6 20 532 https://artistsathome.emorydomains.org/files/original/a0f256b9918e48c8f9e065726d663ecf.jpg 656fbc07a3872ac6ddba66800e5d75b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists Person An individual. Birth Date June 8, 1829 Birthplace Southampton, England Death Date August 13, 1896 Occupation Painter, illustrator Biographical summary A child prodigy, John Everett Millais was destined for the Victorian art world from a young age. His family moved from Jersey to London when Millais was 9 years old to provide him with the necessary resources for a professional career as an artist and during this time he attended Henry Sass Academy, a school that prepared boys for entrance into the schools of the Royal Academy. In 1840 Millais became the youngest student ever admitted to the Royal Academy Schools at eleven years old. After his admittance into the Royal Academy, Millais’s reputation as an artist continued to build at a rapid pace; in 1846 he exhibited Pizarro Seizing the Inca of Peru in the Royal Academy’s annual exhibition and the following year won a gold medal for best historical painting for The Tribe of Benjamin Seizing the Inca. In 1848 Millais and a group of like-minded colleagues formed the Pre- Raphaelite Brotherhood (PRB) and, disenchanted with contemporary academic painting, adopted the philosophy that art ought to truthfully represent nature rather than strictly follow academic traditions. Art of the PRB is characterized by an extreme attention to detail, a high color palette and abundant symbolism. Although Millais followed the Victorian tradition of painting religious and literary themes, many of his PRB works were received harshly by critics, evident in Charles Dickens’ severe denunciation of Christ in the House of his Parents in his magazine Household Words: “In the foreground of that carpenter's shop is a hideous, wrynecked, blubbering, red-headed boy, in a bed-gown, who appears to have received a poke in the hand, from the stick of another boy with whom he has been playing in an adjacent gutter, and to be holding it up for the contemplation of a kneeling woman, so horrible in her ugliness. that (supposing it were possible for any human creature to exist for a moment with that dislocated throat) she would stand out from the rest of the company as a Monster, in the vilest cabaret in France, or the lowest ginshop in England.” While Millais certainly received a great deal of criticism for his PRB works, he nevertheless continued to thrive as an artist; in 1852 he painting A Huguenot, which paved the way for his election as an associate of the Royal Academy the following year. In 1855 Millais married Effie Ruskin and moved to Perth, where the couple remained for six years. During his time in Perth, Millais experimented with general mood paintings and produced Autumn Leaves (1856), A Dream of the Past: Sir Isumbras at the Ford (1857) and The Vale of Rest (1859). Although these works proved difficult to sell, Millais soon found success in engraving and illustrations, including the Moxon edition of Tennyson’s poems (1857), the magazine Once a Week (1859 onwards) and several novels by Anthony Trollope. Millais and his family returned to London in 1861 and lived at 7 Cromwell Place in Kensington. In 1863 he was elected a full member of the Royal Academy. In addition to his academic success, Millais achieved popular success for his paintings of child subjects such as Bubbles (1886) and his paintings of beautiful women such as Stella (1868). He also developed a highly lucrative portrait practice from the early 1870s, with sitters including Thomas Carlyle (1877), Gladstone (1879 and 1885) and Tennyson (1881). These successes helped Millais fund the construction of his custom-built studio house at No. 2 Palace Gate in Kensington, where Millais spent the remainder of his life as a member of the Royal Academy. His loyalty led to his election as president of the Royal Academy following the death of Frederic Leighton in 1896, although his post was short-lived as he himself died six months later. Bibliography Spielmann, M. H. Millais and his Works. London: Royal Academy of Arts, 1889. Millais, John Guille. The Life and Letters of Sir John Everett Millais, President of the Royal Academy. London: Methuen, 1902. Baldry, A. L. Millais. London: T.C. & E.C. Jack, 1908. Musson, Jeremy. "Has a Paint Pot Done All This?" in John Everett Millais Beyond the Pre-Raphaelite Brotherhood. New Haven: Yale University Press, 2001. Warner, Malcolm. "John Everett Millais." In Oxford Art Online. http://www.oxfordartonline.com.proxy.library.emory.edu/subscriber/article/grove/art/T058255?q=millais&search=quick&pos=1&_start=1#firsthit (accessed November 19, 2016). Warner, Malcolm. "John Everett Millais." In Oxford Dictionary of National Biography, http://www.oxforddnb.com.proxy.library.emory.edu/view/article/18713?docPos=2 (accessed November 19, 2016). