8 20 532 https://artistsathome.emorydomains.org/files/original/5d05c3404cbc56fcede373c1784a94b1.jpg 4a87a6f2fb8dcf53e21f4def71df9263 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portraits Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Oldham Barlow, 1888 Date Created Date of creation of the resource. 3 July 1888, published 1892 Creator An entity primarily responsible for making the resource Ralph Winwood Robinson (1862–1942), British photographer C. Whittingham & Co., publisher Medium The material or physical carrier of the resource. Platinum print Format The file format, physical medium, or dimensions of the resource 7 7/8 in. x 6 1/8 in. (201 mm x 154 mm) image size Source A related resource from which the described resource is derived Members & Associates of the Royal Academy of Arts 1891, photographs by Ralph Winwood Robinson, published 1892 Subject The topic of the resource Thomas Oldham Barlow (1824–1889), English etcher and engraver Date Issued Date of formal issuance (e.g., publication) of the resource. 1892 Rights Information about rights held in and over the resource Creative Commons Identifier An unambiguous reference to the resource within a given context NPG x7349 Contributor An entity responsible for making contributions to the resource National Gallery, London Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). January 15, 2017 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Studio Address 18 Hyde Park Gate South, Kensington, London London borough Kensington and Chelsea Town/county London Current address 28 Hyde Park Gate Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 18 Hyde Park Gate South Date Created Date of creation of the resource. c. 1844 Creator An entity primarily responsible for making the resource Richard Redgrave (1804-1888). According to his daughter he provided the sketches for this house. There is no other known architect. Description An account of the resource A simple, brick faced house in the Georgian tradition, with gables and overhanging eaves. The studio is located at the rear of the house at garden level and is double the height of other rooms in the house. It is entered through a gallery. Relation A related resource FOLIO2011_134_003.tif NGA_Redgrave.pdf Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Survey of London: Volume 38, South Kensington Museums Area. Originally published by London County Council, London, 1975. Accessed through http://www.british-history.ac.uk/survey-london/vol38/pp26-38 Walkley, Giles. Artists’ Houses in London 1764–1914. Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994. See pp. 33–34. Ground floor plan p. 34, fig. 25. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Karuna Srikureja Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). January 7 2017 Date Modified Date on which the resource was changed. February 11, 2107, by LM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Studio Address Ivy House, Vanbrugh Park Road West London borough Blackheath Town/county London Current address The house was demolished in the late 1950s as part of a larger municipal development plan. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ivy House, Studio-house of Sir John Gilbert Date Created Date of creation of the resource. Unknown Creator An entity primarily responsible for making the resource Alfred Gilbert Contributor An entity responsible for making contributions to the resource Omeka record contributed by Gabriella Meier Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 30, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Studio Address 115 (47) Ebury Street London borough Belgravia Town/county London Current address 115 Ebury St, Belgravia, London SW1W 9QU, UK. Private residence. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 115 Ebury Street, Studio-house of William Calder Marshall Date Created Date of creation of the resource. ca. 1851 Creator An entity primarily responsible for making the resource Marshall’s house, no. 115, would have been constructed by the well-known architect and builder Thomas Cubitt (1788–1855) Description An account of the resource Thomas Cubitt’s terraced houses were covered in stucco, painted white and scored to simulate the appearance of painted stone blocks. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. F. G. Stephens, Artists at Home (London, 1884), 7. Giles Walkley, Artists' Houses in London 1764–1914 (Aldershot, Hants.: Scolar Press, 1994), p. 254. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Gabriella Meier Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 30, 2016 Date Modified Date on which the resource was changed. January 26, 2017, by LM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists Person An individual. Birth Date March 18, 1813 Birthplace Gilmour Place, Edinburgh Death Date June 16, 1894 Occupation Sculptor Biographical summary William Calder Marshall was born at Gilmour Place, Edinburgh, on March 18, 1813, and was the eldest son of William Marshall, a goldsmith, and Annie Calder, his wife. He was educated at the local high school and university, He commenced his art studies at the Trustees' Academy in 1830, and four years later moved to London. Marshall worked under Sir Francis Legatt Chantrey and Edward Hodges Baily in the schools of the Royal Academy, where he gained a silver medal in 1835. In 1844, he was elected an associate of the Royal Academy, and in 1852 he was elected an academician. Marshall was elected A.R.S.A. in 1840, but ultimately resigned when he received the London honor. In recognition of his services as a British commissioner at the Paris Exposition of 1878, he was appointed chevalier of the Legion of Honor. He retired from the Royal Academy in 1890 and exhibited there for the last time the following year. He was a hard worker and produced a number of great works. Marshall produced commemorative monuments; he also designed schemes of architectural sculpture and several church monuments. He died at his home, 115 Ebury Street, Chester Square, London, on June 16, 1894. Bibliography R. Gunnis, Dictionary of British sculptors, 1660–1851, new edn (1964), 256–7 B. Read, Victorian sculpture (1982) R. L. Woodward, "19th century Scottish sculpture," PhD diss., U. Edin., 1977, 152–7. M. Greenwood, "Marshall, William Calder," The dictionary of art, ed. J. Turner (1996) W. D. McKay and F. Rinder, The Royal Scottish Academy, 1826–1916 (1917), 268–70 "Lives of the sculptors no. 3: W. C. Marshall, RA," The Sculptors' Journal and Fine Art Magazine, 1/3 (March 1963) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall, William Calder Creator An entity primarily responsible for making the resource Omeka record contributed by Gabriella Meier Subject The topic of the resource Marshall, William Calder, (1813-1894), Scottish Sculptor Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 30, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists Person An individual. Birth Date July 21, 1817 Birthplace Blackheath, London Death Date October 5, 1897 Occupation Painter, Illustrator, Engraver Biographical summary Sir John Gilbert was born on July 21, 1817, in Blackheath, London. His father, George Felix Gilbert, had been a captain in the Royal East London Militia; after his time in the military, he worked as a land and estate agent. His son John left school in 1833 to work for the real estate firm of Dickson & Bell but spent much of his time sketching rather than focusing on real estate transactions. After two years of working at the firm, his parents let him follow his passions, and Gilbert devoted himself to learning every artistic technique: painting in oils, watercolors, fresco, modeling, carving, drawing on paper, wood, and stone, engraving and etching. For all of these art techniques, Gilbert was mainly self-taught. He did not go to art school and had no instruction except some lessons on the use of color from George Lance, a painter of fruit. In 1836, Gilbert made his first appearance as an exhibitor with two drawings of historical subjects in Suffolk Street, and in 1837 he sent two oil paintings to the British Institution. For many years, he contributed frequently to both of these exhibitions. Some of the most important of his pictures in oils exhibited at the British Institution were Brunetta and Phillis (1844), King Henry VIII (1845), and The Charge of Prince Rupert’s Cavalry (1849.) A portrait exhibited in 1838 was his first contribution to the Royal Academy. After 1851, he exhibited no more pictures at the Royal Academy until 1867. On February 9, 1852, Gilbert was elected an associate, and on June 12, 1854, he became a full member. He remained connected to that institution until his death. He exhibited approximately 270 works in the society's gallery, including numerous works focusing on themes from Don Quixote and Shakespeare. In addition, he was instrumental in the inauguration of regular winter exhibitions there in 1862, and in June 1871 was elected its president. Gilbert’s black and white work for book illustrations and pictorial journalism generated the most amount of revenue. The well-known collector John Sheepshanks encouraged Gilbert to learn more about drawing on wood. Gilbert began in 1838 illustrating a book of nursery rhymes. Given his great aptitude for illustration, he devoted most of his time to this branch of art. He illustrated the works of most English poets, some religious compositions, novels and tales, as well as books of ballads and other anthologies. The most famous of all of his illustrations are those which he designed for Howard Staunton’s edition of Shakespeare, published by Routledge in monthly parts beginning in December 1856. Gilbert, who resumed his contributions to the Royal Academy exhibitions in 1867, was elected an associate of the Academy on January 29, 1872. Soon thereafter, on March 