1 20 532 https://artistsathome.emorydomains.org/files/original/e2da7f0d2ce08f2247ff3889ec734696.pdf 93cce3094e7cac13607ec8a6dc04742f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Letterpress Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document SIR FREDERIC LEIGHTON, P.R.A., D.C.L., LLD. CORRESPONDING MEMBER OF THE INSTITUTE OF FRANCE, MEMBER OF THE ACADEMIES OF EDINBURGH, DUBLIN, ST. LUKE, FLORENCE, ANTWERP, ETC. A LIFE so fully occupied, fruitful of good things, and rich in honours as that of Sir F. Leighton, demands more than these pages can contain. An outline only can be given here, and even of that some parts must be imperfect, while all things but correctness yield to conciseness. The P.R.A.’s family was originally of Salpian stock removed to Yorkshire, where, at Scarborough, on the 3rd of December, 1830, he was born. Sir James Leighton, his grandfather, was Physician to the late Empress of Russia, and in high public employment in that country; his father, likewise a physician, was at one time settled in Bath. When my subject was little more than a child, he, an artist by nature, drew so well at nine years old that Haydon’s pupil, Lance, supported his wish to become an artist. Nevertheless, Mr. Leighton checked rather than encouraged this wish, and promoted his son’s school education, so that, apart from the dead languages and general attainments, French, German, and Italian became as familiar to him as English, and he now discourses with distinguished taste and style in each of these tongues. His first teacher in art was Signor Meli, who, at Rome in 1840-41, found him a most able pupil. In 1842, and later, the youth was successively in Berlin, Munich, and Frankfort, and he worked heartily in each place, schooling and art-training going on together. Until Mr. Hiram Powers the sculptor said, “Sir, your son may be as eminent an artist as he pleases!” Mr. Leighton did not accede to the wishes of the student, who, soon after this, was sent to the Accademia delle Belle Arti at Florence, where he drew, and to the hospital, where he witnessed dissections. He soon began to paint in oil; the first essay, a portrait of himself, still declares the promises which have been splendidly realized. More schooling at Frankfort was followed by the art-teaching of Professor Becker of that city, where, in 1848, the outcome of this course appeared in a picture of “Cimabue finding Giotto,” which was admired for its colour, and “Othello and Desdemona.” Studies in {2} Paris from Titian and Correggio, and at a life-school, occupied part of 1849. Returning to Frankfort, Leighton entered the atelier of Steinle, and (1850-3) obeyed that master so diligently that he is, in effect, his pupil in the full sense of that term. After this, sojourning in Rome, the student produced “Tybalt and Romeo,” “The Death of Brunelleschi,” both pictures, and a cartoon of a very remarkable design representing the Pest in Florence. These works having the profit of Steinle’s counsel, attest that the pupil’s style was formed, and, above all—as Mrs. Pattison, to whose biography I am greatly indebted—has judiciously remarked, they show that in draughtsmanship he was aiming at that fine quality in line which distinguishes every one of his works and is as precious as it is rare. Thus formed by nature and armed and chastened by severe studies the ever-diligent pupil was permitted to go again to Rome, where examples of energy and picturesqueness were rife, and the companionship of painters and sculptors of renown was not wanting. Such self-command had been inculcated by Steinle, that Leighton exercised himself in nearly every direction and method of design ere entering the arena of art’s contests. This—remembering always that he was an Englishman—he did by sending to the English Academy of 1855 the since famous “Procession of Cimabue’s Madonna,” which carried all the learned world of art before it, established the honours of the painter, and showed what an Englishman could do on the highest levels of design. The Queen bought this picture. The contemporaneous “Reconciliation of the Montagues and Capulets” is in America. It is not to be supposed that the artist who could be thus laborious, devoted to design, and energetic, denied to life and mankind whatever his youth could bring of happiness in society and physical exercises. Trained in these respects, and inheriting a taste for music from his mother, the painter, while devoted to the greatest, developed all his other gifts, bodily and mental, aesthetic and social. After the success attending “Cimabue” had demonstrated his powers, Leighton settled for a time in Paris, and, in 1856, sent thence to the Academy a picture entitled “The Triumph of Music,” and representing Orpheus redeeming Eurydice from Hades. A recrudescence of popular (not critical) bewilderment with regard to “Cimabue” attended the exhibition of its successor. Those who analyzed fine works of art appreciated the new work more than “the general,” who, in the previous year, had more warmly than wisely echoed the plaudits of students in honour of our artist. In 1857, he devoted himself to “The Feigned Death of Juliet,” and “The Fisherman and the Siren,” from Goethe’s ballad, which were in the Academy in 1858. “Pan” from Keats, “Samson Agonistes,” and “Nymph and Cupid,” were produced about this time. Leighton came to London, found many friends and ample welcome here, and, being afterwards at Rome and Capri, contributed to the Exhibition of 1859, “Pavonia,” “La Nanna,” a very masculine piece of painting, and another work. In 1860, he took up his abode in Orme Square, where he resided till Mr. Aitchison built for him the graceful and well-proportioned house of which the studio here {3} represented is the largest element. “Capri—Sunrise,” a poetic landscape which, with delightful taste, illustrated the art of selection from nature, prepared us for new exercises by its author, and attracted much attention in the Academy of 1860. Five pictures appeared in 1861, including an almost Greek portrait of the artist’s sister, a work such as had rarely been seen in the Academy before that time, and the highly poetical “Lieder ohne Worte” and “Paolo e Francesca.” The next year produced six pictures, including “Odalisque,” which has been engraved, “The Star of Bethlehem,” “Michael Angelo nursing his dying Servant,” and the beautiful “Sea-Echoes.” “Jezebel and Ahab,” an ambitious Scripture subject, the masterpiece of grace called “A Girl feeding Peacocks,” and two others, were at the Academy in 1863. In 1864, the painter was elected an A.R.A., and he exhibited the sumptuous “Golden Hours,” and the graver “Dante in Exile.” Of 1865’s work, “David” and “Helen of Troy” were the more important pictures of five. In the next year it was obvious that the painter had attained the fullness of his powers by means of the thoroughly characteristic and original “Syracusan Brides leading Wild Beasts in Procession to the Temple of Diana.” The magnificent success attending the display of this work proved even more than its merits, for it made known that, as all men of power before him had done, Leighton had educated his public. In this year he was in Spain, and several Spanish pictures followed from his easel. “Venus disrobing for the Bath” (1867), a life-size, whole-length nude figure, showed that powers of draughtsmanship of a very high order had been exercised with masterly knowledge of style, that rarest of English achievements in art, and it displayed that care for finish and surface which is one of the tests of a pure taste. A fresco of “The Wise and Foolish Virgins” was painted at this period in Lyndhurst Church. In 1867, the A.R.A. was in Greece, a visit which marked its effect on nearly everything he has painted since. “Actea,” a nymph of the beach, the lovely group of “Acme and Septimius,” and “Ariadne abandoned,” were, in 1868, most worthy sequels to “Venus,” and secured the election of the author to the R.A.ship. “St. Jerome,” “Daedalus and Icarus,” and “Electra,” 1869, preceded a visit to Egypt, where his fame induced the Khedive to furnish our painter with a state steamer for the Nile voyage. These works were followed by more and more proofs of their author’s skill and energy, the chief of which are “Hercules wrestling with Death for the Body of Alcestis,” and “Cleobulus instructing his Daughter Cleobuline.” “Summer Moon,” a gracefully and thoroughly representative group of girls sleeping in moonlight, holds the highest place among the more beautiful and less ambitious works of the Academician, who was soon to be employed on those great lunettes on the wall of the South Kensington Museum, which may well be taken for his masterpieces, and in respectively representing “The Arts of War” and “The Arts of Peace,” are types of industry and patriotism. The heroic tragedy of “Clytemnestra” exhibited tremendous force of design. The {4} “Procession of the Daphnephoria,” at once solemn, animated, graceful, and dramatic, marked the acme of successful genius, skill, labour, and research, in exercising which “Cimabue,” “The Syracusan Brides,” “Electra,” “Venus,” and not a few more examples were produced. I have not room for even the names of the pictures which followed the above. A certain number of the President’s romantic and beautiful, but hardly any of his grander works, has been engraved. As a book illustrator, the artist distinguished himself in respect to designs for “Romola” and “The great God Pan,” which were published in the “Cornhill Magazine.” Much more important than these, and indeed among the most important art-productions of our time, is the famous statue of the “Athlete struggling with a Python,” which belongs to the Royal Academy, and will soon be succeeded by a contrasting statue called “The Sluggard,” the model for which may be seen in the background of the portrait, while the “Athlete” model stands on the table