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Everett Millais Subject The topic of the resource Millais, John Everett (1829-1896), English painter Contributor An entity responsible for making contributions to the resource Omeka record contributed by Jenifer Norwalk Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 19, 2016 Relation A related resource Portrait: https://artistsathome.emorydomains.org/files/original/5a538aa153ea8b0c05000c4949429c7a.jpg 706d97a3984ccdc8564f7061af41b161 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists Person An individual. Birth Date February 14, 1838 Birthplace Kolkata, West Bengal, India Death Date November 11, 1904 Occupation Painter, writer Biographical summary During much of his childhood, Prinsep resided in Holland House in Kensington, also home of the artist George Frederic Watts. He was expected to join the Civil Service like his father, but instead decided to become an artist. Growing up with Watts, Prinsep frequently encountered artists such as William Holman Hunt, John Everett Millais, and Edward Burne Jones, and this exposure likely influenced his decision to enter the art world. He traveled to Italy with Burne-Jones and shortly after studied at Gleyre’s atelier in Paris from 1859-60. His early works include The Queen was in the Parlour Eating Bread and Honey (1860) and How Bianco Capello Sought to Poison her Brother-in-Law the Cardinal de Medici (1862), both revealing his interest in Pre- Raphaelitism; the latter was the first painting he exhibited at the Royal Academy. The next major influence on his artistic career, evident in works such as Home from the Gleaning (1875) and The Linen Gatherers (1876), was the eclectic St John’s Wood Clique, a group concerned with professional visibility and known for their historic genre style. Prinsep’s closest friend was Frederic Leighton. Both joined the 38th Middlesex Rifle Volunteer Corps, and later purchased neighboring plots of land on Holland Park Road for custom-built studio houses. Phillip Webb, who had also designed the Red House For William Morris, completed Prinsep's studio house. Prinsep was elected an Associate of the Royal Academy in 1878. He created a number of paintings based on his Indian travels including, A Nautch Girl (1878) and The Roum-i-Sultana (1879) and also wrote (and published) a journal titled Imperial India: an Artist’s Journals in 1879. By 1884, Prinsep had become a wealthy man, and on July 28, 1884, he married Florence Leyland, daughter of a Liverpool shipping millionaire and patron of Rossetti, Burne-Jones and Whistler. With Florence he had three sons: Thoby, Anthony and Nicholas. Prinsep died on November 11, 1904, at Welbeck House, the home of his surgeon, following a prostrate operation. He was elected a Royal Academician in 1894, and appointed Professor of Painting in 1901. His later works include Ayesha (1887), orientalist in style, and La Révolution (1896), a historical painting set during the French Revolution. Prinsep is remembered as “well known in Art and highly esteemed in Society… a thorough artist in his aspirations, a fine painter, and a right good honest man.” Bibliography Steelcroft, F. "Mr. Val C. Prinsep RA." In Strand Magazine 12, 1896. Dakers, Caroline. "Valentine Cameron Prinsep." In Oxford Dictionary of National Biography, http://www.oxforddnb.com.proxy.library.emory.edu/view/article/35615?docPos=6 (accessed November 19, 2016). Marsh, Jan. The Pre-Raphaelite Circle. London: National Portrait Gallery, 2005. Dakers, Caroline. The Holland Park Circle: Artists and Victorian Society. New Haven: Yale University Press, 1999. "Valentine Cameron Prinsep." In Oxford Art Online. http://www.oxfordartonline.com.proxy.library.emory.edu/subscriber/article/benezit/B00146224?q=prinsep+&search=quick&pos=1&_start=1#firsthit (accessed November 19, 2016). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Valentine Cameron Prinsep Subject The topic of the resource Prinsep, Valentine Cameron (1838-1904), English painter Contributor An entity responsible for making contributions to the resource Omeka record contributed by Jenifer Norwalk Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 19, 2016 Relation A related resource Portrait: Valentine C. Prinsep by Ralph Winwood Robinson, 1892. Published by Published by C. Whittingham & Co. Platinum print. National Portrait Gallery, London. Date Modified Date on which the resource was changed. December 16, 2016, by LM https://artistsathome.emorydomains.org/files/original/b8e2aea13339d8df7b9aedad394a7874.jpg 1a2a2efa264cb090be735be2f1eb9f19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works of Art Still Image Date 1907 Source Amon Carter Museum of American Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pima Matron Date Created Date of creation of the resource. 1907 Creator An entity primarily responsible for making the resource Edward S. Curtis Medium The material or physical carrier of the resource. Photogravure Source A related resource from which the described resource is derived The North American Indian Contributor An entity responsible for making contributions to the resource Omeka record contributed by Jenifer Norwalk https://artistsathome.emorydomains.org/files/original/b00a275b003438c7eae5c059049ad0ea.jpg 3fcb4eaaea162503274c36093e982a21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portraits Still Image Date 1889 Source National Portrait Gallery, London, 7352 URL <a href="http://www.npg.org.uk/collections/search/portrait/mw117334/Sir-Joseph-Edgar-Boehm-1st-Bt?">http://www.npg.org.uk/collections/search/portrait/mw117334/Sir-Joseph-Edgar-Boehm-1st-Bt?