14,1872, Gilbert was knighted, which both honored his own achievements in painting, engraving, and watercolor and indicated royal recognition of watercolor's importance as a branch of art. Gilbert died on October 5, 1897, a bachelor, at his home, Ivy House, Vanbrugh Park, in Blackheath, London, where he lived his entire life. Bibliography M. H. Spielmann, "Sir John Gilbert: a memorial sketch," Magazine of Art, 22 (1897–98), 53–64. R. Davies, "Sir John Gilbert," Old Water-Colour Society's Club 10 (1932–3), 20–43 "Sir John Gilbert's gift to the City of London," Art Journal, new ser., 13 (1893), 199–200 R. Ormond, "Victorian story-teller in paint: Sir John Gilbert," Country Life, 140 (1966), 400–03 R. Ormond, "Private life of a Victorian painter," Country Life 140 (1966), 462–65 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gilbert, John Date Created Date of creation of the resource. Gilbert, John (1817-1897), English painter, illustrator, and engraver Creator An entity primarily responsible for making the resource Omeka record contributed by Gabriella Meier References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Gilbert, John Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 30, 2016 Person An individual. Birth Date January 8, 1836 Birthplace Dronrijp, Friesland (Netherlands) Death Date June 25, 1912 Occupation Painter Costume and Scenic Designer Decorator Biographical summary Lawrence Alma Tadema was born on January 8, 1836, in the small but wealthy village of Dronrijp, Friesland (Netherlands). Tadema attended the gymnasium of Leeuwarden, where he was first exposed to the literature and history of ancient Greece and Rome, on which he would draw for the duration of his career. At sixteen, Tadema began his training at the Academy of Art in Antwerp, where he would become the pupil of Van Leys, whose style had considerable influence on the young artist. In 1863, Tadema, newly married, visited Italy for the first time. Tadema’s observations of the first systematic excavations at Pompeii inspired him to create paintings that depicted genre scenes set in Antiquity. Followed several years of productive work. In 1867, Tadema, weary perhaps of the Classical quotidian, turned to Classical historical subjects. (He did not, however, abandon genre scenes.) First among these was The Praetorians Summoning Claudius to the Imperial Throne After the Murder of Caligula (1867). This marked a trend that, starting in 1865, would continue to dominate his art: the depiction of Ancient Rome. Possibly acting on the advice of the art dealer Ernest Gambart, in 1870, Tadema moved to England, where his works were more appreciated and sold for considerably greater prices. The immediate cause for Tadema’s departure was probably the outbreak of the Franco-Prussian war. In London, he settled in Townshend House, Regent's Park, where he soon resumed his artistic production. During the 1870s, Tadema made several trips to Italy. In 1874 he had gone for a visit to Rome, where he painted several works that won him a gold medal in Berlin followed by the award of the Prussian Order of Merit in 1881. In 1876, Tadema became an associate of the Royal Academy and an academician three years later. In 1886, Tadema moved to his second residence in London in Grove End Road, St John's Wood. This house the artist altered considerably to his liking. Among the most important aspects of the house was the studio, which was designed to simulate Mediterranean light even in the winter months. As he started working in this studio, Tadema’s paintings changed: interiors of warm colors gave way to outside scenes dominated by marble architecture and set against the backdrop of Mediterranean seascapes. In the 1880s, as in the 1870s, his art production was mostly devoted to Roman subjects. This sustained interest in Roman Antiquity was supported by a large library and an extensive reference collection. Tadema’s last decades were less productive though he did participate and win awards in Paris Exposition Universelle in 1889 and 1900. The decoration of his new house and his interest in theatre, not to mention his declining health, reduced the time he dedicated to painting. In 1890, he became a member of Oxford University Dramatic Society. His knighthood (1899) and the Order of Merit he received in 1905 testify to his high status in Victorian society. Tadema died on June 25, 1912, in Wiesbaden, Germany, and was buried in St Paul's Cathedral, London, on July 5. The same year a memorial exhibition was held at the Royal Academy in his honor. Bibliography Ebers, Georg. Lawrence Alma Tadema: His Life and Works. London: W. S. Gottsberger, 1886. J. Barrow, Rosemary. Lawrence Alma-Tadema. New York: Phaidon Press, 2003. Barrow, Rosemary. “Tadema, Sir Lawrence Alma- (1836–1912).” Rosemary Barrow In Oxford Dictionary of National Biography, edited by H. C. G. Matthew and Brian Harrison. Oxford: OUP, 2004. Online ed., edited by David Cannadine, May 2011. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lawrence Alma-Tadema Date Created Date of creation of the resource. Tadema, Sir Lawrence Alma- (1836–1912), English painter of Dutch origin Contributor An entity responsible for making contributions to the resource Omeka record contributed by Ekaterina Koposova Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 24, 2016 Person An individual. Birth Date May 9, 1801 Birthplace Victoria Terrace, Exeter, England Death Date May 7, 1887 Occupation In 1814-1884, Engraver Biographical summary Born on May 9, 1801 in Victoria Terrace, Exeter, Samuel Cousins was educated at the Exeter episcopal school. His talent for drawing, particularly making portraits and copies of engravings, was displayed in the early school days. In 1812, his drawings (offered for sale at a local shop) caught the eye of Captain T. M. Bagnold, R. M, who recommended them to the attention of the Society of Arts in London. For his drawings, young Cousins received a silver palette award (1812) and a silver Isis medal (1813). The patronage of Sir Thomas Dyke Acland allowed the young Cousins to be sent to London. Thus began his artistic career. This time, his drawings had impressed one of the main engravers in England at the time, S. W. Reynolds, who took Cousins as his apprentice in 1814. By 1826 Cousins was working independently and had produced his first two prints. Cousins’ successful career was closely connected to the popular artists of his time, whose paintings he reproduced in his prints. Especially well-known were his prints after two presidents of the Royal Academy: Sirs. Joshua Reynolds and Thomas Lawrence. In November 1835, less than a decade after establishing himself as an independent artist, Cousins was elected Associate Engraver of the Royal Academy. Also in the 1830s, Cousins began making prints after Edwin Henry Landseer, whose pictures of animals proved a very popular subject for reproduction and remained in demand for thirty years. In 1838, Cousins made prints after the Chalon portrait of Queen Victoria. The 1850s marked a turning point in Cousins’ career. In 1854, he was commissioned to engrave Winterhalter’s portrait of Napoleon III. Cousins was reluctant to undertake the commission. The sovereign had to make a special request of him before he relented, making engravings after the portrait of the emperor and his wife. For his work, Cousins was awarded the Legion of Honor — the highest French order for military and civil merits — and a gold medal as a Graveur Étranger (Foreign Engraver). The following year, Cousins was advanced to the rank of Royal Academician. He was one of only two engravers to have been so honored. The 1870 exhibition of the Old Masters at Burlington House revived the public’s interest in the art of Sir Joshua Reynolds and Cousins, who was supposed to retire in 1874, began producing prints after the great British master. Their great success stimulated the seventy-year-old artist to produce thirty-seven more plates in a relatively short time. Several of these prints would later be exhibited at the Royal Academy. In 1877, Thomas Agnew & Son held an exhibition of Cousins’ works. In 1884, three years before his death, Cousins retired from the RA and the same year he was photographed for Artists at Home. Over his long life, Cousins had built himself a considerable fortune. He donated a substantial sum to the Royal Academy. His generosity also extended to his prized work, which he bestowed on various museums in his late years. Samuel Cousins died on May 7, 1887 at 24 Camden Square, London — the house where he had lived, unmarried and childless, with his affectionate sister Susan, since 1857. He was buried in Highgate cemetery. Bibliography Fagan, L. A. “Cousins, Samuel (1801–1887).” Rev. Donato Esposito. In Oxford Dictionary of National Biography, edited by H. C. G. Matthew and Brian Harrison. Oxford: OUP, 2004. Online ed., edited by David Cannadine, 2004. Pycroft, George. Memoir of Samuel Cousins, RA. London, 1887. (published for private circulation by E. E. Leggatt) Whitman, Alfred. Samuel Cousins. London: George Bell & Sons, 1904. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Samuel Cousins Subject The topic of the resource Cousins, Samuel, R.A. (1801-1887) Contributor An entity responsible for making contributions to the resource Omeka record contributed by Ekaterina Koposova Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 24, 2016 https://artistsathome.emorydomains.org/files/original/491931bd9565a0510cc0d72cb25f37be.png 92579f23a8e62dd69bc00b1e468b26bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "The Inner Studio" Source A related resource from which the described resource is derived Meynell, Wilfred. The Modern School of Art. 4 vols. London: Cassell, 1886. Illustration in Vol. 1, p. 67. Subject The topic of the resource Studio of Hamo Thornycroft, 1880s Rights Information