The Plates

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The Plates

Collection Items

SIR F. LEIGHTON, P.R.A.
The artist slouches slightly in a chair positioned in the center of the composition, set between two small round tables; a small figural sculpture, which he appears to touch, stands on the table to his right. Lining the wall behind him is a full…

T. WEBSTER, R.A.
Webster is seated in a wooden chair in the center of the photogravure outside his home in Cranbrook, Kent. He is surrounded by the various plants in his garden, flanked by the tall, white-framed windows of the entryway.

V. C. PRINSEP, A.R.A.
The artist seated in a wooden chair holding a palette and paintbrushes with his head tilted towards his left shoulder.

J.  E. MILLAIS, R.A.
The artist reclines comfortably in an armchair holding a newspaper.

S. COUSINS, R.A.<br /><br />
In this spacious sitting room, Samuel Cousins occupies a central position. Seated in a comfortable armchair, the engraver looks past the viewer. His legs crossed, his hands joined together in front of him, his pose is stable if slightly stiff. Above…

G. A. LAWSON
Lawson sits to the right of the composition, looking directly at the viewer. One leg is on the floor, while the other rests awkwardly on the rung of the tall stool in front of him. On the stool is a clay bust of a middle-aged gentleman. The floor…

MARCUS STONE, A.R.A.
The artist sits upright in a wooden chair on the right side of the composition, in front of a fireplace covered by his notes. He studies his canvas while holding a paintbrush and palette. Chairs, full bookcases, and desks occupy the left side of the…

RICHARD REDGRAVE, C.B.
Redgrave sits on the right-hand side of the composition, leaning back in an ornately carved chair with his legs crossed. He gazes blankly at the upper left corner. Behind him are two easels, and beside his legs, a table with various objects,…

J. PETTIE, R.A.
The artist is seated at the compositional center, looking toward the viewer. Slightly behind him is a large easel bearing a framed painting. On the man wall hangs a large tapestry, with two suits of armor flanking a fireplace. The wooden floor is…

F. DICKSEE, A.R.A.
Frank Dicksee leans against a mantlepiece holding a mahl stick, surrounded by artistic and decorative paraphernalia.

G. F. WATTS, R.A.
The artist seated in the center of his studio, with works of art covering the entire wall behind him.

J. MACWHIRTER, A.R.A.
The artist sits is a large, mostly unfurnished studio before an easel that supports a large, framed landscape painting. He holds a palette and brush and looks at a sketch propped on a pile of books atop a wooden chair just to the right of the easel.…

SIR JOHN GILBERT, R.A.
The artist seated in an arm chair staring out the window.

P.  H. CALDERON, R.A.
The artist is seated with one leg crossed over the other, positioned in profile, but his face is turned towards the viewer, away from the canvas in front of him. He occupies the center of the composition. Cussioned chairs and a fireplace are behind…

B. RIVIERE, R.A.
Rivière is sitting in lunging position in front of easel, palette in hand, painting on canvas. Canvas content is not visible to viewer. Several animal furs line floor, couch, and table. Large tapestry hangs on left-hand wall. Framed picture hangs on…

J. E. BOEHM, R.A.
The artist seated in his studio with newspaper across his lap, with small-scaled statues and statue busts around him.

T. O. BARLOW, R.A.
The artist is seated at a table with etching tools, his head resting on his right hand, before a large, unframed portrait of a man wearing religious robes; to the right is another unframed portrait of a man that is propped against elaborate, carved…

R. W. MACBETH, A.R.A.
The artist sits on a velvet-upholstered chair, his right knee crossed over his left, with his left hand on his right ankle as he looks down at the image he is sketching.. In front of him, on a large easel, is an elaborately framed painting of a young…

G. A. STOREY, A.R.A.
G. A Storey is seated in front of a canvas on an easel, painting a portrait of a woman. He has a palette in hand. Leaning on a chair and standing to his left is the model for his painting, looking at the viewer. The studio walls are covered in…
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