biography of George Frederic Watts, O.M., R.A.. London: Hamilton, 1975. Minneapolis Institute of Arts. Victorian High Renaissance: George Frederic Watts 1817-1904, Frederic Leighton 1830-96, Albert Moore 1841-93, Alfred Gilbert 1854-1934 : an Exhibition Organized by The Minneapolis Institute of Arts. Minneapolis: The Institute, 1978. Barrington, Russell, Mrs., -1933. Essays On the Purpose of Art: Past And Present Creeds of English Painters. London: Longmans, Green and co., 1911. Bryant, Barbara Coffey. "Watts, George Frederic (1817-1904)." Oxford Dictionary of National Biography, Oxford University Press (2004). doi: 10.1093/ref:odnb/36781. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Watts, George Frederick Subject The topic of the resource Watts, George Frederick (1817-1904), English painter and sculptor Contributor An entity responsible for making contributions to the resource Omeka record contributed by Albertine Lee Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 17, 2016 https://artistsathome.emorydomains.org/files/original/1b926df1e48fa424f2fbdba4db80a2ab.png 8670e2288a721203d606adcb7da6721b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Studio Address 118 Campden Hill Road, Kensington, London W8 London borough Kensignton Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource West House, Studio-house of G. Boughton Date Created Date of creation of the resource. 1878 Creator An entity primarily responsible for making the resource Norman Shaw (1831-1912), architect Description An account of the resource A four story red-brick house with crow-step gables and seventeenth-century windows in Campden Hill, Kensington, London. Custom built studio house of George H. Boughton. It was built in 1878. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Joseph Hatton, “Some Glimpses of Artistic London,” Harper’s New Monthly Magazine 67, no. 402 (November 1883): 838-842. Henry-Russell Hitchcock, Architecture: Nineteenth and Twentieth Centuries, (New Haven and London: Yale University Press, 1977), 294. Sir Sidney Lee, Dictionary of National Biography (London: Smith, Elder & Co., 1912), 197-198. Mary Eliza Haweis, Beautiful Houses; being a description of certain well-known artistic houses (London: Low, Marston, Searle, and Rivington, 1882), 45-52. Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), 26. Tarver, Edward J., “Artists’ Studios,” The Art Journal 6 (1880), 273-276. JSTOR: http://www.jstor.org/stable/20569573 . Giles Walkley, Artists’ Houses in London 1764–1914 (Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994), pp. 71-73. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Hilleary Gramling. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 19, 2016 Date Modified Date on which the resource was changed. November 19, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Studio Address 2 Fitzroy Square, Fitzrovia, Camden, London London borough Camden Current address 2 Fitzroy Square, Kings Cross, London W1T 5HF, UK Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2 Fitzroy Square, Studio-house of F. Dicksee Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Giles Walkley, Artists’ Houses in London 1764-1914 (Great Britain: The University Press, Cambridge, 1994), 30. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Hilleary Gramling. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 19, 2016 Date Modified Date on which the resource was changed. November 19, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists Person An individual. Birth Date December 4, 1833 Birthplace Norwich, Norfolk, England Death Date January 19, 1905 Occupation Painter Biographical summary TK Bibliography Joseph Hatton, “Some Glimpses of Artistic London,” Harper’s New Monthly Magazine 67, no. 402 (November 1883): 838-842. Henry-Russell Hitchcock, Architecture: Nineteenth and Twentieth Centuries (New Haven and London: Yale University Press, 1977), 294. Sir Sidney Lee, Dictionary of National Biography (London: Smith, Elder & Co., 1912), 197-198. Mary Eliza Haweis, Beautiful Houses; being a description of certain well-known artistic houses (London: Low, Marston, Searle, and Rivington, 1882), 45-52. Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), 26. Alfred Lys Baldry, George H. Boughton (Royal Academician) His Life and Work (London: Virtue & Co., 1904), 1-44. Tarver, Edward J., “Artists’ Studios,” The Art Journal 6 (1880), 273-276. JSTOR: http://www.jstor.org/stable/20569573. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George H. Boughton Subject The topic of the resource Boughton, George H., A.R.A. (1833-1905, English painter Contributor An entity responsible for making contributions to the resource Omeka record contributed by Hilleary Gramling. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 19, 2016 Date Modified Date on which the resource was changed. November 19, 2016 https://artistsathome.emorydomains.org/files/original/3dd544a94b01f17f013f05d99052c261.jpg aa62bbaced069ee08be2761dcad0fb6b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portraits Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Old Tom Morris and Young Tom Morris Source A related resource from which the described resource is derived The Daily Mail Online http://www.dailymail.co.uk/sport/golf/article-2120936/Forgotten-pictures-Old-Tom-Morris-sale-350-0000.html Subject The topic of the resource Old Tom Morris (left) and Young Tom Morris (right) Contributor An entity responsible for making contributions to the resource Jonathan Brocklebank, author of the "Daily Mail" article Omeka record contributed by Vanessa Pike Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 19, 2016 Format The file format, physical medium, or dimensions of the resource Photograph Date Created Date of creation of the resource. c. 1870-75 Description An account of the resource Old and Young Tom Morris pose with their golf clubs in front of an artificial backdrop. Date Modified Date on which the resource was changed. December 8, 2016 https://artistsathome.emorydomains.org/files/original/d3a8eab985642ac4336d75ac729dde10.jpg e65e9c7a1a45d25f425f23a9553ff64c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portraits Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Allan Robertson Source A related resource from which the described resource is derived Golf Tournaments 101 http://charitygolf101.com/three-linked-golf-families-st-andrews/ Subject The topic of the resource Allan Robertson, the first professional golfer Contributor An entity responsible for making contributions to the resource Mel Lewis, PGA of New Zealand Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 19, 2016 Date Created Date of creation of the resource. c. 1850 Format The file format, physical medium, or dimensions of the resource Photograph Creator An entity primarily responsible for making the resource Thomas Rodger (1832-1883), Scottish photographer Description An account of the resource Allan Robertson, the Scottish golfer, poses with his golf clubs and golf balls beside him. Date Modified Date on which the resource was changed. December 8, 2016