by its maker’s hand. In the background are the design for a rondel destined for the dome of St. Paul’s, and several minor pictures, which may be sent to the next Academy. A considerable share in the decoration of the dome of the Metropolitan Cathedral has been entrusted to the P.R.A. The artist was elected President of the Royal Academy in 1878, and shortly afterwards he received the honour of knighthood. Of the beauty, sumptuousness, abundance of colour, and ever-present chastity of design and ornamentation of Sir F. Leighton’s house much has been written, but not a word too much. The lovely Arab Hall and noble studio might be sketched in a page a-piece, but not in less space. The P.R.A. is ex officio one of the Trustees of the British Museum; his colleagues in that post have elected him one of the Standing Committee, and thus made him one of the governing body of the institution. The goal of one of Sir Frederic’s courses of honour was attained but a few days since, when he received from the members of the Artists’ Volunteer Corps a testimonial which, in the form of a large richly-embossed silver bowl and a handsomely bound album inscribed with the donors’ names, expressed their sense of the value of his services during fifteen years’ command of the regiment, from the active duties of which he has recently retired. Original Format Book pages Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SIR FREDERIC LEIGHTON, P.R.A., D.C.L., L.L.D. Biographical sketch of Frederic Leighton Subject The topic of the resource Leighton, Frederic, 1st Baron Leighton of Stretton (1830-1896), English painter Creator An entity primarily responsible for making the resource Frederick George Stephens (1828-1907), author and editor Date A point or period of time associated with an event in the lifecycle of the resource c. 1884 Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the National Gallery of Art. Relation A related resource Identifier An unambiguous reference to the resource within a given context NGA_Leighton.pdf Date Issued Date of formal issuance (e.g., publication) of the resource. March 1884 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Mrs. [Mark] Pattison (later Emilia, Lady Dilke), “Sir Frederic Leighton, P.R.A..” in Modern artists a series of illustrated biographies, edited by François Guillaume Dumas, 2 vols. (London: J. S. Virtue & Co., [1882]). Date Created Date of creation of the resource. c. 1884 Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), pp. 1-4. Contributor An entity responsible for making contributions to the resource Department of Image Collections, National Gallery of Art, Washington, DC Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 5, 2016 Abstract A summary of the resource. The son and grandson of distinguished physicians, Leighton was naturally gifted. His father discouraged his artistic inclination but provided an excellent education, and Leighton became fluent in many languages as he attended school, and began to acquire artistic training, in many European capitals. Finally, at the urging of the sculptor Hiram Powers, Leighton's father sent his talented son to the Academy in Florence to study art and anatomy. Of all the studios in which he was trained, that of Steinle in Frankfurt proved the most influential. In 1855 Leighton sent to the Royal Academy his first important picture, Procession of Cimabue's Madonna, which was purchased by the queen. He lived in Paris for a time but eventually settled in London, continuing to send paintings to the Academy; in 1864 he was elected an A.R.A. His Syracusan Brides Leadin Wild Beasts in Procession of 1865 was a popular and professional triumph, but "the acme of successful genius" was Procession of the Daphnephoria. Leighton also distinguished himself as a sculptor, and he has produced designs for the decoration of the dome of St. Paul's Cathedral. In 1878 he was elected president of the RA and knighted. His house, designed by George Aitchison, and its most famous room, the Arab Hall, have been justly celebrated. He is a trustee of the British Museum and a member of the Artists' Volunteer Corps. Date Modified Date on which the resource was changed. October 1, 2016 https://artistsathome.emorydomains.org/files/original/cf80b78da92d1da4720050ec13c91098.jpg 58e1ce6f7ce7c882a0cfe5e721fdd27f https://artistsathome.emorydomains.org/files/original/700db8dbe306f064fd4ce450715d48e8.jpg 1b700b74366e2c46b2fe104103636f6c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Copyright description Photograph of Sir F. Leighton in his Studio, seated. Subject sits in chair with hand on small table in huge studio with paintings in gilt frames on far wall (COPY 1/367/82). Image size 6 1/2 in. x 8 5/8 in. (16.4 cm x 22 cm) Sheet size 10 7/8 in. x 14 1/2 in. (27.7 cm x 36.8 cm) Copyright date February 21, 1884, by Joe Parkin Mayall, 548 Oxford Street, London Notes TIFF image, 76.5 MB Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | SIR F. LEIGHTON, P.R.A. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SIR F. LEIGHTON, P.R.A. Studio portrait of Frederic Leighton Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates / edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Date Issued Date of formal issuance (e.g., publication) of the resource. March 1884 Subject The topic of the resource Leighton, Frederic, 1st Baron Leighton of Stretton (1830-1896), English painter Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), fig. 240, p. 126. Caroline Dakers, The Holland Park Circle: Artists and Victorian Society (New Haven, CT: Yale University Press, 1999), fig. 90, p. 189. Andrew Stephenson, “Leighton and the Shifting Repertoires of ‘Masculine’ Artistic Identity in the Late Victorian Period," in Frederic Leighton: Antiquity, Renaissance, Modernity, edited by Tim Barringer and Elizabeth Prettejohn, Studies in British Art 5 (New Haven: Yale University Press, 1999), fig. 82, p. 240. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (New Haven: Royal Academy of Arts, London, in association with Yale University Press, 1999), p. 152. (Photo from RA Archives) Jason Edwards and Imogen Hart, editors, Rethinking the Interior, c. 1867–1896: Aestheticism and Arts and Crafts (Aldershot: Ashgate, 2010), fig. 10.1, p. 214. Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), fig. 58, p. 85. Lynn Federle Orr and Stephen Calloway, editors, The Cult of Beauty: The Victorian Avant-Garde 1860-1900 (London: V&A Publishing, 2011), fig. 227, p. 244. “Reviews: ‘Artists at Home.’” The Derby Mercury (Derby, England), issue 8828, March 26, 1884. "The four plates in the part (No. 1) now before us represent Sir Frederic Leighton, Mr. W. C. Marshall, Mr. T. Webster, and Mr. V. C. Prinsep, in their workrooms, and in their habits as they live there. The portraits of the artists are admirable as likenesses, and the details of the studios themselves are admirably brought out." “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Of 'Artists at Home'—photographs by Mr. Mayall and text by Mr. F. G. Stephens—we have received the first five numbers. To us, we confess it, the publication, if in some sort useful, is absolutely devoid of interest. Mr. Stephens’s text is not much more than catalogue; and Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague; Mr. Boehm, sitting desultorily among busts and statues, seems to have been caught in the act of reading the paper; while Mr. Alma Tadema, as unlike himself as possible, leans boldly and airily on the chimney-piece, and Mr. Frank Dicksee, austere yet frightened, does even as Mr. Alma Tadema, and Mr. Val Prinsep turns from his picture with a frown, as if he felt inclined to wring the photographer’s neck. Other artists presented to the public are Mr. Webster, the President (a sufferer, but resigned), Mr. Redgrave, Mr. Cousins, Mr. Millais, Mr. Pettie, Mr. Marshall, and Mr. Marcus Stone." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Date Copyrighted Date of copyright. Photograph copyrighted February 21, 1884. Copyright owner and author of photograph, Joe Parkin Mayall, 548 Oxford Street, London (Public Records, National Archives, Kew, COPY 1/367/82).. Description: "'Photograph of Sir F. Leighton in his Studio, seated.' Subject sits in chair with hand on small table in huge studio with paintings in gilt frames on far wall." References A related resource that is referenced, cited, or otherwise pointed to by the described resource. F. Leighton, model of An Athlete Wrestling with a Python, 1877, bronze (larger version in Tate, London). F. Leighton, model of The Sluggard, c. 1884, bronze (larger version in Tate, London). F. Leighton, Decoration for the Dome, St. Paul's. The Lower Circular Panel: "The Reesurrection" ("The Sea gave up the dead which were in it.") Designed by Sir F. Leighton, P.R.A., 1884. Reproduced in The Builder 47 (July 5, 1884), n.p. F. Leighton, Letty (c. 1882) (exhib. Royal Academy 1884), <a href="http://www.leicestergalleries.com/19th-20th-century-paintings/d/neo-classical/frederic-lord-leighton/13294">http://www.leicestergalleries.com/19th-20th-century-paintings/d/neo-classical/frederic-lord-leighton/13294</a> F. Leighton, Phyrene at Eleusis (c. 1882) F. Leighton, Margaret "Eustacia" Dalrymple Smith, oil on canvas, location unknown. Sotheby's phot reproduced in Dianne Sachko MacLeod, Art and the Victorian Middle Class: Money and the Making of Cultural Identity (Cambridge: Cambridge University Press, 1996), p. 294, plate 55. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_014.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 5, 2016 Description An account of the resource The artist slouches slightly in a chair positioned in the center of the composition, set between two small round tables; a small figural sculpture, which he appears to touch, stands on the table to his right. Lining the wall behind him is a full bookcase and several framed paintings, many of them portraits of ladies; a drawing for a roundel painting rests on an easel set before a heavily draped window. Date Modified Date on which the resource was changed. November 16, 2016 January 20, 2017 Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Sir F. Leighton, PRA, albumen print, approx. 