</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sir Joseph Edgar Boehm, 1st Bt Date Created Date of creation of the resource. 1892 Creator An entity primarily responsible for making the resource Ralph Winwood Robinson (1862-1942), photographer C. Whittingham & Co, London publisher Medium The material or physical carrier of the resource. Platinum print Format The file format, physical medium, or dimensions of the resource 203 x 153 mm Source A related resource from which the described resource is derived Sir Edgar Joseph Boehm, 1st Bt, National Portrait Gallery, London (London: C. Whittingham & Co., 1892). <a href="http://www.npg.org.uk/collections/search/portrait/mw117334/Sir-Joseph-Edgar-Boehm-1st-Bt?LinkID=mp00467&search=sas&sText=boehm&role=sit&rNo=6">http://www.npg.org.uk/collections/search/portrait/mw117334/Sir-Joseph-Edgar-Boehm-1st-Bt?LinkID=mp00467&search=sas&sText=boehm&role=sit&rNo=6 </a> Subject The topic of the resource Boehm, Joseph (1834-1890), English-Hungarian medallist and sculptor, portrait Description An account of the resource Portrait of Joseph Edgar Boehm sitting on the arm of a chair, working on a sculpture Rights Information about rights held in and over the resource Available under a CC-BY-NC-SA license Contributor An entity responsible for making contributions to the resource Omeka record contributed by Albertine Lee Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 20, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Studio Address The Avenue, Sydney Close, 76 Fulham Road London borough Kensington and Chelsea Town/county London Current address Avenue Studios, Sydney Close, London SW3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Avenue, Studios of J. E. Boehm and E. J. Poynter Date Created Date of creation of the resource. 1870 Creator An entity primarily responsible for making the resource Sir Charles James Freake (1814-1884), architect and builder Description An account of the resource Boehm's sculpture studio and Poynter's painting studio were among the twenty assorted studios on Sydney Close known collectively as “The Avenue.” Other artists in residence there included Sir Alfred Gilbert R.A., Elizabeth Thompson, Charles Edward Hallé, and John Singer Sargent R.A.. The Avenue was an early example of nonresidential and flatted studios. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Giles Walkley, Artists' Houses in London 1764-1914 (Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994), 141-42. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Albertine Lee Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 20, 2016 Date Modified Date on which the resource was changed. December 16, 2016, by LM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Studio Address 6 Melbury Road London borough Kensington Town/county London Current address Not extant. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Little Holland House, Studio-home of G. F. Watts Date Created Date of creation of the resource. 1875-6 Creator An entity primarily responsible for making the resource Frederick Pepys Cockerell (1833-1878), architect completed by George Aitchison (1825-1910), architect Description An account of the resource Leighton and Watts were the two artists at the heart of the “Holland Park Circle.” They were close friends and would often call on each other using a gate that connected their gardens. Watts's house contained four studios and a large gallery extension to display his work; these additions were designed by the architect George Aitchison. (The Studio-Houses of the "Holland Park Circle," produced by the Royal Borough of Kensington.) Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Walkley, Giles. “Establishment Kensington: Melbury Road." In Artists’ Houses in London 1764–1914. Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994. Bryant, Barbara. G.F. Watts in Kensington: Little Holland House and Gallery. Compton, Surrey: Watts Gallery, 2009. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Albertine Lee Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 20, 2016 https://artistsathome.emorydomains.org/files/original/fc779594e7d0f4d87f220755a95a7cc1.jpg 8eb0cbbeb8dd555dd6cc070b5add4c21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portraits Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sir Joseph Edgar Boehm, 1st Bt Date Created Date of creation of the resource. 