about rights held in and over the resource Public domain Contributor An entity responsible for making contributions to the resource Omeka record contributed by Linda Merrill https://artistsathome.emorydomains.org/files/original/ea8a1eb851d5d31cc60ff614ae314a00.png 19b0e23c5efb58d38159552979975bae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works of Art Still Image Date 1884 Source "'Artists at Home: Artifice and Prescence" by Joanna Milk URL http://www.academia.edu/4168571/Artists_at_Home_Artifice_and_Presence Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art and Nature Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource George Adolphus Storey (1834-1919) Medium The material or physical carrier of the resource. Oil on canvas Subject The topic of the resource Storey's studio. Description An account of the resource A woman sits in G. A. Storey's studio. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. "'Artists at Home': Artifice and Presence" by Joanna Milk Rights Information about rights held in and over the resource Public domain, free for non-commercial use. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Michelle Malmberg Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 9, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Studio Address 2a Melbury Road, Holland Park London borough Chelsea & Kensington Town/county London Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2a Melbury Road, Holland Park, Studio-house of Hamo Thornycroft Date Created Date of creation of the resource. 1876-77 Creator An entity primarily responsible for making the resource John Belcher (1841-1913), architect Messrs. Adamson and Son of Turnham Green, builders Description An account of the resource Adorned with a blue plaque commemorating the residence of Hamo Thornycroft, the red-brick house at 2a Melbury Road, Holland Park, London stands well-preserved today. After his marriage in 1885, Thornycroft moved out of his family’s nearby home and built his own private studio. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Vanessa Pike Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 9, 2016 Is Part Of A related resource in which the described resource is physically or logically included. Nos. 2 and 4 Melbury Road ,built for Hamo Thornycroft though the lease was granted to his father, Thomas Thornycroft, are a semi-detached pair of houses: No. 2 was for the Thornycrofts' residence with a wing containing studios, while No. 4 was built on speculation, occupied by Mr. and Mrs. Russell Barrington. Date Modified Date on which the resource was changed. March 7, 2017, by LM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists Person An individual. Birth Date March 9, 1850 Birthplace Oxford, England Death Date July 1, 1884 Occupation Sculptor Biographical summary Born in London on March 9, 1850, Thornycroft came from a large family of sculptors from Cheshire. He enrolled in the Royal Academy as a student in 1869, and debuted there as an artist in 1872 with a bust of "Professor Sharpey” and a portrait in relief of “Mrs. Mordant.” Having traveled to Italy, he gained admiration for the antique from the works of Michelangelo. His sculpture Artemis, completed in 1880, was labeled by F. G. Stephens superior to any of his previous works. In 1883, Thornycroft sculpted what is considered to be his most important work, The Mower. Bibliography Gosse, Edmund. "Our Living Artists: Hamo Thornycroft, A.R.A." Magazine of Art 4 (1881). Zimmern, Helen. “A Sculptor’s Home.” Magazine of Art 6 (1883): 512-18. Meynell, Wilfred. The Modern School of Art. 4 vols. London: Cassell, 1886. “Hamo Thornycroft, R.A.” Strand Magazine: An Illustrated Monthly 6 (July 1893): 266. How, Harry. “Illustrated Interviews: XXVI: Mr. Hamo Thornycroft, R.A.” Strand: An Illustrated Monthly 6 (July 1893): 267-79. Manning, Elfrida. Marble & Bronze: The Art and Life of Hamo Thornycroft. London: Trefoil Books, 1982. White, Adam. Hamo Thornycroft and the Martyr General. Leeds: Henry Moore Center for the Study of Sculpture, 1991. Books, L.L.C. Thornycroft Family: Siegfried Sassoon, Hamo Thornycroft, John Isaac Thornycroft, Helen Thornycroft, Thomas Thornycroft, Mary Thornycroft. London: Books LLC, 2010. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource William Hamo Thornycroft Subject The topic of the resource Thornycroft, William Hamo (1850-1925), English sculptor Contributor An entity responsible for making contributions to the resource Omeka record contributed by Vanessa Pike Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 9, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Studio Address Hawarden Castle, Hawarden, Flintshire, Wales Town/county Hawarden, Flintshire, Wales Current address Hawarden Castle, privately owned by the Gladstone family Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hawarden Castle, Home of W. E. Gladstone Date Created Date of creation of the resource. converted c. 1865 Creator An entity primarily responsible for making the resource George Shaw of Saddleworth (1810-1876): architect of library wing c. 1865; John Douglas (1830-1911) and Daniel Porter Fordham (1846-1899): architects of muniment room c.1887 and enlarged porch in 1889 Description An account of the resource Built in the mid-18th century on the grounds of the medieval Hawarden Castle’s ruins, the new Hawarden Castle was home to W. E. Gladstone after his marriage to Catherine Glynne. Originally built of brick and stone dressings, the residence was greatly renovated, converted into a crenellated Gothic Revival style in around 1810, extended in around 1830, and further altered by Gladstone in the mid to late-19th century. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. The Paul Mall Gazette, “The Grand Old Man” (London: “Pall Mall Gazette” Office, 1888), p. 28. Contributor An entity responsible for making contributions to the resource Omeka record contributed by Vanessa Pike Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 9, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists Person An individual. Birth Date December 29, 1809 Birthplace Liverpool, England Death Date May 19, 1898 Occupation Prime Minister of the United Kingdom Biographical summary A Liverpudlian born on December 29, 1809, Gladstone was most famously known as Prime Minister of the United Kingdom for four terms ranging from 1868-1874, 1880-1885, 1886-1886, and 1892-1894. He was elected Professor of Ancient History at the Royal Academy in 1875, when he was also inducted as an Honorary Member. An established author on politics and a renowned public speaker, Gladstone’s eclectic span of interests even included collecting ancient and bric-à-brac. Bibliography Emerson, George Rose. William Ewart Gladstone, Prime Minister of England: A Political and Literary Biography. London: Ward, Lock, Bowden and Co., 1893. Matthew,, H. C. G. “Gladstone, William Ewart (1809–1898).” Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2011 [http://www.oxforddnb.com/view/article/10787, accessed 8 Dec 2016] Morley, John. The Life of William Ewart Gladstone. 2 vols. New York: Macmillan Company, 1911. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource William Ewart Gladstone Subject The topic of the resource Gladstone, William Ewart, The Right Honorable, (1809-1898) Contributor An entity responsible for making contributions to the resource Omeka record contributed by Vanessa Pike Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 9, 2016 https://artistsathome.emorydomains.org/files/original/51648a4c6660a9e952529431096e8b74.png 89cda1d0eebbbd5440d1f61ce4ed0e9a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Press Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format Newspaper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wratten & Wainwright’s ‘London Dry Plates’ Date Created Date of creation of the resource. May 31, 1889 Source A related resource from which the described resource is derived The Photographic News, May 31, 1889, xv. Abstract A summary of the resource. A brief advertisement for Wratten & Wainwright's 'London Dry Plates" praising their usefulness and listing the types one can purchase. Rights Information about rights held in and over the resource Public Domain in the United States, Google-digitized Contributor An entity responsible for making contributions to the resource Omeka record contributed by Michelle Malmberg Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 9, 2016 https://artistsathome.emorydomains.org/files/original/ce8c277fa898015c56def5999dc65d03.jpg 4748bfbe95f6135785efa10929e2318f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portraits Still Image Date 1880 Source National Portrait Gallery, London URL http://www.npg.org.uk/collections/search/portrait/mw149602/George-Adolphus-Storey? Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource George Adolphus Storey Date Created Date of creation of the resource. c. 1880 Medium The material or physical carrier of the resource. Albumen print Format The file format, physical medium, or dimensions of the resource 4 in. x 3 in. Subject The topic of the resource Storey, George Adolphus (1834-1919), English Painter Description An account of the resource Full portrait photograph of Storey in his studio hiding behind his large painting, Late to Church. He wears glasses and a hat. Rights Information about rights held in and over the resource Creative commons. Use in non-commercial projects (e.g. online in scholarly and non-profit publications and websites, blogs, local society newsletters and family history). Contributor An entity responsible for making contributions to the resource Omeka record contributed by Michelle Malmberg Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 9, 2016 https://artistsathome.emorydomains.org/files/original/fde78f4b221751c42f89be45850867a8.jpg f0f759d6d86ba5480b1a3fd8ed4bf4af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Works of Art Still Image Date 1883-84 Source Metropolitan Museum of Art URL http://www.metmuseum.org/art/collection/search/12127 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Madame X (Madame Pierre Gautreau) Date Created Date of creation of the resource. 