6½ x 8½ in., by Joseph Parkin Mayall (1839-1922), 1883 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists Person An individual. Name Leighton, Frederic, 1st Baron Leighton of Stretton (1830-1896) Occupation Painter Sculptor Specialties History painting, mythological subjects, portraits Honorifics/credentials in 1884 Associate of the Royal Academy, 1864 Member of the Royal Academy, 1868 President of the Royal Academy, 1878 Knighted, 1878 Portraits of (by 1884) David Wilkie Wynfield, Frederic Leighton, 1860s, photograph (albumen Print), National Portrait Gallery, London Frederic Leighton, Self-Portrait, 1880, oil, Uffizi Gallery, Florence G. F. Watts, Frederic Leighton, 1881, oil, National Portrait Gallery, London Birth December 3, 1830, Scarborough, England Death January 25, 1896, London, England Profession Painter Sculptor Designations Associate of the Royal Academy, 1864 Member of the Royal Academy, 1868 President of the Royal Academy, 1878 Knighted, 1878 Age 53 Biography to 1884 TK Biography after 1884 TK Portraits David Wilkie Wynfield, Frederic Leighton, 1860s, photograph (albumen Print), National Portrait Gallery, London Frederic Leighton, Self-Portrait, 1880, oil, Uffizi Gallery, Florence G. F. Watts, Frederic Leighton, 1881, oil, National Portrait Gallery, London Bibliography Mrs. A. Lang, Sir F. Leighton, President of the Royal Academy, His Life and Work. Art Annual (London: J. S. Virtue, 1884), <a href="https://catalog.hathitrust.org/Record/010250900">https://catalog.hathitrust.org/Record/010250900</a> Ernest Rys, Frederic lord Leighton: late president of the Royal academy of arts; an illustrated record of his life and work (London: G. Bell & Sons, 1895), <a href="https://catalog.hathitrust.org/Record/009834277">https://catalog.hathitrust.org/Record/009834277</a> Mrs. Russell Barrington,The Life, Letters and Work of Frederic Leighton, 2 vols., (London: George Allen, 1906), <a href="https://archive.org/details/lifelettersandw00unkngoog">https://archive.org/details/lifelettersandw00unkngoog</a> A. Lys Baldry, Leighton (London: T.C. and E. C. Jack, 1908), <a href="https://catalog.hathitrust.org/Record/000372895">https://catalog.hathitrust.org/Record/000372895</a> Christopher Newall, “Leighton, Frederic, Baron Leighton (1830-1896),” Oxford Dictionary of National Biography (Oxford University Press, 2004; online edition, May 2006, <a href="http://www.oxforddnb.com/view/article/16399">http://www.oxforddnb.com/view/article/16399</a>). Family TK Birth Date December 3, 1830 Birthplace Scarborough, England Death Date January 25, 1896 Biographical Text TK Biographical summary Leighton's family moved to London from Scarborough when he was still a toddler, and although he was enrolled at University College School from the age of eight, his attendance was only intermittent because of his family's frequent travel abroad. Leighton's first drawing lessons took place in Rome; in 1845 he became a student at the Accademia di Belle Arti in Florence and the next year at the Stãdelsches Kunstinstitut in Frankfurt, where his family had settled. After a brief spell in Paris, Leighton returned to Frankfurt to study with Edward von Steinle, under whose influence he painted his first important works, including Cimabue’s Madonna (Royal Collection), which established his reputation when it was shown at the Royal Academy and purchased by Queen Victoria in 1855. During the early 1850s, Leighton lived in Rome, where he came into contact with the Nazarenes. In 1855 he moved to Paris, took a studio in the rue Pigalle, and adopted the principles of l’art pour l’art, a philosophy that Leighton would help to promulgate in England, where he moved in 1859. As a member of the Hogarth Club he met many fellow artists and prospective patrons; after a sojourn in Italy he took a studio at 2 Orme Square and thereafter regarded London as his home. In the early 1860s Leighton’s art did not always fare well at the Royal Academy. The paintings seem to have been too “aesthetic” for Victorian taste and unsympathetic to the prevailing narrative style. Nevertheless, he was elected an associate of the Academy in 1864 and a full member in 1868. His classical inclination became apparent with The Syracusan Bride, which created a sensation at the Royal Academy in 1866; by 1869 he was a fixture at that institution, poised to become president in 1878. Leighton produced only a few works in sculpture but they were enormously influential, and Athlete Wrestling with a Python was so popular when exhibited in 1877 that it was purchased for the nation by the trustees of the Chantrey bequest. Toward the end of his life his style grew darker, owing to the influence of Michelangelo. In 1894, when his health began to falter, Leighton resigned his presidency. He was raised to the peerage in 1896, the first artist ever to be honored in that way. The next day, Leighton died at his home, Leighton House, in Kensington. His last recorded words were, “My love to the Academy.” He was buried in St. Paul’s Cathedral. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Leighton, Frederic Subject The topic of the resource Leighton, Frederic, 1st Baron Leighton of Stretton (1830-1896), English painter Contributor An entity responsible for making contributions to the resource Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 4, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Artists' Houses Studio Current address 12 Holland Park Road, London W14 8LZ. Leighton House is now a museum administered by the Royal Borough of Kensington and Chelsea. Address 2 Holland Park, Road, London W14 Borough Kensington W14 Town/county London Owner/resident Frederic Leighton London borough Kensington & Chelsea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Leighton House Contributor An entity responsible for making contributions to the resource Omeka record by Linda Merrill Date Created Date of creation of the resource. 1864-66 Creator An entity primarily responsible for making the resource George Aitchison (1825-1910), architect, with Frederic Leighton Description An account of the resource A restrained, red-brick house with Caen stone dressings, custom-built studio house of Frederic Leighton in Holland Park. Designed in 1864, constructed in 1866, extended once in 1869-70 and again in 1877-79, when the famous, two-story Arab Hall was added. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 27, 2016 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Conway, M. D. “Decorative Art and Architecture in England. Third Paper.” Harper’s New Monthly Magazine 50 (December 1874/75): 35-49. <a href="https://babel.hathitrust.org/cgi/pt?id=coo.31924079637579;view=1up;seq=49;size=75">https://babel.hathitrust.org/cgi/pt?id=coo.31924079637579;view=1up;seq=49;size=75</a> "An English Artist’s Home.” The Art Amateur 5, no. 1 (June 1881): 13. Meynell, Wilfred. “The Homes of Our Artists: Sir Frederick Leighton’s House in Holland Park Road.” The Magazine of Art (London) 4 (1881): 169–76. <a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015010783259;view=1up;seq=15">https://babel.hathitrust.org/cgi/pt?id=mdp.39015010783259;view=1up;seq=15</a> Monkhouse, Cosmo. “Some English artists and their studios.” Century Magazine 24 (August 1882): 553–57. Haweis, Mary Eliza. Beautiful Houses; being a description of certain well-known artistic houses. London: Low, Marston, Searle, and Rivington, 1882. Leighton House, pp. 1-12. <a href="https://catalog.hathitrust.org/Record/011407369">https://catalog.hathitrust.org/Record/011407369</a> Hatton, Joseph. “Some Glimpses of Artistic London.” Harper’s New Monthly Magazine 67, no. 402 (November 1883): 829-34. <a href="https://babel.hathitrust.org/cgi/pt?id=uc1.c058323290;view=1up;seq=838">https://babel.hathitrust.org/cgi/pt?id=uc1.c058323290;view=1up;seq=838</a> Adams, Maurice B. Artists’ Homes: A Portfolio of Drawings including the Houses and Studios of Several Eminent Painters, Sculptors and Architects. London: B. T. Batsford, 1883. Leighton House, pp. 4-5. How, Harry. “Illustrated Interviews: No. XIV: Sir Frederic Leighton, PRA.” Strand Magazine: An Illustrated Monthly 4 (July 1892): 126-37. Stone, J. Harris. “Leighton House.” The English Illustrated Magazine 31 (October 1905): 3–17. Walkley, Giles. Artists’ Houses in London 1764–1914. Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994. Prettejohn, Elizabeth. “Painting Indoors: Leighton and His Studio.” Apollo 143, no. 408 ( February 1996): 17-21. Campbell, Louise. “Decoration, Display, Disguise: Leighton House Reconsidered." In Tim Barringer and Elizabeth Prettejohn, eds., Frederic Leighton: Antiquity, Renaissance, Modernity, pp. 267-93. New Haven: Published for the Paul Mellon Centre for Studies in British Art and the Yale Center for British Art by Yale University Press, 1999. Suleman, Reena. “The ‘Lost’ Interiors of Leighton House: Techniques of Modern Re-Presentation.” The Journal of the Decorative Arts Society, 1850—Present, no. 34, The Aesthetic Movement(2010): 92-111 Droth, Martina. “Leighton’s House: Art In and Beyond the Studio.” Journal of Design History 24, no. 4 (2011): 339-58 Robbins, Daniel. “Frederic, Lord Leighton." In Margot Th. Brandlhuber and Michael Buhrs, eds. In the Temple of the Self: The Artist’s Residence as a Total Work of Art: Europe and America 1800–1948, pp. 74-91. Ostfildern: Hatje Cantz, 2013. https://artistsathome.emorydomains.org/files/original/e1251f8a3346a07ca56cf9689f66589e.png 6e6ec65026b55d882e085eaf9815d222 https://artistsathome.emorydomains.org/files/original/da811da01395b9d8b5e4b329150ec9ed.jpg 9bc82e4baac85a5d51843d5c4493ece5 https://artistsathome.emorydomains.org/files/original/3f67d9c5aba3a17f1fdce2ca23466e9d.jpg ef5ccac78daa6ff0b1785a7ac60c1f49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper. Image size 16.5 cm h x 21.5 cm w 6.5 in h x 8.5i n w Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson and Low Marston Searl & Rivington 188 Fleet St. | Park Lane Studio London | T.WEBSTER R.A. | Copyright Sheet size 27.5 cm h x 37 cm w 11 in h x 14.5 in w Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource T. WEBSTER, R.A. Studio portrait of Thomas Webster Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J.P. Mayall and reproduced in facsimile by phototengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Webster, Thomas (1800-1886), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. March 1884 Date Copyrighted Date of copyright. Photograph copyrighted February 21, 1884. Copyright owner and author of photograph, Joe Parkin Mayall, 548 Oxford Street, London (Public Records, The National Archives, Kew, COPY 1/367/83). Copyright description: "'Photograph of Mr J.