1883 Creator An entity primarily responsible for making the resource John Jabez Edwin Mayall (1813-1901), photographer Sampson Low, Marston, Searle and Rivington, London publisher Medium The material or physical carrier of the resource. Woodburytype Format The file format, physical medium, or dimensions of the resource 115 mm x 91 mm Source A related resource from which the described resource is derived Sir Edgar Joseph Boehm, 1st Bt, National Portrait Gallery, London (Sampson Low, Marston, Searle and Rivington, 1883). Subject The topic of the resource Boehm, Joseph (1834-1890), English-Hungarian medallist and sculptor, portrait Description An account of the resource Portrait of Joseph Edgar Boehm in a dark brown suit and a check-patterned scarf around his neck, looking off to the side. Rights Information about rights held in and over the resource Available under a CC-BY-NC-SA license https://artistsathome.emorydomains.org/files/original/c1027b34eba819006b4cddfd85261c1c.jpg 12730e8a687a90df17c2af9e90d394d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works of Art Still Image Date c. 1875 Source National Portrait Gallery, London, 658 URL http://www.npg.org.uk/collections/search/portrait/mw01083/Thomas-Carlyle?LinkID=mp00760&search=sas&sText=thomas+carlyle&role=sit&rNo=9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Carlyle Date Created Date of creation of the resource. c. 1875 Creator An entity primarily responsible for making the resource Joseph Edgar Boehm (1834-1890) Medium The material or physical carrier of the resource. Terracotta Format The file format, physical medium, or dimensions of the resource 559 mm high Source A related resource from which the described resource is derived Thomas Carlyle, National Portrait Gallery, London, 658. Subject The topic of the resource Terracotta bust of Thomas Carlyle Description An account of the resource The sitter depicted in a coat, heavily bearded, and with downcast eyes Is Referenced By A related resource that references, cites, or otherwise points to the described resource. F.G. Stephens, Artists at Home, photographed by J.P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London" Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Rights Information about rights held in and over the resource Available under a CC-BY-NC-SA license Contributor An entity responsible for making contributions to the resource Omeka record contributed by Albertine Lee Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 20, 2016 https://artistsathome.emorydomains.org/files/original/884ba3c08da0b8b18ae9e4318fef8c44.jpg 107793693a4bb15ec7b6b816eb267497 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portraits Person An individual. Birth Date December 4, 1833 Birthplace Norwich, Norfolk, England Death Date January 19, 1905 Occupation Painter Biographical summary TK Bibliography Sir Sidney Lee, Dictionary of National Biography (London: Smith, Elder & Co., 1912), 197-198. Alfred Lys Baldry, George H. Boughton (Royal Academician) His Life and Work (London: Virtue & Co., 1904), 1-44. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Henry Boughton Subject The topic of the resource Boughton, George H., R.A. (1833-1905), English/American Painter Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Joseph Hatton, “Some Glimpses of Artistic London,” Harper’s New Monthly Magazine 67, no. 402 (November 1883): 838-842 Henry-Russell Hitchcock, Architecture: Nineteenth and Twentieth Centuries (New Haven and London: Yale University Press, 1977), 294. Sir Sidney Lee, Dictionary of National Biography (London: Smith, Elder & Co., 1912), 197-198. Mary Eliza Haweis, Beautiful Houses; being a description of certain well-known artistic houses (London: Low, Marston, Searle, and Rivington, 1882), 45-52. Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), 26. Alfred Lys Baldry, George H. Boughton (Royal Academician) His Life and Work (London: Virtue & Co., 1904), 1-44. Tarver, Edward J., “Artists’ Studios,” The Art Journal 6 (1880), 273-276. JSTOR: http://www.jstor.org/stable/20569573. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Hilleary Gramling. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 20, 2016 Date Modified Date on which the resource was changed. November 20, 2016 https://artistsathome.emorydomains.org/files/original/b921667f030717f90016ea48968b932e.jpg 0da80072a00f1298ee5f75bb7172bba4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portraits Photoengraving Image size 7 7/8 in. x 6 in. (201 mm x 153 mm) Inscriptions George Henry Boughton Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Henry Boughton Date Created Date of creation of the resource. 1889 Creator An entity primarily responsible for making the resource Ralph Winwood Robinson Published by C. Whittingham & Co. Medium The material or physical carrier of the resource. Platinum Print Source A related resource from which the described resource is derived Members & Associates of the Royal Academy of Arts 1891: photographs by Ralph Winwood Robinson (London: C. Whittingham & Co., 1892) n.p. Subject The topic of the resource Boughton, George Henry (1883-1905), English/American Painter Date Issued Date of formal issuance (e.g., publication) of the resource. 1892 Date Copyrighted Date of copyright. TK Description An account of the resource A reproduction of a photo of George Boughton, seated as if at work on a painting of a maiden in winter. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the National Gallery of Art. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Hilleary Gramling. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 20, 2016 Date Modified Date on which the resource was changed. November 20, 2016 https://artistsathome.emorydomains.org/files/original/203497cba983fa9084877ff739aedc4b.jpg b6e6a2f1801d5239be5ff0c412373bbf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portraits Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sir Rowland Hill Date Created Date of creation of the resource. May 1, 1948 Creator An entity primarily responsible for making the resource William Overend Geller S.H. Hawkins, printer Abraham Wivell Jr, publisher Medium The material or physical carrier of the resource. Mezzotint Format The file format, physical medium, or dimensions of the resource 19 in. x 14 in. Source A related resource from which the described resource is derived Sir Rowland Hill, National Portrait Gallery, London Subject The topic of the resource Sir Rowland Hill, postal reformer and civil servant Description An account of the resource Portrait of Sir Rowland Hill in a dark suit, seated with a letter in hand. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Jenifer Norwalk. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 26, 2016 https://artistsathome.emorydomains.org/files/original/2e99ac98361b325605a3b5b551f0ca61.jpg 43567bea53db408f8ca4dabe17ab4c89 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Penny Black and Penny Red Date Created Date of creation of the resource. 1841 Creator An entity primarily responsible for making the resource United Kingdom Government Medium The material or physical carrier of the resource. Postage Stamp Source A related resource from which the described resource is derived Jimmy Stamp, "The Story of the First Postage Stamp," Smithsonian.com (July 19, 2013), http://www.smithsonianmag.com/arts-culture/the-story-of-the-first-postage-stamp-14931961/ (accessed November 26, 2016). Subject The topic of the resource The Penny Black (1840) and Penny Red (1841) postal stamps. Description An account of the resource A black and red postal stamp featuring the profile of Queen Victoria. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Jenifer Norwalk. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 26, 2016 https://artistsathome.emorydomains.org/files/original/7d50b294efae0b914f750e189b36f778.jpg 2cd6aec85d172ee94f4fd8fc8763ed7a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works of Art Still Image Source Wikimedia Commons URL https://en.wikipedia.org/wiki/File:John_Everett_Millais_-_Ophelia_-_Google_Art_Project.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ophelia Date Created Date of creation of the resource. 1851–52 Creator An entity primarily responsible for making the resource John Everett Millais (1829–1896) Medium The material or physical carrier of the resource. Oil paint on canvas Format The file format, physical medium, or dimensions of the resource Support: 762 x 1118 mm Frame: 1105 x 1458 x 145 mm Subject The topic of the resource The scene depicted is from Shakespeare's Hamlet, Act IV, Scene vii, in which Ophelia, driven out of her mind when her father is murdered by her lover Hamlet, drowns herself in a stream: There, on the pendent boughs her coronet weeds Clambering to hang, an envious sliver broke; When down her weedy trophies and herself Fell in the weeping brook. Her clothes spread wide, And, mermaid-like, awhile they bore her up; Which time she chanted snatches of old tunes, As one incapable of her own distress, Or like a creature native and indued Unto that element; but long it could not be Till that her garments, heavy with their drink, Pull'd the poor wretch from her melodious lay To muddy death. Contributor An entity responsible for making contributions to the resource Tate Britain, London Omeka record contributed by Jenifer Norwalk. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 26, 2016. Rights Information about rights held in and over the resource Public domain Date Modified Date on which the resource was changed. January 31, 2017, by LM https://artistsathome.emorydomains.org/files/original/97dae111d889e48f0143d5ed1cd61a87.jpg a45c390e2a12bcc3945d585d87f65b7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works of Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'Enfant du Regiment Date Created Date of creation of the resource. 1854-55 Creator An entity primarily responsible for making the resource John Everett Millais Medium The material or physical carrier of the resource. Oil on paper, laid on canvas, mounted on board Format The file format, physical medium, or dimensions of the resource 17 3/4 in. x 24 in. Source A related resource from which the described resource is derived "L'Enfant du Regiment," Yale Center for British Art. Description An account of the resource A small child with an injured hand rests on a tomb. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Jenifer Norwalk. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 26, 2016. Rights Information about rights held in and over the resource Public Domain https://artistsathome.emorydomains.org/files/original/5da651b44d8216bd406220c6ea7823fe.jpg 57a8c27eca53a20f720f5ae9486b8c3b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works of Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pears Soap Advertisement Date Created Date of creation of the resource. 