1883-4 Creator An entity primarily responsible for making the resource John Singer Sargent Format The file format, physical medium, or dimensions of the resource JPEG image, 1 MB Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Metropolitan Museum of Art. Identifier An unambiguous reference to the resource within a given context DT91.jpg Contributor An entity responsible for making contributions to the resource Metropolitan Museum of Art Omeka record contributed by Ekaterina Koposova Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 9, 2016 Medium The material or physical carrier of the resource. Oil on canvas https://artistsathome.emorydomains.org/files/original/5bd3170b4e9fd53fe7dc400611761aa0.JPEG 981557ccf5bf2336be2ad2305ae5e5e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portraits Still Image Date 1914 Source Bibliothèque nationale de France, Gallica Website URL http://gallica.bnf.fr/ark:/12148/btv1b9042924j.r=louise%20abbema?rk=21459;2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louise Abbéma, artiste peintre tenant sa palette Date Created Date of creation of the resource. April 5, 1914 Creator An entity primarily responsible for making the resource Agence de presse Meurisse. Agence photographique. Format The file format, physical medium, or dimensions of the resource JPEG image, 266 KB Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Bibliothèque nationale de France (Gallica website). Identifier An unambiguous reference to the resource within a given context Louise_Abbema_artiste_peintre_tenant_[...]Agence_de_btv1b9042924j.JPEG Contributor An entity responsible for making contributions to the resource Bibliothèque nationale de France Omeka record contributed by Ekaterina Koposova Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 6, 2016 Medium The material or physical carrier of the resource. Photograph https://artistsathome.emorydomains.org/files/original/3f25f51f761b16c0142ca12600fe9ba8.jpg 9db1436676ddb0f9fb6454fa708057c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portraits Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hamo Thornycroft Date Created Date of creation of the resource. early 1890s Creator An entity primarily responsible for making the resource Done & Ball Format The file format, physical medium, or dimensions of the resource albumen cabinet card Source A related resource from which the described resource is derived National Portrait Gallery http://www.npg.org.uk/collections/search/portrait/mw121991/Hamo-Thornycroft?search=sp&sText=thornycroft&rNo=19 Subject The topic of the resource Hamo Thornycroft Description An account of the resource A seated, bust-length portrait of Hamo Thornycroft. Rights Information about rights held in and over the resource Creative Commons © National Portrait Gallery, London Identifier An unambiguous reference to the resource within a given context NPG x12596 Contributor An entity responsible for making contributions to the resource NPG website Omeka record contributed by Vanessa Pike Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 9, 2016 https://artistsathome.emorydomains.org/files/original/1a66c203b55708ea0a67a65d9aac04de.png eb057f7410269dc2afd91a59f3831944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portraits Still Image Date July 3, 1886 Source Paul Eudel, "Les ateliers de peintres. Carolus Duran," in: L'Illustration, 3 July 1886, 3. URL https://babel.hathitrust.org/cgi/pt?id=njp.32101080466590 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carlos Duran playing the organ Date Created Date of creation of the resource. July 3, 1886 Creator An entity primarily responsible for making the resource Edmond Bénard, photographer C. Léveillé, engraver Paul Eudel, writer Format The file format, physical medium, or dimensions of the resource JPEG image, 889 KB Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Rachel Esner, “In the Artist’s Studio with L’Illustration,” RIHA Journal 69 (March 18, 2013): 1-33, <a href="http://www.riha-journal.org/articles/2013/2013-jan-mar/esner-illustration">http://www.riha-journal.org/articles/2013/2013-jan-mar/esner-illustration</a> Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by Ekaterina Koposova at the Emory University Woodruff Library. Identifier An unambiguous reference to the resource within a given context Duran.png Contributor An entity responsible for making contributions to the resource Emory University Library Omeka record contributed by Ekaterina Koposova Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). December 6, 2016 Medium The material or physical carrier of the resource. Engraving