[sic] Webster R.A. & portion of exterior of his house at Cranbrook, Kent.' Subject sits on chair in doorway of porch surrounded by climbing plants." Description An account of the resource Webster is seated in a wooden chair in the center of the photogravure outside his home in Cranbrook, Kent. He is surrounded by the various plants in his garden, flanked by the tall, white-framed windows of the entryway. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the National Gallery of Art. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_019.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Hilleary Gramling. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 26, 2016 Date Modified Date on which the resource was changed. November 15, 2016 November 21, 2016, by LM November 28, 2016, by HG January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. T. Webster, RA, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), 56. “Reviews: ‘Artists at Home.’” The Derby Mercury (Derby, England), issue 8828, March 26, 1884. "The four plates in the part (No. 1) now before us represent Sir Frederic Leighton, Mr. W. C. Marshall, Mr. T. Webster, and Mr. V. C. Prinsep, in their workrooms, and in their habits as they live there. The portraits of the artists are admirable as likenesses, and the details of the studios themselves are admirably brought out." https://artistsathome.emorydomains.org/files/original/c2d495cac6cdff5c174cc32869702783.png 6f6c32a87314d19d16a394bc010d0d1d https://artistsathome.emorydomains.org/files/original/4c3371ae7b2170b615c15a9edefea034.jpg 55f2586348948381121d86ce2724c0a6 https://artistsathome.emorydomains.org/files/original/b890d12a99e6544284ab1061d1980697.jpg 1d5930c6aaef19f684228dbff1a2200f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 8.6 in x 6.5 in (21.84 cm x 16.5 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | JENIFER: Please complete inscription Sheet size 14.5 in. x 11.25 in. (36.83 cm x 28.58 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource V. C. PRINSEP, A.R.A. Studio portrait of Val Prinsep Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Prinsep, Valentine Cameron (1838-1904), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. March 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/285). Copyright description: "Photograph of Mr V Prinsep A R A and interior of his studio at 1 Holland Park Road, Kensington. Seated, palette in hand." Description An account of the resource The artist seated in a wooden chair holding a palette and paintbrushes with his head tilted towards his left shoulder. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Val C. Prinsep, Portrait of a Woman with Dark Hair, 1884, oil on canvas Val C. Prinsep, The Little Bookworm, 1884, oil on canvas Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Jenifer Norwalk Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 28, 2016 Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_002.tif Date Modified Date on which the resource was changed. November 19, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. V. C. Prinsep, ARA, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Reviews: ‘Artists at Home.’” The Derby Mercury (Derby, England), issue 8828, March 26, 1884. "The four plates in the part (No. 1) now before us represent Sir Frederic Leighton, Mr. W. C. Marshall, Mr. T. Webster, and Mr. V. C. Prinsep, in their workrooms, and in their habits as they live there. The portraits of the artists are admirable as likenesses, and the details of the studios themselves are admirably brought out. . . . The biographies are from the highly competent pen of Mr. F.G. Stephens, who supplies a variety of interesting particulars, especially in regard to the works and studies of the artists treated. Thus, of Mr. Prinsep’s house and work-room Mr. Stephens says . . . ." “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague; Mr. Boehm, sitting desultorily among busts and statues, seems to have been caught in the act of reading the paper; while Mr. Alma Tadema, as unlike himself as possible, leans boldly and airily on the chimney-piece, and Mr. Frank Dicksee, austere yet frightened, does even as Mr. Alma Tadema, and Mr. Val Prinsep turns from his picture with a frown, as if he felt inclined to wring the photographer’s neck." Valentine, Helen, ed. Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection. London: Royal Academy of Arts, in association with Yale University Press, New Haven and London, 1999. Repr. p. 156 MacLeod, Dianne Sachko. Art and the Victorian Middle Class: Money and the Making of Cultural Identity. Cambridge, England: Cambridge University Press, 1996. p. 297, repr. plate 57. Oxford Art Online, s.v. "Prinsep, Valentine Cameron," Benezit Dictionary of Artists, repr. Gere, Charlotte. Artistic Circles: Design & Decoration in the Aesthetic Movement. London: V&A Publishing, 2010. Repr. fig. 126, p. 144, erroneously attributed to J. J. Mayall. Walkley, Giles. Artists’ Houses in London 1764–1914. Aldershot, Hants, England; Brookfield, VT: Scolar Press, 1994. Repr. p. 53. https://artistsathome.emorydomains.org/files/original/f51b328a4ad9cd449463f5a950a45b76.png d21faa1533af61164b6ed00da89193fd https://artistsathome.emorydomains.org/files/original/7d85582d6e6540f8c423786524876905.jpg 7dd7bcfc6b64c679fb6020e13fccbc4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 6.5 in x 8.6 in (16.5 cm x 21.8 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | JENIFER: Please complete inscription Sheet size 10.75 in x 12.5 in (27.3 cm x 31.75 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. E. MILLAIS, R.A. Studio portrait of John Everett Millais Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Millais, John Everett (1829-1896), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Date Copyrighted Date of copyright. Photograph copyrighted February 29, 1896. Copyright owner and author of work, Joe Parkin Mayall, 67 Gascony Avenue, West Hampstead, London. Late of 548 Oxford Street, London (Public Records, National Archives, Kew, COPY 1/423/591). Copyright description: "Photograph of J E Millais [Royal Academy], seated in his studio and holding newspaper." Description An account of the resource The artist reclines comfortably in an armchair holding a newspaper. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Jenifer Norwalk Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 28, 2016 Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_018.tif Date Modified Date on which the resource was changed. November 19, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <div class="element"> <div class="element-text five columns offset-by-two"> Charlotte Gere, Artistic Circles: Design & Decoration in the Aesthetic Movement (London: V&A Publishing, 2010), fig. 9, p. 22. </div> </div> <div class="element"> </div> “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." “Reviews.” The Art Journal 46 (1884): 256. "The portraits of Mr. Millais and Mr. Marcus Stone are excellent likenesses, but those of Mr. Alma-Tadema and Mr. Pettie somehow miss the distinguishing characteristics of the two men." Maas, Jeremy. The Victorian Art World in Photographs. London: Barrie & Jenkins, 1984. Fig. 203, p. 107. Mancoff, Debra N., ed. John Everett Millais: Beyond the Pre-Raphaelite Brotherhood. Studies in British Art 7. New Haven: Yale University Press, 2001. Fig. 3, p. 6. Valentine, Helen, ed. Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection. New Haven and London: Royal Academy of Arts, London, in association with Yale University Press, 1999. Reproduced p. 154. Maas, Jeremy. The Victorian Art World in Photographs. London: Barrie & Jenkins, 1984. pp. 106–7, fig. 203. Cole, Emily, ed. Lived in London: Blue Plaques and the Stories behind Them. New Haven and London: Yale University Press, 2009. pp. 229–30. Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. J. E. Millais, RA, albumen print, approx. 6½ x 8½ in., by Joseph Parkin Mayall (1839-1922), ca. 1883 https://artistsathome.emorydomains.org/files/original/55c0b4056dad0b962732d4b34e7384b8.png cdae6b321df32abd728f38a4bcd67e91 https://artistsathome.emorydomains.org/files/original/617ed543a9c1da20d0c5d39cefac41a3.jpg 97f4c60c51ffa4dfb64f2730ba7ae5aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 11.5 cm x 16.5 cm Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | Samuel Cousins, R. A. Sheet size 16.5 cm x 22 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource S. COUSINS, R.A. Studio portrait of Samuel Cousins Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Cousins, Samuel (1801-1887), English engraver Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Description An account of the resource In this spacious sitting room, Samuel Cousins occupies a central position. Seated in a comfortable armchair, the engraver looks past the viewer. His legs crossed, his hands joined together in front of him, his pose is stable if slightly stiff. Above him hang four examples of his work and next to him is an engraving. Behind him we can see a shelf with books, further to his right is a mantelpiece overhung by a mirror. On the mantelpiece stand Asian vases and a small statuette, to its left hangs a fan. The old fashioned wallpaper and large Persian rug complete this image of a well-appointed Victorian sitting room. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 215, fig. 409. “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Samuel Cousins, print after James Sant, Speak Lord For Thy Servant Hears also known as The Calling of Samuel (1854) Samuel Cousins, print after Edgar Melville Ward, Marie Antoinette and Louis XVI in the Prison of the Temple, (1862) Samuel Cousins, print after Charles Leslie, A Mother and Child (date unknown) Samuel Cousins, print after Sir John Everett Millais, Yes (ca. 1877) Jacobus Harrewijn, engraving after Jacques van Croes, drawing of Peter Paul Rubens’s house. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_010.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Ekaterina Koposova Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 30, 2016 Date Modified Date on which the resource was changed. October 1, 2016 October 2, 2016 November 21, 2016, by LM January 17, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. S. Cousins, RA, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Date Copyrighted Date of copyright. No copyright recorded. https://artistsathome.emorydomains.org/files/original/b35eeeb8eeb7079ce78821e4444704cf.jpg ce5be1b0f235c616bd52bedd971024e8 https://artistsathome.emorydomains.org/files/original/d5b1d79e08ed05ab861c01d70fa9578b.jpg 45aa2d5000677003855e88446ddd56e1 https://artistsathome.emorydomains.org/files/original/b538b6221eef774867c2da58a701d1ab.jpg 4ab5d247d7d4c9829e0d1065ba58b3b9 https://artistsathome.emorydomains.org/files/original/abd437a375085f90bc4eed2d1ae4d5b1.png 526c3b50e4276a6c06fed7f5e8693d47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | G. A. LAWSON Image size 16.5 cm x 22 cm Sheet size 30.5 cm x 37 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource G. A. LAWSON Studio portrait of G. A. Lawson Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Lawson, George Anderson (1832-1904), Scottish sculptor Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Description An account of the resource Lawson sits to the right of the composition, looking directly at the viewer. One leg is on the floor, while the other rests awkwardly on the rung of the tall stool in front of him. On the stool is a clay bust of a middle-aged gentleman. The floor around Lawson is relatively bare, but arranged along the edges of the room are sculptures placed on stools and pedestals, their pale forms contrasting eerily with the dark walls. On the left-hand side of the image is a model's stand with an empty chair, a cloth draped over it. On the floor leading to this stand is a single rug, the only object in the portrait that is purely decorative. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. G. A. Lawson, Jeannie Deans, 1862, plaster cast G. A. Lawson, The Girl and Tortoise, 1883 G. A. Lawson, Cleopatra, 1881 G. A. Lawson, Lord Beaconsfield, portrait bust G. A. Lawson, Mr. Dorman, clay G. A. Lawson, Come unto These Yellow Sands G. A. Lawson, Nymph at the Pool G. A. Lawson, Hubert and Arthur, terracotta G. A. Lawson, The Maiden’s Secret G. A. Lawson, model for Retiarius Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_013.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Karuna Srikureja Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. G. A. Lawson, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Date Copyrighted Date of copyright. No copyright recorded. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 206, fig. 394. Benezit Dictionary of Artists, s.v. "Lawson, George Anderson," repr., Oxford Art Online. “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." https://artistsathome.emorydomains.org/files/original/4edf8a40725b00f9faa532d1b3318199.png 337ca6f7e52050c6427ce7fdf01750ed https://artistsathome.emorydomains.org/files/original/8d0171debd2644ea260a1ab6a1fb1d17.jpg 8afb5594fa40cdd2e389348daf4123ba https://artistsathome.emorydomains.org/files/original/a8353fa4cbeb31f98cafc99552a4b99c.jpg 6c750b215228096b413e0fec758bbfbe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 6 1/2 in. x 8 5/8 in. (16.4 cm x 22 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | MARCUS STONE, A. R. A. Sheet size 10 7/8 in. x 14 1/2 in. (27.7 cm x 36.8 cm) Notes Another version of the photograph was copyrighted on September 14, 1883: Photographers' advertisement on reverse of photograph. Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr Marcus Stone A R A, & interior of his studio at 8 Grove End Road St Johns Wood. Palette in hand, seated, profile face" (Public Records, National Archives, KEW, COPY 1/365/263). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource MARCUS STONE, A.R.A. Studio portrait of Marcus Stone Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Stone, Marcus C. (1840-1921), British painter and illustrator Date Issued Date of formal issuance (e.g., publication) of the resource. April 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/264). Copyright description: "Photograph of Mr Marcus Stone A R A, & interior of his studio. Seated, palette in hand, 3/4 face." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Anna Mahony Description An account of the resource The artist sits upright in a wooden chair on the right side of the composition, in front of a fireplace covered by his notes. He studies his canvas while holding a paintbrush and palette. Chairs, full bookcases, and desks occupy the left side of the composition, behind which hangs a large wall tapestry. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_030.tif Date Modified Date on which the resource was changed. December 2, 2016 January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Marcus Stone, ARA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 1, 2016 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Short Notices.” The Derby Mercury (Derby, England), issue 8831, April 16, 1884. "The photo-engravings (representing Messrs. J. E. Millais, S. Cousins, G. A. Lawson, and Marcus Stone in their studios) are very graphic and agreeable, and the accompanying biographical sketches are informing and well written." “Reviews.” The Art Journal 46 (1884): 256. "The portraits of Mr. Millais and Mr. Marcus Stone are excellent likenesses, but those of Mr. Alma-Tadema and Mr. Pettie somehow miss the distinguishing characteristics of the two men." Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (London: Royal Academy of Arts in association with Yale University Press, 1999), repr. p. 35, fig. 5. Reproduced in "Stone, Marcus C.," Benezit Dictionary of Artists in Oxford Art Online. Caroline Dakers, The Holland Park Circle: Artists and Victorian Society (New Haven, CT: Yale University Press, 1999), repr. p. 166, fig. 75. https://artistsathome.emorydomains.org/files/original/b2b064b3d136d4e134052de69876782b.png f261300b125f36ae82ff1715af0fc0a5 https://artistsathome.emorydomains.org/files/original/8babc983f9611071e204a6964999e1f5.jpg c4f156b92a5312424c9bd5fc61912950 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | RICHARD REDGRAVE C.B. Image size 21.5 cm x 16.5 cm Sheet size 37 cm x 30 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource RICHARD REDGRAVE, C.B. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London Publisher D. Appleton & Co., New York Publisher after Frank Dudman (1855-1918) for Joseph Parkin Mayall (1839-1906) Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Redgrave, Richard (1804-1888), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. May 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 24, 1883. Copyright owner of work, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of work, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/304). Copyright description: "Photograph of Mr R Redgrave RA and interior of his studio at 18 [sic] Hyde Park Gate, South Kensington, London. Seated palette in hand." Description An account of the resource Redgrave sits on the right-hand side of the composition, leaning back in an ornately carved chair with his legs crossed. He gazes blankly at the upper left corner. Behind him are two easels, and beside his legs, a table with various objects, including several pots and a bottle. Behind Redgrave is a chest of drawers, on top of which sits a large pot. A similar pot is on the floor near the artist. On the far left is a short flight of stairs that leads to a slightly higher level, sectioned off with a banister. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_003.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Karuna Srikureja Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 29, 2016 Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Richard Redgrave, CB, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), August 11, 1883 August 11, 1883 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Dafforne, James. <a title="“British Artists: Their Style and Character, No. XLV—Richard Redgrave, R.A.”" href="https://books.google.com/books?id=oo1CAAAAcAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false">“British Artists: Their Style and Character, No. XLV—Richard Redgrave, R.A.”</a> The Art Journal 5 (July 1, 1859): 205–7. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Maas, Victorian Painters (London: Barrie & Jenkins, 1988), repr. fig. 83. Benezit Dictionary of Artists, s.v. "Redgrave, Richard," in Oxford Art Online, repr. https://artistsathome.emorydomains.org/files/original/c5457ab6abceebf16fb393f81fa4f088.png 7f1c1759aa8babbf6077fe4bdb3f54af https://artistsathome.emorydomains.org/files/original/009d15f9e0c1f4776a5159d55e35547e.jpg 9aed4c1d1608e5719f445fa30c48f098 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 8 3/8 in. x 6 1/2 in. (21.4 cm x 16.4 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | J. PETTIE, R.A. | Copyright Sheet size 14 3/8 in. x 10 7/8 in. (36.6 cm x 27.7 cm) Notes A second version of the photograph was copyrighted on September 13, 1883: Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr J Pettie R A, & interior of his studio situate The Lothians, Fitzjohn Avenue. Side face position" (Public Records, National Archives, Kew, COPY 1/365/228). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. PETTIE, R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Pettie, John (1839-1893), Scottish painter Date Issued Date of formal issuance (e.g., publication) of the resource. May 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 13, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/229). Description: "Photograph of Mr J Pettie R A, & interior of his studio at The Lothians, Fitzjohn Avenue. Nearly full face position." Description An account of the resource The artist is seated at the compositional center, looking toward the viewer. Slightly behind him is a large easel bearing a framed painting. On the man wall hangs a large tapestry, with two suits of armor flanking a fireplace. The wooden floor is partially covered with oriental rugs. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. "Pettie, John," in Benezit Dictionary of Artists, Oxford Art Online, http://www.oxfordartonline.com.80/subscriber/article/benezit/B00140129 Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), fig. 76, p. 48. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (New Haven: Royal Academy of Arts, Longon, in association with Yale University Press, 1999), p. 155. (Photo from RA Archives) “Reviews.” The Art Journal 46 (1884): 256. "The portraits of Mr. Millais and Mr. Marcus Stone are excellent likenesses, but those of Mr. Alma-Tadema and Mr. Pettie somehow miss the distinguishing characteristics of the two men." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_001.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 3, 2016 Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. J. Pettie, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Date Modified Date on which the resource was changed. November 21, 2016 January 20, 2017 https://artistsathome.emorydomains.org/files/original/21bc649c5900e0d0b856c33e56554cd5.jpg 9a0763b4b3f88dea833a015b22c5974c https://artistsathome.emorydomains.org/files/original/cc27bf86dd15c85e3d948050807a1302.png a89d9248c5fcd0eb6c1ec93bcec57a74 https://artistsathome.emorydomains.org/files/original/163caa1b480ac302dba1fd26b7d7fc3b.jpg a8fee9d2e1b5c98fe50be968b90f54aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper. Image size 16.5 cm h x 22cm w 6.5 in h x 8.5 in w Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | F. Dicksee A.R.A | Copyright Sheet size 27.5 cm h x 37 cm w 11 in h x 14.25 in w Notes Another version of the photograph was copyrighted on September 24, 1883: Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr J Dicksea A R A, & interior of his studio at 2 Fitzroy Square W. Seated in arm chair, palette in hand". "Photograph of Mr J Dicksea [sic] A R A, & interior of his studio at 2 Fitzroy Square W. Seated in arm chair, palette in hand" (Public Records, National Archives, Kew, COPY 1/365/270). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource F. DICKSEE, A.R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J.P. Mayall and reproduced in facsimile by phototengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Dicksee, Frank (1853-1928), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. May 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archives, Kew, COPY 1/365/269). Copyright description: "Photograph of Mr J Dicksea [sic] A R A, & interior of his studio at 2 Fitzroy Square, London. Standing by the Mantel Piece." Description An account of the resource Frank Dicksee leans against a mantlepiece holding a mahl stick, surrounded by artistic and decorative paraphernalia. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the National Gallery of Art. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_009.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, Ga. Omeka record contributed by Hilleary Gramling. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 26, 2016 Date Modified Date on which the resource was changed. October 1, 2016 November 16, 2016, by LM January 17, 2017, by LM References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Romeo and Juliet, 1884, Southampton City Art Gallery, Southampton, UK. Spring Maiden, 1884. Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. F. Dicksee, ARA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (New Haven and London: Royal Academy of Arts, in association with Yale University Press, 1999), repr. p. 146. Benezit Dictionary of Artists, s.v. "Dicksee, Frank Bernard," Oxford Art Online, repr. “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague; Mr. Boehm, sitting desultorily among busts and statues, seems to have been caught in the act of reading the paper; while Mr. Alma Tadema, as unlike himself as possible, leans boldly and airily on the chimney-piece, and Mr. Frank Dicksee, austere yet frightened, does even as Mr. Alma Tadema, and Mr. Val Prinsep turns from his picture with a frown, as if he felt inclined to wring the photographer’s neck." https://artistsathome.emorydomains.org/files/original/02db2be60cb968ba9122ca2e287926c0.png 92acce687aa742566c9d9ef0dbb3b847 https://artistsathome.emorydomains.org/files/original/89e27fdc118ad2e3d46025e24df58690.jpg b428f251be76872c05caafe3d4c0de3f https://artistsathome.emorydomains.org/files/original/d0c2c5ab13f8746cc6c6ac9cb54ae414.jpg cdf31183d88826bf4edfa2c7d18d60bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 22.09 cm x 16.51 cm 8.7 inch x 6.6 inch Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | G. F. WATTS, R.A. Notes TIFF image, 77.8 MB Sheet size 15.3 inch x 10.9 inch Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource G. F. WATTS, R.A. Studio portrait of George Frederick Watts Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher after Joseph Parkin Mayall (1839-1906), photographer Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates / edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Watts, George Frederick (1817-1904), English painter and sculptor Date Issued Date of formal issuance (e.g., publication) of the resource. June 1884 Date Copyrighted Date of copyright. Photograph copyrighted February 29, 1896. Copyright owner and author, Joe Parkin Mayall, 67 Gascony Avenue, West Hampstead, London. Late of 548 Oxford Street, London (Public Records, The National Archives, Kew, COPY 1/423/588). Copyright description: "Photograph of G F Watts [Royal Academy], in his studio, seated, palette in hand." Description An account of the resource The artist seated in the center of his studio, with works of art covering the entire wall behind him. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. G. F. Watts, Lady Lindsay of Balcarres, 1876-77, oil on canvas (private collection). G. F. Watts, Britomart and Her Nurse, 1978, oil on canvas (original in Birmingham City Museums) ALBERTINE: Please check date: do you mean 1878? G. F. Watts, the Meeting of Jacob and Esau, 1878. G. F. Watts, Cardinal Manning, 1882, oil on canvas (National Portrait Gallery, London). G. F. Watts, Duke of Devonshire, 1883, oil on canvas (The Fitzwilliam Museum, Cambridge). G. F. Watts, Paolo and Francesca, 1872-75, oil on canvas (The Watts Gallery, Compton, Guildford) Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_017.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Albertine Lee Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 28, 2016 Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. G. F. Watts, RA, albumen print, approx. 6½ x 8½ in., by Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Our Note Book.” The Illustrated London News 35 (July 12, 1884): 26. "The June number of “Artists at Home” contains portraits and views of the studios of G. F. Watts, R.A., W. H. Thornycroft, A.R.A., W. F. Yeames, R. A., and J. MacWhirter, A.R.A. Considering that this is a purely artistic work, it is surprising that the artists represented have not exercised a more beneficial control over the arrangement and production of the pictures. . . ." “The Reader.” The Graphic, issue 767, August 9, 1884. "Part IV of “Artists at Home” (S. Low and Co.), containing the portraits of Messrs. Watts, Thorneycroft [sic ], Yeames, and MacWhirter is now published. The illustrations are fully equal both in interest and quality to its three predecessors." Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 68, fig. 124. Caroline Dakers, The Holland Park Circle: Artists and Victorian Society (New Haven, CT: Yale University Press, 1999), p. 256, fig. 123. Helen Valentine, ed., Art in the Age of Queen Victoria: Treasures from the Royal Academy of Arts Permanent Collection (London: Royal Academy of Arts in association with Yale University Press, 1999), p. 159, detail on p. 142. Benezit Dictionary of Artists, s.v. "Watts, George Frederick," in Oxford Art Online. Barbara Bryant, G. F. Watts in Kensington: Little Holland House and Gallery (Compton: Watts Gallery, 2009), n.p. https://artistsathome.emorydomains.org/files/original/78a6e9c80c1e62a5fdae4aa03938f9bf.png 97126fdfee6351a327a0628a21153a39 https://artistsathome.emorydomains.org/files/original/ef3f71407d238ed4db8d6ff79e6be816.jpg e2d258b2bc578adcb86b5e5339dec800 https://artistsathome.emorydomains.org/files/original/e5520ba6be7ae7512dea4771b5973777.jpg 4dc220d1d47a96a1293f25d49b1dd22f https://artistsathome.emorydomains.org/files/original/b065cc2e8cdb1a32992c128d2b00ce5a.jpg 9606f6b1b576f17bce261ce22b93ac4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 8 1/2 in. x 6 3/4 in. (21.4 cm x 17 cm) Sheet size 14 1/2 in. x 11 in. (36.8 cm x 27.8 cm) Inscriptions J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | WILLIAM FREDERICK YEAMES, R.A. Notes Another version of the photograph was copyrighted on September 14, 1883: Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: ""Photograph of Mr W F Yearmes R A, & interior of his studio at 4 Grove End Rd. St Johns Wood. Seated, palette in hand" (Public Records, National Archives, Kew, COPY 1/365/266 ). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource W. F. YEAMES R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co., New York publisher Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. William Frederick Yeames, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Yeames, William Frederick (1835-1918), English painter Date Issued Date of formal issuance (e.g., publication) of the resource. June 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883. Photographers' advertisement on reverse of photograph. Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, Kew, COPY 1/365/265). Description: "Photograph of Mr W F Yeames R A, & interior of his studio at 4 Grove End Rd. St. Johns Wood: Seated, Painting." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_004.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). November 21, 2016 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Our Note Book.” The Illustrated London News 35 (July 12, 1884): 26. "The June number of “Artists at Home” contains portraits and views of the studios of G. F. Watts, R.A., W. H. Thornycroft, A.R.A., W. F. Yeames, R. A., and J. MacWhirter, A.R.A. Considering that this is a purely artistic work, it is surprising that the artists represented have not exercised a more beneficial control over the arrangement and production of the pictures. . . ." “The Reader.” The Graphic, issue 767, August 9, 1884. "Part IV of “Artists at Home” (S. Low and Co.), containing the portraits of Messrs. Watts, Thorneycroft [sic ], Yeames, and MacWhirter is now published. The illustrations are fully equal both in interest and quality to its three predecessors." Jeremy Maas, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 57, fig. 100. Date Modified Date on which the resource was changed. January 20, 2017 https://artistsathome.emorydomains.org/files/original/2b300b9aea54ff2113ac1911bb83034f.png 0b0b7dac098f78e753ee40056911f76f https://artistsathome.emorydomains.org/files/original/8e69709a093837ba1f2d249cd39578e8.jpg 4ce5101d62327bbe5508f051089d2e51 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 6 1/2 in. x 8 3/4 in. (16.8 cm x 27.7 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | J. MAC WHIRTER, A.R.A. | Copyright Sheet size 10 3/4 in. x 14 1/2 in. (27.7 cm x 36.8 cm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. MACWHIRTER, A.R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co. New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource MacWhirter, John (1839-1911), Scottish painter Date Issued Date of formal issuance (e.g., publication) of the resource. June 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 13, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, National Archives, Kew, COPY 1/365/230) Description: "Photograph of Mr MacWhirter A R A, & interior of his studio at No1. Abbey Road, St Johns Wood." Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_008.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Linda Merrill Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 3, 2016 Description An account of the resource The artist sits is a large, mostly unfurnished studio before an easel that supports a large, framed landscape painting. He holds a palette and brush and looks at a sketch propped on a pile of books atop a wooden chair just to the right of the easel. A grand fireplace appears on the rear wall, below a gallery lined with a railing that descends the stairs in the left-hand corner of the composition. To the left of the railing are two more easels holding framed landscape paintings. The floor is bare, apart from an animal skin before the hearth. Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. J. MacWhirter, ARA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Date Modified Date on which the resource was changed. November 21, 2016 January 20, 2017 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Our Note Book.” The Illustrated London News 35 (July 12, 1884): 26. "The June number of “Artists at Home” contains portraits and views of the studios of G. F. Watts, R.A., W. H. Thornycroft, A.R.A., W. F. Yeames, R. A., and J. MacWhirter, A.R.A. Considering that this is a purely artistic work, it is surprising that the artists represented have not exercised a more beneficial control over the arrangement and production of the pictures. . . ." https://artistsathome.emorydomains.org/files/original/cf9c01b0663f0798200b12abadd18e33.png 73952f89dd4ae4f1a9baf82e396cc421 https://artistsathome.emorydomains.org/files/original/6de03199c591f21337a051ca01de24df.jpg edaf3340a551237f47c9545b1d825215 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 16.5 cm x 21.5 cm Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | GABRIELLA: FINISH INSCRIPTION Sheet size 27.5 cm x 38.5 cm Notes Two other versions of this photograph were copyrighted on 24, September 1883, both Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Descriptions: "Photograph of Sir John Gilbert R A, & interior of his studio at Vanbrugh Park, Blackheath. Seated in arm chair" (Public Records, National Archives, Kew, COPY 1/365/271); and "Photograph of Sir John Gilbert R A & interior of his studio at Vanbrugh Pk. Blackheath. Seated, palette in hand, facing large picture" (September 24, 1883; Public Records, National Archives, Kew, COPY 1/365/272). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SIR JOHN GILBERT, R.A. Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher D. Appleton & Co. ,New York publisher Subject The topic of the resource Gilbert, John (1817-1897), English artist, illustrator, and engraver Date Issued Date of formal issuance (e.g., publication) of the resource. July 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883. Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archives, Kew, COPY 1/365/273) . Description: ""Photograph of Sir J Gilbert R A & interior of his studio at Vanbrugh Park, Blackheath. Seated, palette in hand, back to large picture." Description An account of the resource The artist seated in an arm chair staring out the window. Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Jeremy Mass, The Victorian Art World in Photographs (London: Barrie & Jenkins, 1984), p. 139. Sally Woodcock, "Utility, Versatility and Obscurity: The Sources and Selection of Sir John Gilbert's Oil Painting Materials," in Sir John Gilbert: Art and Imagination, edited by Spike Bucklow and Sally Woodcock (Burlington, VT: Lund Humphries, 2011), p. 223, reproduced p. 224, fig. 149. Vivien Knight and Mark Bills, "Sir John Gilbert: A Biographical Sketch," in Sir John Gilbert: Art and Imagination, edited by Spike Bucklow and Sally Woodcock (Burlington, VT: Lund Humphries, 2011), p. 52. Referred to as "the most famous photograph of the artist." “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague . . . ." References A related resource that is referenced, cited, or otherwise pointed to by the described resource. J. Gilbert, Fair St. George, 1881, oil on canvas. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Gabriella Meier Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 29, 2016 Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. Sir John Gilbert, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 https://artistsathome.emorydomains.org/files/original/caf1783bfd1ea52ef8a74d0523a0e96e.png 465f003bdee4a31a8cfa35e517979264 https://artistsathome.emorydomains.org/files/original/09bca3ebcfdd02f98a181cf3afef6907.jpg 7973d2f01068bbcad23b34e4d284fedd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 8 5/8 in. x 6 1/2 in. (22 cm x 16.4 cm) Sheet size 14 1/2 in. x 10 7/8 in. (36.8 cm x 27.7 cm) Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | P. H. CALDERON, R. A. Notes Two other versions of the photograph were copyrighted on September 14, 1883: Both Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London. Description: "Photograph of Mr P H Calderon R A, & interior of his studio situate at Weston Lodge, 16 Grove End Road, S. Johns Wood. Seated on sofa" (Public Records, National Archives, Kew, COPY 1/365/274 ); and "Photograph of Mr P H Calderon R A, & interior of his studio situate at Weston Lodge, 16 Grove End Road, N.W. Seated, palette on ground" (Public Records, National Archive, Kew, COPY 1/365/275). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource P. H. CALDERON, R.A. Studio portrait of Philip Hermogenes Calderon Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London publisher Appleton & Co., New York publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Calderon, Philip Hermogenes (1833-1898), British painter Date Issued Date of formal issuance (e.g., publication) of the resource. July 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 24, 1883, Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archives, Kew, COPY 1/365/276) "Photograph of Mr P H Calderon R A & interior of his studio at Weston Lodge, 16 Grove End Rd. Seated, palette in hand." Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Anna Mahony Description An account of the resource The artist is seated with one leg crossed over the other, positioned in profile, but his face is turned towards the viewer, away from the canvas in front of him. He occupies the center of the composition. Cussioned chairs and a fireplace are behind the artist. On the mantel are miniature Night and Dawn sculptures, originally by Michelangelo Buonarrotti. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_007.tif Date Modified Date on which the resource was changed. December 3, 2016 January 20, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. P. H. Calderon, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. Michelangelo Buonarroti, model of L'Aurora, c. 1524, marble (original in the New Sacristy, The Church of San Lorenzo, Florence, Italy). Michelangelo Buonarroti, model of La Notte, c. 1526, marble (original in the New Sacristy, The Church of San Lorenzo, Florence, Italy). Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). October 1, 2016 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.”<a title="" href="#_ftn1"></a> Mr. Calderon affronts the camera with much sternness . . . . " https://artistsathome.emorydomains.org/files/original/57ba1d9bd00eb25d308b6fe4132c31ae.png b90584e52cb417428f272ebff869eaf7 https://artistsathome.emorydomains.org/files/original/a313db19b60db5c61b87aaf99e05f0e0.jpg 7089925b51c1b886d09fbf0e6fa89bcf https://artistsathome.emorydomains.org/files/original/49d703f84ac2e66ed6d4cd9762b84fb3.jpg 61ec987760d3e64d938969614e815eab https://artistsathome.emorydomains.org/files/original/5df027fae8b0a98ef85187f11a908ff8.jpg 55c6772638020d25fb5bf3aa7c4666f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 22.86 cm x 16.51 cm Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | B. RIVIERE, R.A. Sheet size TK Notes A different version of the photograph was also copyrighted on September 14, 1883: Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London.. Description: "Photograph of Mr Pritor [sic] Riviere R A & interior of his studio situate at 'Flaxley' 82 Finchley Road, N.W. Standing, palette in hands" (Public Records, National Archives, Kew, COPY 1/365/283). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource B. RIVIERE, R.A. Studio portrait of Briton Rivière Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London Publisher D. Appleton & Co., New York Publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates; edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Rivière, Briton (1840-1920). English painter, etcher, and sculptor. Date Issued Date of formal issuance (e.g., publication) of the resource. July 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 24, 1883. Copyright owner of photograph, Joe Parkin Mayall, 584 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archives, Kew, COPY 1/365/284). Description: “Photograph of Mr Briton Riviere R A [Royal Academy] and interior of his studio situate at 'Flaxley' 82 Finchley Rd. Seated, palette in hand and painting’.” Description An account of the resource Rivière is sitting in lunging position in front of easel, palette in hand, painting on canvas. Canvas content is not visible to viewer. Several animal furs line floor, couch, and table. Large tapestry hangs on left-hand wall. Framed picture hangs on right-hand wall with animal skeleton, perhaps of a wolf or dog, on dresser underneath painting. Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_01.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Michelle Malmberg Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 29, 2016 Date Modified Date on which the resource was changed. October 1, 2016 November 21, 2016, by LM February 14, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. B. Riviere, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. Maas, Jeremy. The Victorian Art World in Photographs. London: Barrie & Jenkins, 1984. Repr. p. 77, fig. 137. https://artistsathome.emorydomains.org/files/original/1c64297b2771ef2b6d4182f7e9a27073.jpg a1362316c3a8bd0ab9a9f60fcf27adce https://artistsathome.emorydomains.org/files/original/96c849be5c6fd171d54878c1b6feddf1.jpg 08b7406dfb48f9433e9c2bc5247514b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Plates Photoengraving Original Format Photoengraving on copper Image size 21.84 cm x 16.51 cm 8.6 inch x 6.5 inch Inscriptions (Printed on the mount beneath the image) J P Mayall Photo | London published by Sampson Low Marston Searle & Rivington 188 Fleet St. | Park Lane Studio London | J. E. BOEHM, R.A. Notes TIFF image, 76.3 MB A different photograph was also copyrighted on September 14, 1883: Copyright owner of photograph: Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph: Frank Dudman, 27 Bloemfontein, Shepherds Bush, London.. Description: "Photograph of Mr J E Boehm R A, & interior of his studio at The Avenue, 76 Fulham Rd. London. Working on bust of Lord Wolseley" (Public Records, National Archives, Kew, COPY 1/365/257 ). Sheet size 14.5 inch x 10.4 inch Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J. E. BOEHM, R.A. Studio portrait of Joseph Edgar Boehm Date Created Date of creation of the resource. 1884 Creator An entity primarily responsible for making the resource Sampson Low, Marston, Searle and Rivington, London Publisher D. Appleton & Co., New York Publisher Source A related resource from which the described resource is derived F. G. Stephens, Artists at Home, photographed by J. P. Mayall and reproduced in facsimile by photoengraving on copper plates / edited, with biographical notes and descriptions, by Frederick George Stephens (London: Sampson Low, Marston, Searle and Rivington; New York: Appleton & Co., 1884), n.p. Subject The topic of the resource Boehm, Joseph Edgar, 1st Baronet of Wetherby Gardens (1834-1890), English-Hungarian medallist and sculptor Date Issued Date of formal issuance (e.g., publication) of the resource. July 1884 Date Copyrighted Date of copyright. Photograph copyrighted September 14, 1883, Copyright owner of photograph, Joe Parkin Mayall, 548 Oxford Street, London. Copyright author of photograph, Frank Dudman, 27 Bloemfontein, Shepherds Bush, London (Public Records, The National Archies, Kew, COPY 1/365/258). Description: "Photograph of Mr J. E. Boehm R A & interior of his studio at The Avenue, 76 Fulham Rd. London. Seated in chair." Description An account of the resource The artist seated in his studio with newspaper across his lap, with small-scaled statues and statue busts around him. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. J. E. Boehm, <a title="Sir Francis Drake" href="%20http%3A//www.ntprints.com/image/357885/plaster-statue-of-sir-francis-drake-1540-1596-by-sir-joseph-boehm-1834-1890-in-the-lifetimes-gallery-at-buckland-abbey-yelverton-devon">Sir Francis Drake</a>, statuette, 1884–85, model for statues for Fitzford, Tavistock, and The Hoe, Plymouth J. E. Boehm, Thomas Huxley, plaster bust, 1881. Victoria and Albert Museum (on loan to Imperial College). J. E. Boehm, <a title="Monsieur B. Bertrand," href="http://artistsathome.emorydomains.org/search?query=bertrand&query_type=keyword&record_types%5B%5D=Item&record_types%5B%5D=File&record_types%5B%5D=Collection&record_types%5B%5D=Exhibit&record_types%5B%5D=ExhibitPage&record_types%5B%5D=SimplePagesPage&submit_search=Search">Monsieur B. Bertrand,</a> fencing-master of the late Prince Imperial Louis Napoleon, 1882, terra cotta Robert Glassby (1839–1892), <a title="J. Edgar Boehm" href="http://artistsathome.emorydomains.org/items/show/460">J. Edgar Boehm</a>, by 1872 Rights Information about rights held in and over the resource The online edition of this work in the public domain, i.e., not protected by copyright, has been produced by the Emory University Digital Library Program. Identifier An unambiguous reference to the resource within a given context FOLIO2011_134_012.tif Contributor An entity responsible for making contributions to the resource Stuart A. Rose Manuscripts and Rare Books Library, Emory University, Atlanta, GA Omeka record contributed by Albertine Lee Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). September 28, 2016 Date Modified Date on which the resource was changed. November 17, 2016 November 21, 2016, by LM January 23, 2017, by LM Is Version Of A related resource of which the described resource is a version, edition, or adaptation. Changes in version imply substantive changes in content rather than differences in format. J. E. Boehm, RA, albumen print, approx. 6½ x 8½ in., by Frank Dudman (1855-1918) for Joseph Park Mayall (1839-1922), 1883 Is Referenced By A related resource that references, cites, or otherwise points to the described resource. “Art in September.” The Magazine of Art 7 (September 1884): xlviii. "Mr. Mayall’s photographs—or rather, the photo-engravings on copper plates reproduced therefrom—are singularly lifeless and dull. Everybody looks as though he were sitting for his portrait; the very furniture is posing; and over all is that terrible and tremendous presence, the photographer’s light, “the light that never was on sea or land.” Mr. Calderon affronts the camera with much sternness; Sir John Gilbert has the sun in his eyes, and comes out very white and vague; Mr. Boehm, sitting desultorily among busts and statues, seems to have been caught in the act of reading the paper . . . . " “The Late Sir Edgar Boehm.” Times [London, England] (March 3, 1891): 13. "Mr. J. P. Mayall, jun., of Kilburn, has produced an enlarged copy of the fine portrait of the late Sir Edgar Boehm, which was taken by photogravure and published in 1884 among the series of “Artists at Home” (Sampson Low and Marston). The present copy, which is taken from the negative by the silver process, is an excellent portrait of the sculptor sitting in his studio. The focus of the picture is occupied by the well-known bust of Mr. Huxley, which was exhibited some years ago. The companion picture represents the artist at work on a bust of the Queen. The representation loses nothing of the firmness of outline which is sometimes sacrificed in enlarging from a negative, and the shades of tint appear to be as delicately handled as in the original photogravure." Stocker, Mark. Royalist and Realist: The Life and Work of Sir Joseph Edgar Boehm. New York and London: Garland Publishing, 1988. Mentioned p. 67, reproduced plate 5.