1886 Creator An entity primarily responsible for making the resource Pears' Soap Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Bubbles John Everett Millais 1885-6 Medium The material or physical carrier of the resource. Engraving Source A related resource from which the described resource is derived "The Commercial Conduct of the Saponaceous Salesman," The Study. Subject The topic of the resource William Milbourne James, Millais's grandson Description An account of the resource A young child stares up at a soap bubble in an advertisement for Pears Soap. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Jenifer Norwalk. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 26, 2016. https://artistsathome.emorydomains.org/files/original/d92e64e5b361463972869c8ca2f68fe0.jpg 3beed56e933f2c69643df42b6c3fc8d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works of Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lieder ohne Worte Date Created Date of creation of the resource. Exhibited 1861 Creator An entity primarily responsible for making the resource Frederic Leighton Medium The material or physical carrier of the resource. Oil paint on canvas Format The file format, physical medium, or dimensions of the resource Support: 1016 x 629 mm Frame: 1300 x 920 x 70 mm Source A related resource from which the described resource is derived "Lieder ohne Worte," Tate Britain. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Jenifer Norwalk. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 26, 2016 Rights Information about rights held in and over the resource Creative Commons CC-BY-NC-ND (3.0 Unported) https://artistsathome.emorydomains.org/files/original/c4a725ff4ee746c38fb03fd2e17d2f41.png c365fa47ba4ccaf09b10047f26e4ea28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Books Still Image URL https://archive.org/details/Artistichouses1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Title page, Artistic Houses: being a series of interior views of a number of the most beautiful and celebrated homes in the United States : with a description of the art treasures contained therein Date Created Date of creation of the resource. 1883 Creator An entity primarily responsible for making the resource D. Appleton & Co., New York Subject The topic of the resource The houses of distinguished American art collectors. Description An account of the resource Title page of a two-volume publication of interior views of collectors' houses with descriptions. Rights Information about rights held in and over the resource Public domain Contributor An entity responsible for making contributions to the resource Omeka record contribute by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 28, 2016 https://artistsathome.emorydomains.org/files/original/442d8fadc3e9cd7a3618e7e455af24a0.jpg 571963adb1b625bb7ef36616311d1632 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works of Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harmony Date Created Date of creation of the resource. 1877 Creator An entity primarily responsible for making the resource Frank Dicksee Medium The material or physical carrier of the resource. Oil on canvas Format The file format, physical medium, or dimensions of the resource Support: 1575 x 940 mm Source A related resource from which the described resource is derived "Harmony," Tate Britain. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Hilleary Gramling. Date Modified Date on which the resource was changed. November 28, 2016 https://artistsathome.emorydomains.org/files/original/893a61a0fb955685eec7df1642e0bb65.jpg 104dcf894e45e06b3d86a5363747eec6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works of Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Late at School Date Created Date of creation of the resource. 1834, exhibited 1835 Creator An entity primarily responsible for making the resource Thomas Webster Medium The material or physical carrier of the resource. Oil paint on mahogany Format The file format, physical medium, or dimensions of the resource Support: 457 x 377 x 10 mm Frame: 600 x 520 x 20 mm Source A related resource from which the described resource is derived "Late at School," Tate Britain. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Hilleary Gramling. Date Modified Date on which the resource was changed. November 28, 2016 https://artistsathome.emorydomains.org/files/original/5e965fcfc70253c47778c1daf8172a0a.jpg d42dd55c70ba6333e551d48253ca3b73 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portraits Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frank Dicksee Date Created Date of creation of the resource. 1893 Creator An entity primarily responsible for making the resource W. & D. Downey, published by Cassell & Company, Ltd Medium The material or physical carrier of the resource. Carbon print Format The file format, physical medium, or dimensions of the resource 138 mm x 92 mm Source A related resource from which the described resource is derived "Frank Dicksee," The National Portrait Gallery. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Hilleary Gramling. Date Modified Date on which the resource was changed. November 28, 2016